Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 48
Book Description
Trio II in B♭ Major, K.502
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 48
Book Description
Trio No. 2 in B-flat Major, K. 502
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Publishing Company
ISBN: 9780757905278
Category : Music
Languages : en
Pages : 48
Book Description
Publisher: Alfred Publishing Company
ISBN: 9780757905278
Category : Music
Languages : en
Pages : 48
Book Description
Trio: for piano, violin and cello, No.II, B flat major, K502
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Complete piano trios and quartets and piano quintet
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486267148
Category : Music
Languages : en
Pages : 273
Book Description
Splendid collection contains all eight piano trios, the two piano quartets, and the piano quintet, reprinted from the definitive Breitkopf & Härtel editions. Indispensable for pianists and chamber musicians.
Publisher: Courier Corporation
ISBN: 0486267148
Category : Music
Languages : en
Pages : 273
Book Description
Splendid collection contains all eight piano trios, the two piano quartets, and the piano quintet, reprinted from the definitive Breitkopf & Härtel editions. Indispensable for pianists and chamber musicians.
Trio V in G Major, K. 564, for Piano, Violin and Violoncello
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
Past Sounds
Author: Gillian Perrin
Publisher: Austin Macauley Publishers
ISBN: 1528991613
Category : Music
Languages : en
Pages : 240
Book Description
This is a book about classical music – for people who say they love music “but don’t understand how it works”, as well as for performers and music students of all ages. Proposing that deeper enjoyment begins with an understanding of music’s basic structures, the book describes how the simple template of earlier dance-songs was adapted by composers writing music for instruments. The instrumental sonata became one of the great formal frameworks of western music: in symphonies, concertos, chamber music and solo sonatas, it dominated concert music for some 250 years – yet it is little understood by many music lovers. To simplify this vast field, Past Sounds singles out for study “sonatas” for piano trio – piano, violin and ’cello. These instruments have well-contrasted and easily identifiable sounds, and as the story unfolds the reader is introduced to many rarely heard but beautiful works for piano trio. This is a lively, clearly-written narrative as well as a handbook for subsequent listening. The book has two distinctive features. Firstly, technical terms are carefully explained, and for those not familiar with music notation, audio clips in an accompanying website reproduce the actual sound of the music described. Secondly, in a broad historical sweep from mid-18th to 20th centuries, the development of the sonata is followed in its context of contemporary arts and literature – demonstrating how the sonata idea of classical music well deserves to be understood and valued as a western cultural archetype alongside other great artistic and literary forms.
Publisher: Austin Macauley Publishers
ISBN: 1528991613
Category : Music
Languages : en
Pages : 240
Book Description
This is a book about classical music – for people who say they love music “but don’t understand how it works”, as well as for performers and music students of all ages. Proposing that deeper enjoyment begins with an understanding of music’s basic structures, the book describes how the simple template of earlier dance-songs was adapted by composers writing music for instruments. The instrumental sonata became one of the great formal frameworks of western music: in symphonies, concertos, chamber music and solo sonatas, it dominated concert music for some 250 years – yet it is little understood by many music lovers. To simplify this vast field, Past Sounds singles out for study “sonatas” for piano trio – piano, violin and ’cello. These instruments have well-contrasted and easily identifiable sounds, and as the story unfolds the reader is introduced to many rarely heard but beautiful works for piano trio. This is a lively, clearly-written narrative as well as a handbook for subsequent listening. The book has two distinctive features. Firstly, technical terms are carefully explained, and for those not familiar with music notation, audio clips in an accompanying website reproduce the actual sound of the music described. Secondly, in a broad historical sweep from mid-18th to 20th centuries, the development of the sonata is followed in its context of contemporary arts and literature – demonstrating how the sonata idea of classical music well deserves to be understood and valued as a western cultural archetype alongside other great artistic and literary forms.
The Complete Piano Trios
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Dictionary Catalog of the Rodgers and Hammerstein Archives of Recorded Sound
Author: Rodgers and Hammerstein Archives of Recorded Sound
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 714
Book Description
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
Author: David Beach
Publisher: Routledge
ISBN: 1136329765
Category : Music
Languages : en
Pages : 385
Book Description
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Publisher: Routledge
ISBN: 1136329765
Category : Music
Languages : en
Pages : 385
Book Description
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.