Author: Peter Graham
Publisher: Bloomsbury Publishing
ISBN: 1839022310
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7 . The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.
Author: Annie Ring
Publisher: Bloomsbury Publishing
ISBN: 183902531X
Category : Performing Arts
Languages : en
Pages : 105
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Book Description
This study offers a fresh approach to the remarkable German film The Lives of Others (2006), known for its compelling representation of a Stasi surveillance officer and the moral and ethical turmoil that results when he begins spying on a playwright and his actress lover. Annie Ring analyses the film's cinematography, mise-en-scène and editing, tracing connections with Hollywood movies such as Casablanca and Hitchcock's Torn Curtain in the film's portrayal of an individual rebelling against a brutal dehumanising regime. Drawing on archival sources, including primary research from the Stasi files themselves, as well as Enlightenment philosophies of art and Brecht's theories on theatre dating from his GDR years, she explores the film's strong but much-disputed claims to historical authenticity. She examines the way the film tracks the world-changing political shift that took place at the end of the Cold War – away from the collective dreams of socialism and towards the dreams of the private individual, arguing that this is what makes it at once widely appealing and fascinatingly problematic. In doing so, she highlights why The Lives of Others is a crucial film for thinking at the horizon between film and recent world history.
Author: Francois Truffaut
Publisher: Simon and Schuster
ISBN: 1501143220
Category : Art
Languages : en
Pages : 368
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Book Description
Iconic, groundbreaking interviews of Alfred Hitchcock by film critic François Truffaut—providing insight into the cinematic method, the history of film, and one of the greatest directors of all time. In Hitchcock, film critic François Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema’s greats is a must-read for all film aficionados.
Author: Phillip Lopate
Publisher: Anchor
ISBN: 0385492502
Category : Literary Collections
Languages : en
Pages : 401
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Book Description
Phillip Lopate has been obsessed with movies from the start. As an undergraduate at Columbia, he organized the school's first film society. Later, he even tried his own hand at filmmaking. But it was not until his ascent as a major essayist that Lopate found his truest and most lasting contribution to the medium. And, over the past twenty-five years, tackling subjects ranging from Visconti to Jerry Lewis, from the first New York Film Festival to the thirty-second, Phillip Lopate has made film his most cherished subject. Here, in one place, are the very best of these essays, a joy for anyone who loves movies.
Author: James Monaco
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 390
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Book Description
Analyse van de "Nouvelle Vague", een stroming in de Franse film uit de jaren 1960-1970, gezien vanuit Amerikaans standpunt
Author: David Gilmour
Publisher: Twelve
ISBN: 0446537101
Category : Biography & Autobiography
Languages : en
Pages : 142
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Book Description
A warmly witty account of the three years a man spent teaching life lessons to his high school dropout son by showing him the world's best (and occasionally worst) films. At the start of this brilliantly unconventional family memoir, David Gilmour is an unemployed movie critic trying to convince his fifteen-year-old son Jesse to do his homework. When he realizes Jesse is beginning to view learning as a loathsome chore, he offers his son an unconventional deal: Jesse could drop out of school, not work, not pay rent - but he must watch three movies a week of his father's choosing. Week by week, side by side, father and son watched everything from True Romance to Rosemary's Baby to Showgirls, and films by Akira Kurosawa, Martin Scorsese, Brian DePalma, Billy Wilder, among others. The movies got them talking about Jesse's life and his own romantic dramas, with mercurial girlfriends, heart-wrenching breakups, and the kind of obsessive yearning usually seen only in movies. Through their film club, father and son discussed girls, music, work, drugs, money, love, and friendship - and their own lives changed in surprising ways.
Author: Bob Balaban
Publisher: Titan Books (UK)
ISBN: 9781840234305
Category : Close encounters of the third kind. (Motion picture)
Languages : en
Pages : 0
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Book Description
In a rare "making of" book written from an actor's eye view, Balaban (who played Laughlin in "Close Encounters of the Third Kind," opposite the legendary Francois Truffaut as Lacombe) provides the most detailed account of Steven Spielberg at work yet published, includes a fascinating portrait of the late Truffaut, and superbly captures just what it's really like to make a sci-fi blockbuster.
Author: Diana Holmes
Publisher: Manchester University Press
ISBN: 1526141418
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Author: Anne Gillain
Publisher: Oxford University Press
ISBN: 0197536301
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
In Totally Truffaut, author Anne Gillain answers two complex riddles: How is experience imprinted into films? What draws audiences to theaters? François Truffaut, like Fellini, Bergman or Scorsese, worked with an autobiographical material and Totally Truffaut follows the coded inscription of major life events in his films from his illegitimate birth to his passionate and doomed relationship with Catherine Deneuve. The book focuses first on the process that embeds experience into fictions, and more specifically into visual forms and patterns. It also tries to define the mode of perception film language triggers in the spectator. When entering a movie theater, we expect perceptual pleasure. Truffaut's creative work is devoted to distilling this drug to audiences, an ambition central to the evolution of his style. These two issues are closely connected and Totally Truffaut follows, film after film, their crisscrossing paths. It also highlights the essential role several great actresses-Jeanne Moreau, Françoise Dorléac, Isabelle Adjani, Jacqueline Bisset, Fanny Ardant or Catherine Deneuve- played in the creation of the films.
Author: Geneviève Sellier
Publisher: Duke University Press
ISBN: 0822388979
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
