The Cambridge History of Medieval Music PDF Download
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Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Get Book Here
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: H. A. G. Houghton
Publisher: Oxford University Press
ISBN: 0198744730
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Latin is the language in which the New Testament was copied, read, and studied for over a millennium. The remains of the initial 'Old Latin' version preserve important testimony for early forms of text and the way in which the Bible was understood by the first translators. Successive revisions resulted in a standard version subsequently known as the Vulgate which, along with the creation of influential commentaries by scholars such as Jerome and Augustine, shaped theology and exegesis for many centuries. Latin gospel books and other New Testament manuscripts illustrate the continuous tradition of Christian book culture, from the late antique codices of Roman North Africa and Italy to the glorious creations of Northumbrian scriptoria, the pandects of the Carolingian era, eleventh-century Giant Bibles, and the Paris Bibles associated with the rise of the university. In The Latin New Testament, H. A. G. Houghton provides a comprehensive introduction to the history and development of the Latin New Testament. Drawing on major editions and recent advances in scholarship, he offers a new synthesis which brings together evidence from Christian authors and biblical manuscripts from earliest times to the late Middle Ages. All manuscripts identified as containing Old Latin evidence for the New Testament are described in a catalogue, along with those featured in the two principal modern editions of the Vulgate. A user's guide is provided for these editions and the other key scholarly tools for studying the Latin New Testament.
Author: Juan Luis Vives
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 350
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Book Description
Author: Ruth Tatlow
Publisher: Cambridge University Press
ISBN: 1107088607
Category : History
Languages : en
Pages : 431
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Book Description
In the eighteenth century the universal harmony of God's creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.
Author:
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 0
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Book Description
"LISTEN combines a range of sound-oriented objects, live music, oral history, spoken word performances, and ambient experimental installations to create an immersive and varied listening experience."--
Author: William James Porter
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Book Description
Author: Ruth Tatlow
Publisher: Cambridge University Press
ISBN: 9780521361910
Category : Music
Languages : en
Pages : 220
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Book Description
In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach incorporated significant words into his music, and provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 676
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Book Description
Author: Alcuin Reid
Publisher: Ignatius Press
ISBN: 1681493675
Category : Religion
Languages : en
Pages : 378
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Book Description
How has the Liturgy of the Roman rite developed and changed in history before and after the Council of Trent? What principles have determined the boundaries of legitimate liturgical reform over the centuries? What was the Liturgical Movement? Did Guéranger, Beauduin, Guardini, Parsch, Casel, Bugnini, Jungmann, Bouyer and the Movement's other leaders know and respect these principles? And what is to be said of the not insignificant liturgical reforms carried out by Saint Pius X, Popes Pius IX and Pius XII and Blessed John XXIII in the course of the twentieth century? In The Organic Development of the Liturgy, Dom Alcuin Reid examines these questions systematically, incisively and in depth, identifying both the content and context of the principle of "organic development"-a fundamental principle of liturgical reform of the Second Vatican Council's Constitution on the Sacred Liturgy Sacrosanctum Concilium-making a significant contribution to the understanding of the nature of the Liturgical Movement and to the ongoing re-assessment of the reforms enacted following the Council.
