Trois discours sur le poème dramatique PDF Download
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Author: Pierre Corneille
Publisher: Paris, Societe d'edition d'enseignement superieur
ISBN:
Category : Drama
Languages : fr
Pages : 176
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Book Description
Author: Pierre Corneille
Publisher: Paris, Societe d'edition d'enseignement superieur
ISBN:
Category : Drama
Languages : fr
Pages : 176
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Book Description
![Trois Discours Sur Le Poème Dramatique, Texte de 1660 [Edited By] Louis Forestier PDF](https://books.google.com/books/content/images/frontcover/4kC-wgEACAAJ?fife=w80-h100)
Author: Pierre Corneille
Publisher:
ISBN:
Category :
Languages : en
Pages : 167
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Book Description
Author: Pierre Corneille
Publisher: Société d'édition d'enseignement supérieur
ISBN:
Category : Drama
Languages : fr
Pages : 167
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Book Description
Author: Pierre Corneille
Publisher: Flammarion
ISBN: 9782080244345
Category :
Languages : fr
Pages : 324
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Book Description
Author: Pierre Corneille
Publisher:
ISBN: 9782080710253
Category : Drama
Languages : fr
Pages : 324
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Book Description
En 1660, Corneille donnait une édition en trois volumes de son Théâtre complet qui faisait de son œuvre un monument. Faut-il lire dès lors les Trois Discours sur le poème dramatique qui ouvrent chacun des volumes comme une manière de testament poétique délivré par un dramaturge vieillissant, qui quitterait ainsi la scène en prenant congé de son public ? Loin de n'offrir qu'un commentaire de ses pièces, Corneille entendait proposer non seulement une poétique à l'usage des dramaturges de son temps mais encore renouveler le geste inaugural de la théorie littéraire. Lisons donc ces Discours comme s'il s'agissait de la Poétique d'Aristote, rédigée par Sophocle et donnée par lui en préface d'Œdipe Roi.
Author: North American Society for Seventeenth-Century French Literature
Publisher: Gunter Narr Verlag
ISBN: 9783823355410
Category : Classicism
Languages : fr
Pages : 512
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Author: Emma Gilby
Publisher: Oxford University Press
ISBN: 0192567918
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Descartes's Fictions traces common movements in early modern philosophy and literary method. Emma Gilby reassesses the significance of Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work. She offers readings of the controversies to which this poetic theory gives rise, with particular reference to the genre of tragicomedy, questions of verisimilitude or plausibility, and the figures of Guez de Balzac and Pierre Corneille. Drawing on what Descartes says about, and to, his many contemporaries and correspondents embedded in the early modern republic of letters, this volume shows that poetics provides a repository of themes and images to which he returns repeatedly: fortune, method, error, providence, passion, and imagination, for instance. Like the poets and theorists of his age, Descartes is also drawn to the forms of attention that people may bring to his work. This interest finds expression in the mature Cartesian metaphysics of the Meditations, as well as, later, in the moral philosophy of his correspondence with Elisabeth of Bohemia or the Passions of the Soul. This volume thus bridges the gap between Cartesian criticism and late-humanist literary culture in France.
Author: Pierre Corneille
Publisher:
ISBN:
Category :
Languages : fr
Pages : 1155
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Book Description
Author:
Publisher: Editions Bréal
ISBN: 2749523028
Category :
Languages : en
Pages : 259
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Book Description
Author: Katja Gvozdeva
Publisher: BRILL
ISBN: 9004329765
Category : History
Languages : en
Pages : 327
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Book Description
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
