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Author: Francois Pfaff
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
An invaluable work on black African cinema has at last appeared in English. Francoise Pfaff's volume synthesizes relevant information, devoid of hagiography, about twenty-five sub-Saharan African filmmakers, according a separate chapter--consisting of a biography, filmography, and thematic analyses of individual films--to each. Varying critical viewpoints are brought to bear from both African and non-African perspectives. The author has gone beyond translation and compilation to explore the decades of black African cinema within the historical context of the continent's problematic emancipation. . . . Twenty-Five Black African Filmmakers offers enormous insight along with valuable data heretofore unavailable in English. Cineaste Black African motion pictures emerged in the 1960s, at the height of the sociopolitical upheavals experienced by many nations in the transition from colonialism to independence. Working mostly with minimal budgets and limited distribution opportunities, African filmmakers nevertheless have been consistent prizewinners at international film festivals. Francoise Pfaff introduces this developing artistic tradition to American readers with her informative and highly readable guide to the work of twenty-five Black African directors.
Author: Francois Pfaff
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 384
Get Book Here
Book Description
An invaluable work on black African cinema has at last appeared in English. Francoise Pfaff's volume synthesizes relevant information, devoid of hagiography, about twenty-five sub-Saharan African filmmakers, according a separate chapter--consisting of a biography, filmography, and thematic analyses of individual films--to each. Varying critical viewpoints are brought to bear from both African and non-African perspectives. The author has gone beyond translation and compilation to explore the decades of black African cinema within the historical context of the continent's problematic emancipation. . . . Twenty-Five Black African Filmmakers offers enormous insight along with valuable data heretofore unavailable in English. Cineaste Black African motion pictures emerged in the 1960s, at the height of the sociopolitical upheavals experienced by many nations in the transition from colonialism to independence. Working mostly with minimal budgets and limited distribution opportunities, African filmmakers nevertheless have been consistent prizewinners at international film festivals. Francoise Pfaff introduces this developing artistic tradition to American readers with her informative and highly readable guide to the work of twenty-five Black African directors.
Author: Nwachukwu Frank Ukadike
Publisher: Univ of California Press
ISBN: 9780520912366
Category : Performing Arts
Languages : en
Pages : 390
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Book Description
From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa. Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties. Clearly written and accessible to specialist and general reader alike, Black African Cinema's analysis of key films and issues—the most comprehensive in English—is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.
Author: Audrey McCluskey
Publisher: University of Illinois Press
ISBN: 0252091868
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
South African film culture, like so much of its public life, has undergone a tremendous transformation during its first decade of democracy. Filmmakers, once in exile, banned, or severely restricted, have returned home; subjects once outlawed by the apparatchiks of apartheid are now fair game; and a new crop of insurgent filmmakers are coming to the fore. This extraordinary volume presents twenty-five in-depth interviews with established and emerging South African filmmakers, collected and edited by Audrey Thomas McCluskey. The interviews capture the filmmakers’ spirit, energy, and ambition as they attempt to give birth to a film culture that reflects the heart and aspirations of their diverse and emergent nation. The collection includes a biographical profile of each filmmaker, as well an introductory essay by McCluskey, pointing to the themes, as well as creative differences and similarities, among the filmmakers.
Author: Nwachukwu Frank Ukadike
Publisher: U of Minnesota Press
ISBN: 9781452905822
Category : Motion picture producers and directors
Languages : en
Pages : 358
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Book Description
Author: Linda Allen
Publisher: Bloomsbury Publishing USA
ISBN: 0313033595
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
As evidenced in interviews included in this volume, many African American filmmakers consider themselves artists first, their ethnicity being only part of what influences their work. This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers' productions and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema. From Oscar Micheaux and Spencer Williams to Neema Barnett and the team of George Jackson and Doug McHenry, this revealing reference work will enlighten scholars, students, and film buffs. As early as 1899, African Americans were involved in the filmmaking industry. Oscar Micheaux took directing, writing, and producing to a higher level with the release of his first film in 1918; by 1948 he had made more than forty films. Currently, by international world cinema standards, the African American tradition rivals cinema from anywhere in the world, but these filmmakers face a quandary: whether to make films through the Hollywood system or follow an independent vision. This book presents a cross-section of filmmakers from each camp and also focuses on those who work in both arenas.
Author: Michael T. Martin
Publisher: Wayne State University Press
ISBN: 9780814325889
Category : African Americans in motion pictures
Languages : en
Pages : 548
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Book Description
This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organized in three parts, the study first explores cinema in the black Diaspora along cultural and political lines, analyzing the works of a radical and aesthetically alternative cinema. The book proceeds to group black cinemas by geographical sites, including Africa, the Caribbean and South America, Europe, and North America, to provide global context for comparative and case study analyses. Finally, three important manifestoes document the political and economic concerns and counter-hegemonic institutional organizing efforts of black and Third World film-makers from the 1970s to the early 1990s. Cinemas of the Black Diaspora should serve as a valuable basic reference and research tool for the study of world cinema. While celebrating the diversity, innovativeness, and fecundity of film-making in different regions of the world, this important collection also explicates the historical importance of film-making as a cultural form and political practice.
Author: Dina Sherzer
Publisher: University of Texas Press
ISBN: 0292787596
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation's past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France's colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France's colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the immigration of former colonial subjects to France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture. This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.
Author: Kenneth W. Harrow
Publisher: Africa World Press
ISBN: 9780865436978
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.
Author: Malte Hagener
Publisher: Springer
ISBN: 3476036863
Category : Performing Arts
Languages : en
Pages : 489
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Book Description
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Author: Diana Maury Robin
Publisher: SUNY Press
ISBN: 9780791439937
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
