Tools and Materials Illustrating the Japanese Method of Colour-printing a Descriptive Catalogue of a Collection Exhibited in the Museum PDF Download
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Languages : en
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Author: Edward F. Strange
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ISBN:
Category : Color printing
Languages : en
Pages : 24
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Author: Victoria and Albert Museum
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Category : Color prints
Languages : en
Pages : 34
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Author: Edward F. Strange
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Category :
Languages : en
Pages : 24
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Author: Edward Strange
Publisher: CreateSpace
ISBN: 9781517669270
Category :
Languages : en
Pages : 34
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The process of colour-printing from wood-blocks, used in Japan from the early part of the 18th century, has much in common with that of the so-called chiaroscuro wood-cuts first produced in Italy and Germany during the 16th century, of which the work of Andrea Andreani (1540-1623) supplies good examples. It is possible that the Japanese method was derived from this source, either directly or by way of China. Japanese tradition ascribes the invention to Takekawa Minosuke (Manji Period, A.D. 1658-1660); and a volume of Costume Designs in the Museum, dated 1667 (O4. C. 20), is printed in colours, only one, however, being used on each plate. The Chinese are known, with certainty, to have employed this process before the end of the 17th century; but no Japanese colour-print has yet been recorded, which can be placed, authentically, earlier than the second quarter of the 18th century. Credit for the first production of them is generally given to Torii Kiyonobu (1664-1729); but the greatest development was due to Suzuki Harunobu (died A.D. 1770, aged 67 years). Japanese authorities say that the improvements popularized by this artist were invented by an engraver named Kinroku, in conjunction with a printer; and that Harunobu, employing them to reproduce his pictures, about the year 1765, thus laid the foundation of a school of artists who found their chief occupation in designing for this class of work. Katsugawa Shunsho (died A.D. 1792, aged 67 years) developed the process still further; and it reached its highest technical level before the close of the 18th century.
Author: Edward Fairbrother Strange
Publisher:
ISBN: 9789357955188
Category : Art
Languages : en
Pages : 0
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Tools and materials illustrating the Japanese method of colour-printing, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Author: Victoria and Albert museum (Londres)
Publisher:
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Category :
Languages : en
Pages : 24
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Author: Victoria and Albert Museum
Publisher:
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Category : Color printing
Languages : en
Pages : 0
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Author: Victoria and Albert Museum. Department of Engraving, Illustration, and Design
Publisher:
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Category : Color prints, Japanese
Languages : en
Pages : 48
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Author: Elizabeth James
Publisher: Routledge
ISBN: 1134271069
Category : Language Arts & Disciplines
Languages : en
Pages : 841
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A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
