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Author: Wale Sasamura Owoeye
Publisher: Pipit Inc.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 160
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Book Description
TUPAC AMARU SHAKUR & FELA ANIKULAPO KUTI – REVOLUTIONARIES OR MARTYRS is a monograph of honour raised in the memory of late Muhiyideen D’Baha Moye of Black Lives Matter movement. The book compares and contrast the two legendary figures of blackism, Tupac and Fela, drawing inferences and interconnections about the activism of the two artists whose life and art epitomized the struggle of the black race for true freedom. The book is written by the foremost Neo-Negritudian, Wale Sasamura Owoeye, author of Sixty-Six Songs
Author: Wale Sasamura Owoeye
Publisher: Pipit Inc.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 160
Get Book Here
Book Description
TUPAC AMARU SHAKUR & FELA ANIKULAPO KUTI – REVOLUTIONARIES OR MARTYRS is a monograph of honour raised in the memory of late Muhiyideen D’Baha Moye of Black Lives Matter movement. The book compares and contrast the two legendary figures of blackism, Tupac and Fela, drawing inferences and interconnections about the activism of the two artists whose life and art epitomized the struggle of the black race for true freedom. The book is written by the foremost Neo-Negritudian, Wale Sasamura Owoeye, author of Sixty-Six Songs
Author: Wale Owoeye
Publisher: Oysters Press
ISBN:
Category : Young Adult Nonfiction
Languages : en
Pages : 50
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Book Description
EJIRE (MYTHICAL TWINS) is a monograph about the phenomenon of twins and their deification as cognized and practiced in Yoruba culture. The book in concise headings explore the spiritual, artistic and modernist aspects of the Ibeji tradition, highlighting its peculiarities and the special place twins occupy in the scheme of traditional society. Featured with illustration, the book is written by foremost Neo Negritudian, Wale Sasamura Owoeye.
Author: Eric Charry
Publisher: Indiana University Press
ISBN: 0253005825
Category : Music
Languages : en
Pages : 405
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Book Description
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
Author: Wale Sasamura Owoeye
Publisher: Oysters Press
ISBN: 1535334940
Category : Body, Mind & Spirit
Languages : en
Pages : 26
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Book Description
AKUDAYA (Living-Wraith) is a book about supernatural entity reputed to live on as an incarnate being in a place after being concurrently affirmed as a dead person in another place. The phenomenon occupies a central place in Yoruba cultural traditions regarding reincarnation and mysterious sightings. Alternatively referred to as "Abarameji" in Yoruba culture, this well researched monograph spotlights features and significance of the mysterious phenomenon that affects awe and fear amongst Yoruba people and wherever its variant is found in the global culture.
Author: Wale Owoeye
Publisher: Oysters Press
ISBN:
Category : Young Adult Nonfiction
Languages : en
Pages : 45
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Book Description
ABIYAMO: MOTHERHOOD INCARNATE is a monograph about Yoruba tradition of motherhood, detailing its evolutionary phases from childhood to adulthood when a woman becomes betrothed to become a mother. The book spotlights the culture of Abiyamo to the world, expressing the shades, nuances and spiritual overtones of the travails of pregnancy, Ojo Ikunle, Abiye and postpartum roles a mother plays in the molding of a child and maintenance of the society. The book is written by Wale Sasamura-Owoeye, author of Elere-Omo: Spirit Child
Author: Wale Sasamura Owoeye
Publisher: Oysters Press
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 30
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Book Description
Elere-Omo (The Spirit-Child) is a monograph made to espouse an aspect of Yoruba culture relating to persons fated to have alliance with spiritual confraternity that have influence on their corporeal existence on earth. Alternatively referred to as Abiku, Emere or Elegbe-Omo, the phenomenon of persons having predetermined ties with extra-terrestrial confraternity that exacts devotion and propitiation from the spirit-child is still extant in Africa and in the Diaspora. It is hoped that at the end of this highly insightful book, the reader will emerge more enlightened about these special class of children gifted to the world for special purposes.
Author: Kwame Nkrumah
Publisher: [London] : Panaf Publications
ISBN:
Category : Africa
Languages : en
Pages : 0
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Book Description
Author: Justin Adams Burton
Publisher: Oxford University Press
ISBN: 0190235489
Category : Music
Languages : en
Pages : 177
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Book Description
Posthuman Rap listens for the ways contemporary rap maps an existence outside the traditional boundaries of what it means to be human. Contemporary humanity is shaped in neoliberal terms, where being human means being viable in a capitalist marketplace that favors whiteness, masculinity, heterosexuality, and fixed gender identities. But musicians from Nicki Minaj to Future to Rae Sremmurd deploy queerness and sonic blackness as they imagine different ways of being human. Building on the work of Sylvia Wynter, Alexander Weheliye, Lester Spence, LH Stallings, and a broad swath of queer and critical race theory, Posthuman Rap turns an ear especially toward hip hop that is often read as apolitical in order to hear its posthuman possibilities, its construction of a humanity that is blacker, queerer, more feminine than the norm.
Author: Jesse Weaver Shipley
Publisher: Duke University Press
ISBN: 0822395908
Category : Social Science
Languages : en
Pages : 558
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Book Description
Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
