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Author: Allen Clayton Cadwallader
Publisher: Simon & Schuster Books For Young Readers
ISBN:
Category : Music
Languages : en
Pages : 184
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Book Description
Heinrich Schenker (1868-1935) was arguably the most influential music theorist of the twentieth century. With his controversial approach to musical analysis, he clearly demonstrated the interdependence of harmony and counterpoint--the relation between chord and line--at different structural levels. The influence of this theory sparked a major revolution in music theory and has resonated in the theoretical work of a half-century of scholars. Trends in Schenkerian Research gathers the writings of the most recent generation of Schenkerian theorists, extending and amplifying ideas not fully developed by Schenker in his lifetime, and placing him in the broader context of theoretical history. Focusing on the topics of tonal rhythm, musical form, and motivic structure, these essays represent both analytical and theoretical elaborations of Schenkerian theory. Chann Willner's essay on Handel's motivic and rhythmic transformation of Telemann's music, and David Gagné's study of Mozart's use of register and texture in the context of musical form represent the analytical extension and practical application of Schenker's work. Extending the theoretical boundaries of Schenker's work, William Rothstein's theory of rhythmic displacement and normalization and Allen Cadwallader's exploration of form and design at different structural levels serve as corollaries to Schenker's original theory. By tracing the historical progression of the Ursatz concept, one of the most far-reaching theoretical constructs of the twentieth century, William Pastille illustrates Schenker's relevance in the history of music theory.
Author: Allen Clayton Cadwallader
Publisher: Simon & Schuster Books For Young Readers
ISBN:
Category : Music
Languages : en
Pages : 184
Get Book
Book Description
Heinrich Schenker (1868-1935) was arguably the most influential music theorist of the twentieth century. With his controversial approach to musical analysis, he clearly demonstrated the interdependence of harmony and counterpoint--the relation between chord and line--at different structural levels. The influence of this theory sparked a major revolution in music theory and has resonated in the theoretical work of a half-century of scholars. Trends in Schenkerian Research gathers the writings of the most recent generation of Schenkerian theorists, extending and amplifying ideas not fully developed by Schenker in his lifetime, and placing him in the broader context of theoretical history. Focusing on the topics of tonal rhythm, musical form, and motivic structure, these essays represent both analytical and theoretical elaborations of Schenkerian theory. Chann Willner's essay on Handel's motivic and rhythmic transformation of Telemann's music, and David Gagné's study of Mozart's use of register and texture in the context of musical form represent the analytical extension and practical application of Schenker's work. Extending the theoretical boundaries of Schenker's work, William Rothstein's theory of rhythmic displacement and normalization and Allen Cadwallader's exploration of form and design at different structural levels serve as corollaries to Schenker's original theory. By tracing the historical progression of the Ursatz concept, one of the most far-reaching theoretical constructs of the twentieth century, William Pastille illustrates Schenker's relevance in the history of music theory.
Author: Carl Schachter
Publisher: Pendragon Press
ISBN: 9781576471128
Category : Juvenile Nonfiction
Languages : en
Pages : 300
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Book Description
Introduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
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Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author: David Beach
Publisher: Routledge
ISBN: 0429843771
Category : Music
Languages : en
Pages : 319
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Book Description
Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form, Second Edition is a textbook directed at all those—whether beginners or more advanced students—interested in gaining understanding of and facility at applying Schenker’s ideas on musical structure. It begins with an overview of Schenker’s approach to music, and then progresses systematically from the phrase and its various combinations to longer and more complex works. Unlike other texts on this subject, Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate instructor’s manual provides additional advice and solutions (graphs) of all recommended assignments. This second edition has been revised to make the early chapters more accessible and to improve the pedagogical effectiveness of the book as a whole. Changes in musical examples have been carefully made to ensure that each example fully supports student learning. Informed by decades of teaching experience, this book provides a clear and comprehensive guide to Schenker’s theories and their applications.
Author: Benjamin Ayotte
Publisher: Routledge
ISBN: 1000143562
Category : Music
Languages : en
Pages : 348
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Book Description
This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.
Author: Phillip Crabtree
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
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Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
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Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Author: Hedi Siegel
Publisher: Cambridge University Press
ISBN: 9780521470117
Category : Music
Languages : en
Pages : 348
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Book Description
Second volume of studies based on the work of Heinrich Schenker.
Author: David Beach
Publisher: Routledge
ISBN: 1136334440
Category : Music
Languages : en
Pages : 338
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Book Description
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker's theories, then progresses systematically from the phrase and their various combinations to longer and more complex works. Unlike other texts on this subject, Advanced Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate Instructor’s Manual provides additional advice and solutions (graphs) of all recommended assignments.
Author: Oliver Schwab-Felisch
Publisher: Georg Olms Verlag
ISBN: 3487424797
Category : Music
Languages : en
Pages : 495
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Book Description
Dass Heinrich Schenker zu einem der meistdiskutierten Musiktheoretiker des 20. Jahrhunderts wurde, hat im Wesentlichen zwei Gründe: Erstens ermöglicht seine Theorie ebenso vielschichtige wie konsistente Beschreibungen der Stimmführung, Harmonik und Syntax tonaler Werke. Und zweitens fand Schenkers ?Schichtenlehre? in den USA, wohin die meisten Schüler Schenkers nach 1933 emigriert waren, ideale Bedingungen vor - Bedingungen, die sie rasch zur führenden Theorie tonaler Musik aufsteigen ließen. In Österreich, Deutschland und der Schweiz nahm die Schenker-Rezeption vorerst einen anderen Weg: Bis zur Jahrtausendwende blieb Schenkers Theorie Sache weniger Spezialisten. Seither aber stößt sie auch im deutschsprachigen Raum auf wachsendes Interesse. Der vorliegende deutsch-englische Sammelband trägt zur Schenker-Forschung beider Sprachräume und Wissenschaftskulturen bei. Er untersucht theoriegeschichtliche Fragen, beleuchtet unerforschte Aspekte der Schenker-Theorie und erschließt zahlreiche ihrer wissenschaftstheoretischen, rezeptionshistorischen und musikästhetischen Implikationen. Häufig geht er dabei über Schenker hinaus - durch neue Vorstellungen von Rhythmik und Metrik, Bezüge zur Systemtheorie Niklas Luhmanns oder pluralistische Theoriekonzepte. Der separate Notenband enthält analytische Graphiken ebenso wie originale Notentexte. Online abrufbare Hörbeispiele verdeutlichen, wie sich unterschiedliche analytische Interpretationen auf musikalische Aufführungen auswirken können. Glossar und Register schließlich erleichtern vertiefte Lektüren entlang gezielter Fragestellungen. Ein grundlegendes Studienbuch, das Musiktheoretiker:innen wie Interpret:innen zahlreiche Möglichkeiten aufzeigt, sich von Schenkers Denken anregen zu lassen.
