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Author: Peter Wuteh Vakunta
Publisher: African Books Collective
ISBN: 995655331X
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Toward the Decolonization of the Europhone African Novel is a treatise on the problematics of language choice in Europhone African literature. Vakunta’s research is rooted in the notion that the postcolonial African fiction writer is at a crossroads of languages, groping for linguistic re-orientation. Using the prose of fiction of Patrice Nganang, Ahmadou Kourouma, Mercedes Fouda, Nazi Boni, and Gabriel K. Fonkou as corpus, he contends that postcolonial African fiction is an offshoot of a linguistic tinkering process that enables writers to tinker with the language of the ex-colonizer in a deliberate attempt to divest indigenous writing of its hegemonic vestiges.
Author: Peter Wuteh Vakunta
Publisher: African Books Collective
ISBN: 995655331X
Category : Literary Criticism
Languages : en
Pages : 228
Get Book Here
Book Description
Toward the Decolonization of the Europhone African Novel is a treatise on the problematics of language choice in Europhone African literature. Vakunta’s research is rooted in the notion that the postcolonial African fiction writer is at a crossroads of languages, groping for linguistic re-orientation. Using the prose of fiction of Patrice Nganang, Ahmadou Kourouma, Mercedes Fouda, Nazi Boni, and Gabriel K. Fonkou as corpus, he contends that postcolonial African fiction is an offshoot of a linguistic tinkering process that enables writers to tinker with the language of the ex-colonizer in a deliberate attempt to divest indigenous writing of its hegemonic vestiges.
Author: Chantal J. Zabus
Publisher: Rodopi
ISBN: 9042022248
Category : History
Languages : en
Pages : 283
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Book Description
Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of `indigenization? whereby West African writers have made their literary English or French distinctively `African'. Through the apt metaphor of the palimpsest ? a surface that has been written on, written over, partially erased and written over again ? the book examines such well-known West African writers as Achebe, Armah, Ekwensi, Kourouma, Okara, Saro?Wiwa, Soyinka and Tutuola as well as lesser-known writers from francophone and anglophone Africa. Providing a great variety of case-studies in Nigerian Pidgin, Akan, Igbo, Maninka, Yoruba, Wolof and other African languages, the book also clarifies the vital interface between Europhone African writing and the new outlets for African artistic expression in (auto-)translation, broadcast television, radio and film.Hailed as a classic in the 1990s, The African Palimpsest is here reprinted in a completely revised edition, with a new Introduction, updated data and bibliography, and with due consideration of more recent theoretical approaches.'A very valuable book ? a detailed exploration in its concern with language change as demonstrated in post-colonial African literatures? Bill Ashcroft, University of New South Wales ?Apart from its great documentary value, The African Palimpsest provides many theoretical concepts that will be useful to scholars of African literatures, linguists in general ? as well as comparatists who want to gain fresh insights into the processes by which Vulgar Latin once gave birth to the Romance languages.' Ahmed Sheikh Bangura, University of California, Santa Barbara ?As Zabus? book suggests, it is the area where the various languages of a community meet and cross-over ? that is likely to provide the most productive site for the generation of a new literature that is true to the real linguistic situation that pertains in so much of contemporary urban Africa.' Stewart Brown, University of Birmingham
Author: Sarali Gintsburg
Publisher: Taylor & Francis
ISBN: 1040155235
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent. The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‐Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique. This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.
Author: Ahmed S. Bangura
Publisher: Lynne Rienner Publishers
ISBN: 9780894108631
Category : Language Arts & Disciplines
Languages : en
Pages : 194
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Book Description
"Extending Edward Said's study of the Orientalist tradition in Western scholarship, Bangura traces the origins of contemporary misunderstandings of African Islam to the discourse of colonial literature. Western critics and writers, he observes, typically without access to Islam except through the colonialist tradition, have perpetuated unfounded, politically motivated themes.".
Author: D. Tunca
Publisher: Springer
ISBN: 1137264411
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Drawing on the discipline of stylistics, this book introduces a series of methodological tools and applies them to works by well-known Nigerian writers, including Abani, Adichie and Okri. In doing so, it demonstrates how attention to form fosters understanding of content in their work, as well as in African and postcolonial literatures more widely.
Author: C. Okonkwo
Publisher: Springer
ISBN: 0230375316
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This book explores through theory and in-depth textual criticism how novelists from formerly colonised societies have exploited indigenous codes and conventions of aesthetic representation to transform the novel into an effective medium for cultural and political resistance to (neo)colonialism. Concentrating on novels written between the late 1940s and early 1990s in Africa, Polynesia, and the West Indies, it offers a fresh mode of postcolonial critique which takes account of the ideological impulses behind the novelists' interpretation of the colonial experience.
Author: Kwame Anthony Appiah
Publisher: Oxford University Press
ISBN: 0199874352
Category : History
Languages : en
Pages : 242
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Book Description
The beating of Rodney King and the resulting riots in South Central Los Angeles. The violent clash between Hasidim and African-Americans in Crown Heights. The boats of Haitian refugees being turned away from the Land of Opportunity. These are among the many racially-charged images that have burst across our television screens in the last year alone, images that show that for all our complacent beliefs in a melting-pot society, race is as much of a problem as ever in America. In this vastly important, widely-acclaimed volume, Kwame Anthony Appiah, a Ghanaian philosopher who now teaches at Harvard, explores, in his words, "the possibilities and pitfalls of an African identity in the late twentieth century." In the process he sheds new light on what it means to be an African-American, on the many preconceptions that have muddled discussions of race, Africa, and Afrocentrism since the end of the nineteenth century, and, in the end, to move beyond the idea of race. In My Father's House is especially wide-ranging, covering everything from Pan Africanism, to the works of early African-American intellectuals such as Alexander Crummell and W.E.B. Du Bois, to the ways in which African identity influences African literature. In his discussion of the latter subject, Appiah demonstrates how attempts to construct a uniquely African literature have ignored not only the inescapable influences that centuries of contact with the West have imposed, but also the multicultural nature of Africa itself. Emphasizing this last point is Appiah's eloquent title essay which offers a fitting finale to the volume. In a moving first-person account of his father's death and funeral in Ghana, Appiah offers a brilliant metaphor for the tension between Africa's aspirations to modernity and its desire to draw on its ancient cultural roots. During the Los Angeles riots, Rodney King appeared on television to make his now famous plea: "People, can we all get along?" In this beautiful, elegantly written volume, Appiah steers us along a path toward answering a question of the utmost importance to us all.
Author: Arnold Rampersad
Publisher: Oxford University Press
ISBN: 0199882266
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
February 1, 2002 marks the 100th birthday of Langston Hughes. To commemorate the centennial of his birth, Arnold Rampersad has contributed new Afterwords to both volumes of his highly-praised biography of this most extraordinary and prolific American writer. In young adulthood Hughes possessed a nomadic but dedicated spirit that led him from Mexico to Africa and the Soviet Union to Japan, and countless other stops around the globe. Associating with political activists, patrons, and fellow artists, and drawing inspiration from both Walt Whitman and the vibrant Afro-American culture, Hughes soon became the most original and revered of black poets. In the first volume's Afterword, Rampersad looks back at the significant early works Hughes produced, the genres he explored, and offers a new perspective on Hughes's lasting literary influence. Exhaustively researched in archival collections throughout the country, especially in the Langston Hughes papers at Yale University's Beinecke Library, and featuring fifty illustrations per volume, this anniversary edition will offer a new generation of readers entrance to the life and mind of one of the twentieth century's greatest artists.
Author: Paul Schellinger
Publisher: Routledge
ISBN: 1135918260
Category : Literary Criticism
Languages : en
Pages : 838
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Book Description
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
Author: Kwaku Addae Gyasi
Publisher: Peter Lang
ISBN: 9780820478302
Category : Foreign Language Study
Languages : en
Pages : 146
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Book Description
Focusing on the African writer and the language of the former colonial power, The Francophone African Text: Translation and the Postcolonial Experience highlights the writer's re-appropriation of the foreign language in the creative writing process. It calls attention to the African writer's use of French, a process of creative translation in which the writer's words form a hybrid code that compels the original French to refer to the indigenous African language for meaning. Examining a group of works under the theme of translation, this book reveals that a consideration of both ideological and linguistic elements enhances understanding of the subject from the broader perspective of postcolonial discourse.
