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Author: Inge Arteel
Publisher: Manchester University Press
ISBN: 1526155702
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Author: Inge Arteel
Publisher: Manchester University Press
ISBN: 1526155702
Category : Literary Criticism
Languages : en
Pages : 402
Get Book Here
Book Description
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Author:
Publisher: BRILL
ISBN: 9004549609
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
This collection offers an in-depth study of music’s narrative functions in radio drama, whether original or adapted, alongside speech and sound. It features a range of historical perspectives as well as case studies from Australia, Europe and North America, highlighting broadcasting institutions such as the BBC, RAI, ABC, WDR and SWR, from early radio to the medium’s postwar golden age and contemporary productions. Not limited to classical or popular music, the chapters also pay attention to electronic varieties and musical uses of language, in addition to intermedial exchanges with other art forms such as theatre, opera and film. In doing so, the present volume sits at the crossroads of various disciplines: musicology, narratology, history, literary, media, sound and radio studies.
Author: Dirk Van Hulle
Publisher: Open Book Publishers
ISBN: 1805114026
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Genetic Narratology is the first full-length volume to merge genetic criticism with narratology, offering an innovative approach to understanding literature. By examining the creative process behind literary works through drafts, manuscripts and revisions, this book reveals how narratives are shaped in real time. Through diverse case studies—from Charlotte Brontë to Stephen King—this collection demonstrates how the material processes of writing influence narrative structure, pacing, and even the ‘untold’. By integrating genetic criticism with narratological methods, contributors explore how stories evolve, providing fresh insights into time, space, character, and suspense. Bridging the gap between the production and reception of texts, this volume makes a compelling case for incorporating genetic methods into broader narratological frameworks, enhancing not only our understanding of the genesis of literary works, ultimately enriching the reading experience, but also our awareness of the ways we narrativise this genesis. The book will be of interest to students and researchers alike, offering a new set of tools for analysing narrative across different versions.
Author: Will Slocombe
Publisher: Taylor & Francis
ISBN: 1040253652
Category : Fiction
Languages : en
Pages : 397
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Book Description
The Routledge Handbook of AI and Literature provides an invaluable resource for those interested in deepening their understanding of the variety of theories and approaches available when AI is studied or deployed in literary contexts. It also illustrates ways in which AI researchers can use literary lenses to better understand the sociotechnical dynamics and cultural imaginaries shaping human interactions with AI. Both AI and literature are understood in their broadest senses here. The book incorporates chapters that deal with Large Language Models, Generative AI, transformer architectures, story generators, and computational analysis. Literary case studies embrace performance, poetry, comics, as well as prose, and span a wide range of historical periods, from the ancient world to contemporary science fiction and Generative AI poetry. The Handbook brings together early career contributors, as well as some of the best-known names in the digital humanities and computational literary studies. It offers a fresh perspective on the past, present, and future of AI and literature that will appeal to students and scholars with relevant interests across a range of subjects, including AI Engineering, Classics, Computing, Digital Humanities, English, Ethics, Film and Television, Law, and Narratology.
Author: Marc James Léger
Publisher: Intellect Books
ISBN: 1789380901
Category : Art
Languages : en
Pages : 437
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Book Description
The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.
Author: Adam J. Frank
Publisher: Northwestern University Press
ISBN: 0810148080
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Returns us to Gertrude Stein’s theater by way of the modernist medium of radio What happens when we listen to Gertrude Stein’s plays as radio and music theater? This book explores the sound of Stein’s theater and proposes that radio, when approached both historically and phenomenologically, offers technical solutions to her texts’ unique challenges. Adam J. Frank documents the collaborative project of staging Stein’s early plays and offers new critical interpretations of these lesser-known works. Radio Free Stein grapples with her innovative theater poetics from a variety of disciplinary perspectives: sound and media studies, affect and object relations theory, linguistic performativity, theater scholarship, and music composition.
Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Author: Werner Wolf
Publisher: BRILL
ISBN: 9401200696
Category : Art
Languages : en
Pages : 610
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Book Description
One possible description of the contemporary medial landscape in Western culture is that it has gone ‘meta’ to an unprecedented extent, so that a remarkable ‘meta-culture’ has emerged. Indeed, ‘metareference’, i.e. self-reflexive comments on, or references to, various kinds of media-related aspects of a given medial artefact or performance, specific media and arts or the media in general is omnipresent and can, nowadays, be encountered in ‘high’ art and literature as frequently as in their popular counterparts, in the traditional media as well as in new media. From the Simpsons, pop music, children’s literature, computer games and pornography to the contemporary visual arts, feature film, postmodern fiction, drama and even architecture – everywhere one can find metareferential explorations, comments on or criticism of representation, medial conventions or modes of production and reception, and related issues. Within individual media and genres, notably in research on postmodernist metafiction, this outspoken tendency towards ‘metaization’ is known well enough, and various reasons have been given for it. Yet never has there been an attempt to account for what one may aptly term the current ‘metareferential turn’ on a larger, transmedial scale. This is what The Metareferential Turn in Contemporary Arts and Media: Forms, Functions, Attempts at Explanation undertakes to do as a sequel to its predecessor, the volume Metareference across Media (vol. 4 in the series ‘Studies in Intermediality’), which was dedicated to theoretical issues and transhistorical case studies. Coming from diverse disciplinary and methodological backgrounds, the contributors to the present volume propose explanations of impressive subtlety, breadth and depth for the current situation in addition to exploring individual forms and functions of metareference which may be linked with particular explanations. As expected, there is no monocausal reason to be found for the situation under scrutiny, yet the proposals made have in their compination a remarkable explanatory power which contributes to a better understanding of an important facet of current media production and reception. The essays assembled in the volume, which also contains an introduction with a detailed survey over the possibilities of accounting for the metareferential turn, will be relevant to students and scholars from a wide variety of fields: cultural history at large, intermediality and media studies as well as, more particularly, literary studies, music, film and art history.
Author: Erling E. Guldbrandsen
Publisher: Cambridge University Press
ISBN: 1107127211
Category : Art
Languages : en
Pages : 369
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Book Description
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Author: Donald Kuspit
Publisher: Simon and Schuster
ISBN: 1621532011
Category : Art
Languages : en
Pages : 539
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Book Description
In essays culled from three decades of critical writing, Donald Kuspit explores the aesthetic developments of the twentieth century, from post-impressionism to the latest permutation of post-Modernism. Ranging from Willem de Kooning to Andy Warhol to Sue Coe, this provocative anthology chronicles the distinctive voice of a formidable art critic whose reflections on art, artists, and art criticism constitute an eclectic exploration of the ways in which art and art criticism have influenced contemporary thought and psychology. The book's investigation into the social impact of artwork also reflects on the inner life of the artist.
