Two Essays by Walter Friedlaender. Mannerism and Antimannerism in Italian Painting PDF Download
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Author: Walter Friedlaender
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
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Book Description
Author: Walter Friedlaender
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
Get Book Here
Book Description
![Mannerism and Anti-mannerism in Italian Painting. (Two Essays. Presented to Walter Friedlaender on the Occasion of His Eightieth Birthday, March 10, 1953.) [With Reproductions.]. PDF](https://books.google.com/books/content/images/frontcover/O2r3PQAACAAJ?fife=w80-h100)
Author: Walter Friedlaender
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
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Book Description
Author: Walter Friedlaender
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
Get Book Here
Book Description
Author: Walter Friedlaender
Publisher: Columbia University Press
ISBN: 9780231083881
Category : Art
Languages : en
Pages : 150
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Book Description
Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).
Author: Walter Friedlaender
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Walter F. Friedlaender
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 89
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Book Description
Author: Walter Friedländer
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 0
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Author: Walter Friedlaender
Publisher: Schocken
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Focuses on IAFWA's status as a proponent of broadly applied conservation policies since its founding in 1902. The debate over state vs. federal jurisdiction in wildlife management is prominently discussed. Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).
Author: Mary Weitzel Gibbons
Publisher: Univ of California Press
ISBN: 9780520082137
Category : Art
Languages : en
Pages : 296
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Book Description
"Mary Gibbons's appraisal provides the first scholarly study of Giambologna's remarkably original religious sculpture in relief. In their pictorial austerity and unabashedly metallic forms, Giambologna's bronze narratives present us with bold innovations. This study offers new photographic documentation, archival discoveries, and, most significantly, new ideas and fresh perceptions of Giambologna's art."--Malcolm Campbell, University of Pennsylvania "This timely interdisciplinary study makes a major contribution, integrating Genoa into Late Medieval, Renaissance, and Baroque studies. Mary Gibbons illuminates the late career of this major Mannerist court artist. Her use of new documents to reconstruct and redate the commission argues for a more contextual approach to Giambologna in relation to the Genoese old nobility, the Genoese Republic, Catholic reform, and Genoese-Florentine relations within the Hapsburg Empire at the end of the Cinquecento."--George L. Gorse, Pomona and Scripps Colleges "Mary Weitzel Gibbons's book successfully challenges the received wisdom that Giambologna as a sculptor was concerned only with the formal appearance of his figures in the round. In this highly original analysis of his work in the Grimaldi Chapel in Genoa, Gibbons takes on the largely neglected field of sixteenth-century relief sculpture, placing Giambologna's contribution properly in the larger discourse of narrative practices in both painting and sculpture."--Sheila Folliott, George Mason University
Author: Gregorio Comanini
Publisher: University of Toronto Press
ISBN: 9780802084460
Category : Literary Collections
Languages : en
Pages : 190
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Book Description
Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.
