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Author: Ludwig van Beethoven
Publisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
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Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Author: Ludwig van Beethoven
Publisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
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Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Author: Wayne M. Senner
Publisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296
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Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 84
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Book Description
Author: Susan Kagan
Publisher: Pendragon Press
ISBN: 9780945193456
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
In early 19th-century Austria the Archduke Rudolph occupied multiple roles: a noble Hapsburg by birth, a Cardinal-Archbishop by career, and a dedicated musician by avocation. A talented pianist and composer, Archduke Rudolph enjoyed the unique privilege of being Beethoven's only composition student, and in the two decades of studying with him produced a sizable and well-crafted body of music for piano, chamber ensemble, and voice. Many of the Archduke's autograph manuscripts were corrected in detail by Beethoven, giving us fascinating insights into Beethoven's thinking on the structure and syntax of music. This comprehensive book surveys Archduke Rudolph's life and career in music, which also encompasses his significant role as music patron and collector. It is based on a study of primary sources, principally the autograph manuscripts of his compositions and sketches, and most importantly, Beethoven's own autographs-including sketches, corrections on the Rudolph manuscripts, and a four-measure theme composed expressly for Rudolph's use-produced here, in facsimile, for the first time. Other primary sources examined include the Archduke's correspondence with Beethoven and members of the Imperial household, the catalogues of Rudolph's music collection, and documents related to his ecclesiastical career. The thematic catalogue of Archduke Rudolph's music lists all of his finished and unfinished works in chronological order, as well as sketches, copies, and transcriptions. Fifty illustrations and 190 musical examples are also provided.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 448
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Book Description
Author: Barry Cooper
Publisher: Oxford University Press
ISBN: 019046349X
Category : Music
Languages : en
Pages : 465
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Book Description
The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.
Author: Augener & Co
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1404
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Book Description
Author: Scott Burnham
Publisher: Princeton University Press
ISBN: 0691218323
Category : Music
Languages : en
Pages : 398
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Book Description
Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
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Book Description
Author: John S. Dwight
Publisher: BoD – Books on Demand
ISBN: 3375162197
Category : Fiction
Languages : en
Pages : 426
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Book Description
Reprint of the original, first published in 1857.
