Author: Johann Ludwig Krebs
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 92
Book Description
Toccata und Fuge E-Dur. Präludium und Fuge Fis Dur. Präludium und Doppelfuge f-moll. Präludium und Fuge G-Dur. Präludium und Doppelfuge d-Moll
Author: Johann Ludwig Krebs
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 92
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 712
Book Description
Trio-Sonate in B
Author: Kurt Hessenberg
Publisher:
ISBN:
Category : Sonatas (Organ)
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Sonatas (Organ)
Languages : en
Pages : 36
Book Description
Dictionary Catalog of the Music Collection
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 808
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 808
Book Description
Bielefelder Katalog Schallplatten, Compact Discs, MusiCassetten
Author:
Publisher:
ISBN:
Category : Music
Languages : un
Pages : 1286
Book Description
Publisher:
ISBN:
Category : Music
Languages : un
Pages : 1286
Book Description
Max Reger and Karl Straube
Author: Christopher Anderson
Publisher: Routledge
ISBN: 1351558765
Category : Music
Languages : en
Pages : 451
Book Description
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Publisher: Routledge
ISBN: 1351558765
Category : Music
Languages : en
Pages : 451
Book Description
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Bach's Well-tempered Clavier
Author: David Ledbetter
Publisher: Yale University Press
ISBN: 0300128983
Category : Music
Languages : en
Pages : 430
Book Description
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
Publisher: Yale University Press
ISBN: 0300128983
Category : Music
Languages : en
Pages : 430
Book Description
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
The History of Music in Sound: The age of humanism (1540-1630) edited by J. A. Westrup
Author: Gerald Abraham
Publisher:
ISBN: 9780193231030
Category : Instrumental music
Languages : en
Pages : 72
Book Description
Publisher:
ISBN: 9780193231030
Category : Instrumental music
Languages : en
Pages : 72
Book Description
The Organ Music of J. S. Bach
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521814164
Category : Music
Languages : en
Pages : 510
Book Description
This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.
Publisher: Cambridge University Press
ISBN: 9780521814164
Category : Music
Languages : en
Pages : 510
Book Description
This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.
Bach perspectives. 1. 1995
Author: Russell Stinson
Publisher: U of Nebraska Press
ISBN: 9780803210424
Category : Music
Languages : en
Pages : 246
Book Description
Volume one contains essays by David Schulenberg, Russell Stinson, Michael Marissen, Eric Chafe, Stephen Crist, and James Brokaw.
Publisher: U of Nebraska Press
ISBN: 9780803210424
Category : Music
Languages : en
Pages : 246
Book Description
Volume one contains essays by David Schulenberg, Russell Stinson, Michael Marissen, Eric Chafe, Stephen Crist, and James Brokaw.