Two English Cantatas and four Songs

Two English Cantatas and four Songs PDF Author: Christopher Dixon
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Two English Cantatas and four Songs

Two English Cantatas and four Songs PDF Author: Christopher Dixon
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Six English Cantatas for One Voice

Six English Cantatas for One Voice PDF Author: John Christopher Pepusch
Publisher:
ISBN:
Category : Solo cantatas, Secular
Languages : en
Pages : 50

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A 2nd Book of two English Cantatas for a Voice and Instruments

A 2nd Book of two English Cantatas for a Voice and Instruments PDF Author: Thomas Augustine Arne
Publisher:
ISBN:
Category :
Languages : en
Pages : 28

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The Solo English Cantatas and Italian Odes of Thomas A. Arne

The Solo English Cantatas and Italian Odes of Thomas A. Arne PDF Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1527545059
Category : Music
Languages : en
Pages : 259

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Book Description
This study examines Thomas Arne’s solo cantatas and Italian odes from musical, literary and social perspectives. Arne composed these works between 1740 and 1774. As such, they provide a means of evaluating the evolving aspects of his musical style throughout his compositional career. The Italian odes have been little-studied, but provide an important gloss on Charles Burney’s comments on Arne’s inability to set the Italian language. Study of the cantata texts that Arne set reveals that they are often pastiches which make use of the words of William Congreve, Alexander Pope, Christopher Smart and others. The resulting process of adaptation and recombination re-contextualizes the borrowed material, resulting in differing emphases and changed meanings. Arne was restricted in his career opportunities because of his Catholic faith. The cantata genre provided Arne with an important creative outlet in the hedonistic atmosphere of the concerts of London’s pleasure gardens.

The Solo Cantata in Eighteenth-century Britain

The Solo Cantata in Eighteenth-century Britain PDF Author: Paul Francis Rice
Publisher: Warren, Mich. : Harmonie Park Press
ISBN:
Category : Reference
Languages : en
Pages : 496

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Catalog furnishes information about the solo secular cantata (and cantata-like works) in eighteenth-century Britain in a format of use to scholars, teacher, and performers. This repertory has much to commend for both study and performance. Confined to the eighteenth century, it provides valuable insights into this period of British musical life. Includes a body of attractive and useful music.

The Muses Delight. An Accurate Collection of English and Italian Songs, Cantatas and Duetts ... With Instructions for the Voice, Violin, Harpsichord ... German-Flute, Common-Flute, Hautboy, French-Horn, Bassoon, and Bass-Violin: also, a ... Musical Dictionary, and several Hundred English, Irish and Scots Songs, without the Music

The Muses Delight. An Accurate Collection of English and Italian Songs, Cantatas and Duetts ... With Instructions for the Voice, Violin, Harpsichord ... German-Flute, Common-Flute, Hautboy, French-Horn, Bassoon, and Bass-Violin: also, a ... Musical Dictionary, and several Hundred English, Irish and Scots Songs, without the Music PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 360

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ALL THE SONGS & PASSAGES IN SHAKSPERE

ALL THE SONGS & PASSAGES IN SHAKSPERE PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 162

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Six English Cantatas for One Voice, Four for a Flute and Two with a Trumpet and Other Instruments

Six English Cantatas for One Voice, Four for a Flute and Two with a Trumpet and Other Instruments PDF Author: John Christopher Pepusch
Publisher:
ISBN:
Category :
Languages : en
Pages : 46

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The Lively Arts of the London Stage, 1675–1725

The Lively Arts of the London Stage, 1675–1725 PDF Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306

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Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.

Catalogue of the Library of the Sacred Harmonic Society

Catalogue of the Library of the Sacred Harmonic Society PDF Author: William Henry Husk
Publisher:
ISBN:
Category :
Languages : en
Pages : 344

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