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Author: D. Vitkus
Publisher: Springer
ISBN: 1137052929
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
Turning Turk looks at contact between the English and other cultures in the early modern Mediterranean, and analyzes the representation of that experience on the London stage. Vitkus's book demonstrates that the English encounter with exotic alterity, and the theatrical representations inspired by that encounter, helped to form the emergent identity of an English nation that was eagerly fantasizing about having an empire, but was still in the preliminary phase of its colonizing drive. Vitkus' research shows how plays about the multi-cultural Mediterranean participated in this process of identity formation, and how anxieties about religious conversion, foreign trade and miscegenation were crucial factors in the formation of that identity.
Author: D. Vitkus
Publisher: Springer
ISBN: 1137052929
Category : Performing Arts
Languages : en
Pages : 255
Get Book Here
Book Description
Turning Turk looks at contact between the English and other cultures in the early modern Mediterranean, and analyzes the representation of that experience on the London stage. Vitkus's book demonstrates that the English encounter with exotic alterity, and the theatrical representations inspired by that encounter, helped to form the emergent identity of an English nation that was eagerly fantasizing about having an empire, but was still in the preliminary phase of its colonizing drive. Vitkus' research shows how plays about the multi-cultural Mediterranean participated in this process of identity formation, and how anxieties about religious conversion, foreign trade and miscegenation were crucial factors in the formation of that identity.
Author: Robert Daborne
Publisher: Createspace Independent Publishing Platform
ISBN: 9781503382459
Category :
Languages : en
Pages : 162
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Book Description
The true, though well-embellished, story of the seventeenth-century English celebrity pirate, John Ward (later Yusuf Rais), who shocked Jacobean England by converting to Islam in 1608.
Author: Jonathan Burton
Publisher: University of Delaware Press
ISBN: 9780874139136
Category : Drama
Languages : en
Pages : 332
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Book Description
It will be of interest to all those interested in questions of early modern contact history, English relations with Islam and the East, English theater history, and cultural politics."--BOOK JACKET.
Author: Daniel Vitkus
Publisher: Columbia University Press
ISBN: 9780231505284
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
-- Greg Bak, Early Modern Literary Studies
Author: Andrew C. Rouse
Publisher: SPECHEL
ISBN: 9630894556
Category : History
Languages : en
Pages : 145
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Book Description
“Mr. Pepys and The Turk” is SPECHEL’s first inroad into publication. In line with the mission embodied in its name, this book and subsequent publications will be available in ebook and print-on-demand form, making it considerably more accessible than if it were solely a physical object. “Mr Pepys and Turk” tells of English popular notions of the “Turk” through history, centring upon the diary entries of civil servant Samuel Pepys (1633-1703) and the street ballads which he loved to collect. The author’s fascination with this subject stems from his dual life as an academic/folk singer, but also from having lived and worked most of his adult life in Hungary’s only city with two domed mosques, a minaret and other Turkish remains. Hungary is a country where the Turk gets bad press through incomplete and biased formal education and popular conception, yet one of the most charming children’s rhymes of which (included here in the author’s translation) features Mehmet the Turk. Unlike Hungary, England was not invaded by the Turk, unless you count a very brief visit to the Cornish coast, the only surviving trace of which is England’s oldest public house called “The Turk’s Head”. Yet popular misconceptions abound in both cultures through various media, including a seventeenth-century English street ballad about a battle in Hungary between the European forces and the Ottoman Empire. Here, then, is the “Turk”, not a historical man but a popular concept – lustful, terrible, but also poor and innocent as English popular notions fashion and refashion him through time and perspective.
Author: Robert Schwoebel
Publisher: BRILL
ISBN: 9004613404
Category : History
Languages : en
Pages : 293
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Book Description
Can we learn from history? A timely problem in the light of the recent dramatic developments in the Middle East and the immanent threat of international terrorism.The from time to time uneasy relations between the Christian West and the Islam originate in the seventh and eighth centuries and took shape in the Renaissance when for the first time in history knowledge of the "Turks" – a synonym of "Muslims" – was growing fast on the basis of first-hand experience, whether as agents of a western power, or as captives of the Turks. Apart from the unhappy but apparently universal tendency to represent one's enemy as the personification of evil, the fifteenth and early sixteenth western characterizations of the Ottomans as the sworn foe of Christianity are still pervading our concepts and terms, and are still formative for our own views. The Shadow of the Crescent is re-issued, because the book is concerned with the image of the "Turk" in the West after the fall of Constantinople till the beginnings of the Reformation and deals with the western attitude toward the Ottomans and the growing importance of the Islam. Certainly the problems were, and still are immense; not exactly the same, but undoubtedly comparable. At least we can learn from this book that there is nothing new under the sun.
Author: Graham Holderness
Publisher: Routledge
ISBN: 1317056310
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Shakespeare and Venice is the first book length study to describe and chronicle the mythology of Venice that was formulated in the Middle Ages and has persisted in fiction and film to the present day. Graham Holderness focuses specifically on how that mythology was employed by Shakespeare to explore themes of conversion, change, and metamorphosis. Identifying and outlining the materials having to do with Venice which might have been available to Shakespeare, Holderness provides a full historical account of past and present Venetian myths and of the city's relationship with both Judaism and Islam. Holderness also provides detailed readings of both The Merchant of Venice and of Othello against these mythical and historical dimensions, and concludes with discussion of Venice's relevance to both the modern world and to the past.
Author: Matthew Birchwood
Publisher: DS Brewer
ISBN: 9781843841272
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Exploration of the ways in which Islam manifested itself in the writings of the seventeenth century.
Author: Işıl Şahin Gülter
Publisher: Cambridge Scholars Publishing
ISBN: 1527544133
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Contesting the argument that Restoration-period drama referred almost exclusively to domestic social and political issues, this text interrogates the extent to which seventeenth century heroic plays justify and perpetuate stereotypical representations of the Ottoman Turks in Western discourse. It provides a comprehensive account of representation of “the Other” based on difference. Joining historical discussions ranging from the Ottoman Empire’s rise as a world power to the development of British imperial ideology, the book asserts that dramatic texts and production provide a rich and unexamined archive in which the issues of representation, difference, and cultural stereotyping are attendant on the emergence of imperial figure largely. This account not only deciphers representation of the Ottoman Turks based on simplification and stereotyping in dramatic representations, but also throws light on the most pressing political issues of seventeenth century England, including revolution, regicide, and restoration, dramatized in the guise of the Ottoman Turks and Ottoman history. The book’s attention to the Ottoman-related themes of a number of plays decisively redraws the map of Restoration drama.
Author: Esin Akalin
Publisher: Columbia University Press
ISBN: 3838269195
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
In the wake of the fear that gripped Europe after the fall of Constantinople in 1453, English dramatists, like their continental counterparts, began representing the Ottoman Turks in plays inspired by historical events. The Ottoman milieu as a dramatic setting provided English audiences with a common experience of fascination and fear of the Other. The stereotyping of the Turks in these plays—revolving around complex themes such as tyranny, captivity, war, and conquests—arose from their perception of Islam. The Ottomans' failure in the second siege of Vienna in 1683 led to the reversal of trends in the representation of the Turks on stage. As the ascending strength of a web of European alliances began to check Ottoman expansion, what then began to dazzle the aesthetic imagination of eighteenth century England was the sultan's seraglio with images of extravaganza and decadence. In this book, Esin Akalin draws upon a selective range of seventeenth and eighteenth century plays to reach an understanding, both from a non-European perspective and Western standpoint, how one culture represents the other through discourse, historiography, and drama. The book explores a cluster of issues revolving around identity and difference in terms of history, ideology, and the politics of representation. In contextualizing political, cultural, and intellectual roots in the ideology of representing the Ottoman/Muslim as the West’s Other, the author tackles with the questions of how history serves literature and to what extent literature creates history.
