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Author: Inge Arteel
Publisher: Manchester University Press
ISBN: 1526155702
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Author: Inge Arteel
Publisher: Manchester University Press
ISBN: 1526155702
Category : Literary Criticism
Languages : en
Pages : 402
Get Book Here
Book Description
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Author:
Publisher: BRILL
ISBN: 9401202583
Category : History
Languages : en
Pages : 346
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Book Description
This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl, on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950s and 1960s. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned readymades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.
Author:
Publisher: BRILL
ISBN: 9401203768
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Author: Jonathan David Moe
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Jonas Ingvarsson
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631621844
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
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Book Description
Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
Author: Jill Carrick
Publisher: Routledge
ISBN: 1351556088
Category : Art
Languages : en
Pages : 272
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Book Description
Jill Carrick's Nouveau R?isme, 1960s France, and the Neo-avant-garde provides the first in-depth historical analysis of the "New Realism" movement and the critical and theoretical debates it engaged. This text makes available a new corpus of material - the rich historical and theoretical analysis as well as the fascinating photographic documentation of artists and works - from one of the most significant French art movements of the post-World War II period, whose literature has up to now been dominated by the terms of its founder, Pierre Restany. The illustrations and surprising contextual material - many of which have been unearthed by the author's archival research - document artwork, artists' collaborations, and ephemeral events.
Author: Tyrus Miller
Publisher: Northwestern University Press
ISBN: 0810125110
Category : Art
Languages : en
Pages : 274
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Book Description
This book focuses on the integral, interdisciplinary, and intermedial "compositions"—verbal, visual, musical, theatrical, and cinematic—of the avant-gardes in the period following World War II. It also considers the artistic politics of these postwar avant-gardes and their works. The book’s geographical span is primarily the United States, although in its more extended reach, it comprehends an international context of American postwar cultural hegemony throughout what was once referred to as "the free world." The works and the artists Miller takes up are those of the so-called "neo–avant-garde" with its inherent contradiction: an avant-garde whose newness is defined by its seeming reiteration of an earlier historical formation. Concentrating on the rhetorical, contextual, and performative characteristic of neo–avant-garde practice, including its relation to politics, Miller emphasizes the centrality of the example in this practice. John Cage, Jackson Mac Low, Gilbert Sorrentino, David Tudor, Stan Brakhage, and Samuel Beckett are among the artists whose exemplary works feature in Singular Examples. Miller’s key readings of these major artists of the period open up some of the most difficult texts of the neo–avant-garde even as they contribute to an eloquent argument for "artistic politics." Underlining the relation between material particulars and their thematic implications, between particular works and larger theoretical claims, between avant-garde aesthetics and formalist analysis, Singular Examples is exemplary in its own right, revealing the ultimate shape and direction of a postwar avant-garde contending with the historical predicaments of radical modernism.
Author: Branden Wayne Joseph
Publisher: MIT Press
ISBN: 9780262100991
Category : Art
Languages : en
Pages : 444
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Book Description
An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.
Author: Branden Wayne Joseph
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 1088
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Book Description
Author: Clodina Gubbiotti
Publisher:
ISBN:
Category :
Languages : en
Pages : 282
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Book Description
