Trio sonata no. 2 in G minor PDF Download
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Author: Christoph Willibald Ritter von Gluck
Publisher:
ISBN:
Category : Quartets (Piano, violins (2), cello)
Languages : en
Pages : 38
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Book Description
Author: Christoph Willibald Ritter von Gluck
Publisher:
ISBN:
Category : Quartets (Piano, violins (2), cello)
Languages : en
Pages : 38
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Book Description
Author: Arcangelo Corelli
Publisher: Courier Corporation
ISBN: 0486272419
Category : Music
Languages : en
Pages : 354
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Book Description
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
Author: Yoel Greenberg
Publisher: Oxford University Press
ISBN: 0197526284
Category : History
Languages : en
Pages : 265
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Book Description
Traditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts.
Author: University of Michigan
Publisher:
ISBN:
Category :
Languages : en
Pages : 1768
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Book Description
Announcements for the following year included in some vols.
Author:
Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 938
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Book Description
Author: University of Michigan
Publisher:
ISBN:
Category : Detroit (Mich.)
Languages : en
Pages : 1028
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Book Description
Announcements for the following year included in some vols.
Author: Stephen Marcone
Publisher: Hal Leonard Corporation
ISBN: 9780965125048
Category : Music
Languages : en
Pages : 364
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Book Description
(Book). One of the most comprehensive books available covering publicity, touring, contracts, branding, marketing, trademarks, merchandising and record companies, this latest edition includes new business models for succeeding in the virtual world, and new contracts for personal management and artists releasing their own digital product. Also features an expanded chapter on business management, new artist-manager court cases, and updated industry website listings.
Author: Max Rudolf
Publisher: Pendragon Press
ISBN: 9781576470381
Category : Biography & Autobiography
Languages : en
Pages : 564
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Book Description
This volume offers a collection of articles written by the renowned conductor and scholar Max Rudolf, together with a selection of his correspondence relating to material in the articles. Max Rudolf's conducting career spanned seventy years, from his first performances in l920-2l to his last in 1990. His life was devoted to performing, scholarship, and teaching. He conducted at the Metropolitan Opera from 1943 to 1937 and was Musical Director of the Cincinnati Symphony from 1938 to 1970, after which he combined guest conducting with teaching opera and conducting at the Curtis Institute in Philadelphia. The articles reflect a lifetime of thought on the art of conducting, musical style, and performance practice. Rudolf, known as an interpreter of the classical repertoire, freely shared his vast knowledge of Mozart's and Beethoven's scores with colleagues and students. His conducting book, The Grammar of Conducting, has been the leading college text in the field for many years. As such it has extended his influence on many generations of conductors. Throughout his life, Rudolf corresponded voluminously with other musicians. The letters included in this volume were selected because they shed a warm, personal light on the formal published articles thus providing an opportunity to share the mind and thoughts of an outstanding human bein
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 944
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Book Description
Author: Igor Stravinsky
Publisher: A-R Editions, Inc.
ISBN: 9780895796431
Category : Music
Languages : en
Pages : 454
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Book Description
This volume contains all of the known musical sources and sketches for Stravinsky¿s Pulcinella (1919-1920) representing over 250 facsimile pages from the combined holdings of the Paul Sacher Stiftung (Basel) and the British Library (London) with invited essays by Lynn Garafola, , Ulrich Mosch, Jeanne Chenault Porter and Richard Taruskin. This publication was enhanced by the research of the late Barry Brook and by an appendix of song texts in the Neapolitan dialect by Dale Monson.Numerous tables in this publication provide efficient access to the entries on each page of the facsimile: according to the source groups, sketches, sources and sketches in order of the sources and sources and sketches in order of the published edition.In her commentary Maureen Carr discusses: the genesis of the idea for Pulcinella, the sources chosen by Stravinsky and those that he discarded, the sketches, as well as analytical perspectives on Stravinsky¿s compositional process for this work. In addition to the musical sources and sketches, other documents in this volume, such as a preliminary outline of the work in the hand of the painter, Pablo Picasso (Musée Picasso) and a more detailed scenario written out by the choreographer, Leonide Massine (Basel), will help scholars to understand the nature of the collaboration among these luminaries [the composer Igor Stravinsky (1882-1971), the Spanish painter Pablo Picasso (1881¿1973), the Russian choreographer Léonide Massine (Miasin; 1895¿1979), and the Russian impresario Sergei Diaghilev (1872¿1929)] that resulted in this astonishing dramatic work for dance and song. Book URL: https://www.areditions.com/books/MC002.html
