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Author: Manorma Sharma
Publisher: APH Publishing
ISBN: 9788176489997
Category : Hindustani music
Languages : en
Pages : 280
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Book Description
Author: Manorma Sharma
Publisher: APH Publishing
ISBN: 9788176489997
Category : Hindustani music
Languages : en
Pages : 280
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Book Description
Author: Nivedita Singh
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 286
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Book Description
A Study Of Hindustani Music In Its Sociological Perspective. Covers Guru-Shishya Parampara, The Social Status Of Musician Community-History Of Hindustani Music Etc. Has 6 Chapters Followed By Conclusion.
Author: Janaki Bakhle
Publisher: Oxford University Press
ISBN: 0195347315
Category : History
Languages : en
Pages : 355
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Book Description
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.
Author: Joep Bor
Publisher:
ISBN: 9788173047589
Category : Hindustani music
Languages : en
Pages : 0
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Book Description
Contributed research papers presented at symposium held at Rotterdam during 17-20 Dec. 1997.
Author: Deepak S. Raja
Publisher: DK Printworld (P) Ltd
ISBN: 8124611262
Category : Music
Languages : en
Pages : 143
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Book Description
About the Author Deepak Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archive Music Ltd. (IAM), New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the Śruti magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi), and the Indian Musicological Society (Baroda/Mumbai). About tha Book Stating that Hindustani music should be rightly termed “Art music” and not “classical music”, the book begins by discussing the features of Art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani music, including their time theory and the role of Gharanas of the musical tradition. It deals with genres of raga-based vocal music which have been performed over the last five centuries: dhrupad, which has its moorings in devotional music; khyal vocalism shaped by Sufi influences; the thumri, which originated as an accompaniment to the Kathak dance; and the tappa, adapted from the songs of camel drivers in the north-west frontier. It takes up the use of instruments in Hindustani music, especially the rudra-vina, sitar, surbahar, sarod, santur, the shehnai, pakhawaj, the Hawaiian Guitar and many others, giving an account of their origin, performing styles and lineages relating to them. Throughout, the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music, both vocal and instrumental. The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions, its contemporary appeal and trends in practice.
Author: Daniel M. Neuman
Publisher: University of Chicago Press
ISBN: 0226575160
Category : Music
Languages : en
Pages : 304
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Book Description
Daniel M. Neuman offers an account of North Indian Hindustani music culture and the changing social context of which it is part, as expressed in the thoughts and actions of its professional musicians. Drawing primarily from fieldwork performed in Delhi in 1969-71—from interviewing musicians, learning and performing on the Indian fiddle, and speaking with music connoisseurs—Neuman examines the cultural and social matrix in which Hindustani music is nurtured, listened and attended to, cultivated, and consumed in contemporary India. Through his interpretation of the impact that modern media, educational institutions, and public performances exert on the music and musicians, Neuman highlights the drama of a great musical tradition engaging a changing world, and presents the adaptive strategies its practitioners employ to practice their art. His work has gained the distinction of introducing a new approach to research on Indian music, and appears in this edition with a new preface by the author.
Author: Deepak Raja
Publisher:
ISBN: 9788124608074
Category : Hindustani music
Languages : en
Pages : 0
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Book Description
Author: Deepak Raja
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 472
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Book Description
It Is A Wide-Ranging Survey Of The North Indian Tradition Of Classical Music During The Post-Independence Period. The Book Is Divided Into Six Parts, Which, Based On The Author S Vast Experiences, Make Complex Musicological Concepts Accessible To Non-Academic Readers.
Author: Amit Chaudhuri
Publisher: New York Review of Books
ISBN: 168137479X
Category : Music
Languages : en
Pages : 273
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Book Description
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
Author: Vāmana Harī Deśapāṇḍe
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 268
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Book Description
