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Author: Jessica Rawson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
In contrast to the West, where diamonds, gold and silver have usually been highly valued, in China bronzes and jades were chosen early on for the societyâe(tm)s most valued artefacts, and retained this very high status over millennia. Bronze and jades were used in China for ritual and burial, and were thus associated with the sacred worlds of the ancestors and spirits. In later China, these precious relics of the past were collected by rulers and scholars as routes to understanding a distant golden age. These ancient objects, some dating from the neolithic period, set the artistic standard for all time; this is where Chinese art begins. Chinese bronzes, in particular, are one of the worldâe(tm)s major art forms. Few if any other ancient cultures achieved the artistic excellence and technical virtuosity in bronze attained in China. Using a unique casting method involving multiple ceramic section moulds, the Chinese cast vessels, weapons and ornaments of great beauty and elegance. Jade, too, is central to Chinaâe(tm)s culture. This tough translucent stone has been worked to produce the most prized ornaments and ceremonial implements from the Neolithic period to the present day. The jades featured in this catalogue, carved by some of the groups of ancient inhabitants in the Shanghai area. They include wonderful, decorated ritual jades, cong, bi discs, weapons and ornaments. This catalogue not only celebrates an important collection, but highlights the extraordinary skills of the craftsmen of very early cultures, placing the objects in their historical and archaeological context. Here are exquisite objects made for the ancient Chinese elite and subsequently revered by emperors and collectors alike.
Author: Jessica Rawson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
In contrast to the West, where diamonds, gold and silver have usually been highly valued, in China bronzes and jades were chosen early on for the societyâe(tm)s most valued artefacts, and retained this very high status over millennia. Bronze and jades were used in China for ritual and burial, and were thus associated with the sacred worlds of the ancestors and spirits. In later China, these precious relics of the past were collected by rulers and scholars as routes to understanding a distant golden age. These ancient objects, some dating from the neolithic period, set the artistic standard for all time; this is where Chinese art begins. Chinese bronzes, in particular, are one of the worldâe(tm)s major art forms. Few if any other ancient cultures achieved the artistic excellence and technical virtuosity in bronze attained in China. Using a unique casting method involving multiple ceramic section moulds, the Chinese cast vessels, weapons and ornaments of great beauty and elegance. Jade, too, is central to Chinaâe(tm)s culture. This tough translucent stone has been worked to produce the most prized ornaments and ceremonial implements from the Neolithic period to the present day. The jades featured in this catalogue, carved by some of the groups of ancient inhabitants in the Shanghai area. They include wonderful, decorated ritual jades, cong, bi discs, weapons and ornaments. This catalogue not only celebrates an important collection, but highlights the extraordinary skills of the craftsmen of very early cultures, placing the objects in their historical and archaeological context. Here are exquisite objects made for the ancient Chinese elite and subsequently revered by emperors and collectors alike.
Author: Isabel Sun Chao
Publisher:
ISBN: 9781954854055
Category :
Languages : en
Pages : 308
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Book Description
"A volume that demands to be held." --Los Angeles Review of Books True stories of glamour, drama, and tragedy told through five generations of a Shanghai family, from the last days of imperial rule to the Cultural Revolution. A high position bestowed by China's empress dowager grants power and wealth to the Sun family. For Isabel, growing up in glamorous 1930s and '40s Shanghai, it is a life of utmost privilege. But while her scholar father and fashionable mother shelter her from civil war and Japanese occupation, they cannot shield the family forever. When Mao comes to power, eighteen-year-old Isabel journeys to Hong Kong, not realizing that she will make it her home--and that she will never see her father again. She returns to Shanghai fifty years later with her daughter, Claire, to confront their family's past--one they discover is filled with love and betrayal, kidnappers and concubines, glittering palaces and underworld crime bosses. Lavishly illustrated and meticulously researched, Remembering Shanghai follows five generations from a hardscrabble village to the bright lights of Hong Kong. By turns harrowing and heartwarming, this vivid memoir explores identity, loss, and redemption against an epic backdrop. WINNER OF 20 LITERARY AND DESIGN AWARDS, INCLUDING: Writer's Digest GRAND PRIZE Rubery Book Award BOOK OF THE YEAR IAN Independent Author Network OUTSTANDING MEMOIR IPPY Independent Publisher Book Awards BEST FIRST BOOK Reader Views GLOBAL AWARD
Author: Betty Liu
Publisher: HarperCollins
ISBN: 0062854747
Category : Cooking
Languages : en
Pages : 699
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Book Description
One of the Best Cookbooks of 2021 by the New York Times Experience the sublime beauty and flavor of one of the oldest and most delicious cuisines on earth: the food of Shanghai, China’s most exciting city, in this evocative, colorful gastronomic tour that features 100 recipes, stories, and more than 150 spectacular color photographs. Filled with galleries, museums, and gleaming skyscrapers, Shanghai is a modern metropolis and the world’s largest city proper, the home to twenty-four million inhabitants and host to eight million visitors a year. “China’s crown jewel” (Vogue), Shanghai is an up-and-coming food destination, filled with restaurants that specialize in international cuisines, fusion dishes, and chefs on the verge of the next big thing. It is also home to some of the oldest and most flavorful cooking on the planet. Betty Liu, whose family has deep roots in Shanghai and grew up eating homestyle Shanghainese food, provides an enchanting and intimate look at this city and its abundant cuisine. In this sumptuous book, part cookbook, part travelogue, part cultural study, she cuts to the heart of what makes Chinese food Chinese—the people, their stories, and their family traditions. Organized by season, My Shanghai takes us through a year in the Shanghai culinary calendar, with flavorful recipes that go beyond the standard, well-known fare, and stories that illuminate diverse communities and their food rituals. Chinese food is rarely associated with seasonality. Yet as Liu reveals, the way the Shanghainese interact with the seasons is the essence of their cooking: what is on a dinner table is dictated by what is available in the surrounding waters and fields. Live seafood, fresh meat, and ripe vegetables and fruits are used in harmony with spices to create a variety of refined dishes all through the year. My Shanghai allows everyone to enjoy the homestyle food Chinese people have eaten for centuries, in the context of how we cook today. Liu demystifies Chinese cuisine for home cooks, providing recipes for family favorites that have been passed down through generations as well as authentic street food: her mother’s lion’s head meatballs, mung bean soup, and weekday stir-fries; her father-in-law’s pride and joy, the Nanjing salted duck; the classic red-braised pork belly (as well as a riff to turn them into gua bao!); and core basics like high stock, wontons, and fried rice. In My Shanghai, there is something for everyone—beloved noodle and dumpling dishes, as well as surprisingly light fare. Though they harken back centuries, the dishes in this outstanding book are thoroughly modern—fresh and vibrant, sophisticated yet understated, and all bursting with complex flavors that will please even the most discriminating or adventurous palate.
Author: Justin M. Jacobs
Publisher: University of Chicago Press
ISBN: 022671201X
Category : History
Languages : en
Pages : 357
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Book Description
From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.
Author:
Publisher:
ISBN: 9781732584006
Category :
Languages : en
Pages :
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Book Description
Klim Rogov is a foreign journalist, and when Russia has a Bolshevik coup in 1917, he has a chance to leave the country and escape the violence of the civil war. He tries to take Nina, his fiancée, with him, but precious time is lost. Klim decides to stay with her and protect her while he still can.
Author: Chia-Ling Yang
Publisher: Bloomsbury Publishing USA
ISBN: 1501358359
Category : Art
Languages : en
Pages : 359
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Book Description
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China? In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.
Author: Don Stewart Nimmons
Publisher: Xulon Press
ISBN: 1591604605
Category : Fiction
Languages : en
Pages : 554
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Book Description
Author: Ori Sela
Publisher: University of Hawaii Press
ISBN: 0824894588
Category : History
Languages : en
Pages : 305
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Book Description
China’s past and present have been in a continuous dialogue throughout history, one that is heavily influenced by time and language: the temporal orientation and the linguistic apparatus used to express and solidify identity, ideas, and practices. Presenting a host of in-depth case studies, Time and Language: New Sinology and Chinese History argues for and demonstrates the significance of “New Sinology” by restoring the role of language/philology in the research and understanding of how modern China emerged. Reading the modern as a careful and ongoing conversation with the past renders the “new” in a different perspective. This volume is a significant step toward a new historical narrative of China’s modern history, one wherein “ruptures” can exist in tandem with continuities. The collection accentuates the deep connection between language and power—one that spans well across China’s long past—and hence the immense consequences of linguistic-related methodology to the comprehension of power structures and identity in China. Each of the essays in this volume tackles these issues, the methodological and the thematic, from a different angle but they all share the Sinological prism of analysis and the basic understanding that a much longer timeframe is required to make sense of Chinese modernity. The languages examined are diverse, including modern and classical Chinese, as well as Manchu and Japanese. Taken together they bring a spectrum of linguistic perspectives and hence a spectrum of power relations and identities to the forefront. While the essays focus on late Qing and early twentieth-century eras, they refer often to earlier periods, which are necessary to making real sense of later eras. The methodological and the thematic do not only converge, but also generate a plea for fostering and expanding this approach in current and future studies.
Author: Da Kong
Publisher: Routledge
ISBN: 1000374696
Category : Art
Languages : en
Pages : 183
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Book Description
Museums, International Exhibitions and China’s Cultural Diplomacy examines the role museums and, more specifically, international exhibitions, have played in shaping China’s international image to date. Drawing on theories and methods from museum studies and international relations, the book evaluates the contribution international exhibitions make to China’s cultural diplomacy strategy. Considering their impact on the country’s international image, Kong also probes the mechanisms and processes involved, examining in detail the policy of, and international activities promoted by, the Chinese government. The book also analyses the motives of the Chinese and overseas museums that host these exhibitions. Taking some major exhibitions that were on show in the UK during the 21st century as a representative case study, the book reveals the mechanisms by which these exhibitions were developed and shared overseas. Questioning who really shapes the image of China, Kong challenges Western assumptions and looks ahead to consider whether, moving forward, the Chinese government and museums could work together in a mutually beneficial way. Museums, International Exhibitions and China’s Cultural Diplomacy contributes to the growing literature on museums and diplomacy. As such, it will be of interest to academics and students engaged in the study of museums and heritage, international relations, culture, politics, China and wider Asia.
Author: Augustine Roberts
Publisher: Liturgical Press
ISBN: 087907034X
Category : Biography & Autobiography
Languages : en
Pages : 273
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Book Description
Augustine Roberts is a New England Yankee, transplanted by circumstance first to Argentina and then to Rome, from where frequent travel took him to nearly every part of the globe. The historical era into which he was born, so fraught with personal and communal soul-searching, also made him wrestle with all the tensions of the contemporary church and world. Finding the Treasure tells of Dom Augustine's conversion to the Catholic Church while attending Yale and of his remarkably varied monastic experience during the turbulent years of church renewal following Vatican II. These letters from a global monk will not disappoint anyone fascinated by the paradox of a monk who, rooted by vow to his monastery, becomes a globe-trotter precisely out of deep obedience. Augustine Roberts, OCSO, has been a Trappist monk since the early 1950s. After serving as abbot of St. Joseph's Abbey in Spencer, Massachusetts, he became Procurator General of the Trappist Order. In the 1960s he was one of the founders of the first abbey of his Order in South America, later serving as its abbot. Today he is a much sought-after guide, called to help many communities in the delicate task of adapting the perennial monastic way of life to the needs of the twenty-first century.
