Twenty Five Year Record of Yale '29, June 1954 PDF Download
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Author: Yale University. Class of 1929
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Yale University. Class of 1929
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Yale University. Class of 1893
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 888
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Book Description
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
Author: Yale University
Publisher: Forgotten Books
ISBN: 9780331383041
Category : Reference
Languages : en
Pages : 490
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Book Description
Excerpt from Twenty-Five Year Record, Class of Ninety-Three, Yale College: Including an Account of the Anniversary Reunion in June, 1918 By Saturday night there were thirty present, eleven more than at the same time five years before. On Sunday morning many heard the baccalaureate sermon, and a'few went to the New Haven Country Club for golf and tennis. Frank Donnelly averred that his score would have been better had not a mosquito bitten him on the first tee. All lunched together at headquarters. Arrivals during the lunch were Mrs. Fay and John, Mrs. Hay and two daughters, and Fox with the two little Foxes, each somewhat over six feet tall.' Immediately after lunch someone got Gatchel a guitar, which he played with the old assurance and facility. Everybody gath ered around him and had an Old-fashioned sing for nearly three hours. All the old favorites were revived: The Days of '93, Mary Green, Denny Grady's Hack, Down by the Riverside, Predicaments, The Fishers Swore a Feud, Hold the Ball, Down the Field, and a host of others. Major Louis B. Runk, the only one of our men in uniform who could attend the reunion, arrived during the singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John N. Deming
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 357
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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 896
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 904
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Book Description
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 756
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Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2530
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Book Description
Author: Marin R. Sullivan
Publisher: Princeton University Press
ISBN: 0691232466
Category : Art
Languages : en
Pages : 272
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Book Description
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era’s most notable spaces—Philip Johnson’s Four Seasons Restaurant in Mies van der Rohe’s Seagram Building, Max Abramovitz’s Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius’s Pan Am Building—would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an ideal framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction. A fresh consideration of sculpture’s relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today.
