Author: Arcangelo Corelli
Publisher: Alfred Music
ISBN: 9781457485916
Category : Music
Languages : en
Pages : 44
Book Description
A Violin solo with piano accompaniment and Cello ad lib, composed by Arcangelo Corelli.
Twelve Sonatas, Op. 1
Author: Arcangelo Corelli
Publisher: Alfred Music
ISBN: 9781457485916
Category : Music
Languages : en
Pages : 44
Book Description
A Violin solo with piano accompaniment and Cello ad lib, composed by Arcangelo Corelli.
Publisher: Alfred Music
ISBN: 9781457485916
Category : Music
Languages : en
Pages : 44
Book Description
A Violin solo with piano accompaniment and Cello ad lib, composed by Arcangelo Corelli.
Complete violin sonatas and trio sonatas
Author: Arcangelo Corelli
Publisher: Courier Corporation
ISBN: 0486272419
Category : Music
Languages : en
Pages : 354
Book Description
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
Publisher: Courier Corporation
ISBN: 0486272419
Category : Music
Languages : en
Pages : 354
Book Description
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
A catalogue of a miscellaneous collection of music ... on sale
Author: Calkin and Budd
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Violin and Keyboard: From the seventeenth century to Mozart
Author: Abram Loft
Publisher: Hal Leonard Corporation
ISBN: 9780931340369
Category : Music
Languages : en
Pages : 386
Book Description
This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.
Publisher: Hal Leonard Corporation
ISBN: 9780931340369
Category : Music
Languages : en
Pages : 386
Book Description
This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.
Beethoven: The 'Moonlight' and Other Sonatas, Op. 27 and Op. 31
Author: Timothy Jones
Publisher: Cambridge University Press
ISBN: 9780521598590
Category : Music
Languages : en
Pages : 164
Book Description
Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.
Publisher: Cambridge University Press
ISBN: 9780521598590
Category : Music
Languages : en
Pages : 164
Book Description
Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.
A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge
Author: Fitzwilliam Museum
Publisher: Cambridge University Press
ISBN: 9780521415354
Category : Music
Languages : en
Pages : 216
Book Description
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
Publisher: Cambridge University Press
ISBN: 9780521415354
Category : Music
Languages : en
Pages : 216
Book Description
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
Twelve Violin Sonatas, Op. V
Author: Arcangelo Corelli
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 124
Book Description
The Recorder
Author: David Lasocki
Publisher: Yale University Press
ISBN: 030027064X
Category : Music
Languages : en
Pages : 367
Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
Publisher: Yale University Press
ISBN: 030027064X
Category : Music
Languages : en
Pages : 367
Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
The Sonata
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 0521762545
Category : Music
Languages : en
Pages : 279
Book Description
An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.
Publisher: Cambridge University Press
ISBN: 0521762545
Category : Music
Languages : en
Pages : 279
Book Description
An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.
Music, Books and Theatre in Eighteenth-Century Exton
Author: Colin Timms
Publisher: Taylor & Francis
ISBN: 1003860079
Category : Music
Languages : en
Pages : 117
Book Description
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.
Publisher: Taylor & Francis
ISBN: 1003860079
Category : Music
Languages : en
Pages : 117
Book Description
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.