Traditional Art of Africa, Oceania, and the Americas

Traditional Art of Africa, Oceania, and the Americas PDF Author: Jane Powell Dwyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184

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Traditional Art of Africa, Oceania, and the Americas

Traditional Art of Africa, Oceania, and the Americas PDF Author: Jane Powell Dwyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184

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Arts of Africa, Oceania, and the Americas

Arts of Africa, Oceania, and the Americas PDF Author: Janet Catherine Berlo
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 404

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Book Description
By focusing on the original scholarly contributions, rather than secondary description, this reader in tribal arts exposes the reader to the best original scholarship of 29 noted scholars in anthropology and art history. Each scholarly essay is well-illustrated, often with original field photographs as well as museum objects. For artists, art historians, sociologists, and all those interested in the arts of the fourth world.

Traditional Art of Africa

Traditional Art of Africa PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 39

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Art as Technology

Art as Technology PDF Author: Arnold Rubin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188

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Arts of Africa, Oceania and the Americas

Arts of Africa, Oceania and the Americas PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72

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Art of Oceania, Africa, and the Americas from the Museum of Primitive Art

Art of Oceania, Africa, and the Americas from the Museum of Primitive Art PDF Author: Museum of Primitive Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282

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The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas

The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas PDF Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 52

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Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.

The Art of Africa

The Art of Africa PDF Author: Christa Clarke
Publisher: Metropolitan Museum of Art
ISBN: 1588391906
Category : Art
Languages : en
Pages : 218

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Book Description
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container

The Bay Area Collects

The Bay Area Collects PDF Author: Thomas K. Seligman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126

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In Praise of the Human Form

In Praise of the Human Form PDF Author: Charles-wesley Hourde
Publisher:
ISBN: 9788874398980
Category : Art
Languages : en
Pages : 272

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Book Description
While the foundations of the Josette and Jean-Claude Weill Collection lie in painting, their passion for seeking out exciting new forms soon led them to embrace the infinite diversity of tribal art. Expanded over the decades under the enthusiastic stewardship of their son Jean-Pierre, the collection now includes over 120 works of the very highest order, covering Africa, Oceania, and the Americas.0Several large categories can be discerned, reflecting the Weill family's liking for daring, expressionistic forms: Dogon and Tellem statues combining geometric shapes with textured surfaces, as well as Kongo powerful figures endowed with magic properties. The expressive arts of Nigeria, Cameroon, and Melanesia are also well represented in the collection.0Among the more classic works there are pieces that have iconic status - such as the Bena Lulua statue that used to belong to Jacques Kerchache, Edward Robinson's Fang reliquary figure, or the Biwat powerful flute plug from the Lemaire Collection - that testify to the sureness of the Weill's taste and to the shrewd instinct that led them to appreciate this art from another world. An important group of finely carved small ivories makes up one-third of the whole collection.