Three Classics in the Aesthetic of Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Three Classics in the Aesthetic of Music PDF full book. Access full book title Three Classics in the Aesthetic of Music by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 218
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 218
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Claude Debussy
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 246
Get Book Here
Book Description
Author: Claude Debussy
Publisher:
ISBN: 9780883070710
Category :
Languages : en
Pages : 188
Get Book Here
Book Description
Author: Ferruccio Busoni
Publisher: New York : G. Schirmer
ISBN:
Category : History
Languages : en
Pages : 62
Get Book Here
Book Description
Sketch of a New Esthetic of Music by Theodore Baker Ferruccio Busoni, first published in 1911, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Author: Elliott Antokoletz
Publisher: Routledge
ISBN: 1135037299
Category : Music
Languages : en
Pages : 843
Get Book Here
Book Description
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Author: Frank Burch Brown
Publisher: Springer
ISBN: 1349100218
Category : Philosophy
Languages : en
Pages : 246
Get Book Here
Book Description
This study provides one indication that as aesthetics begins to be reconcieved, which is starting to happen on many fronts, it can play a more significant role both in philosophy and in religious reflection.
Author: Ferdia J. Stone-Davis
Publisher: Routledge
ISBN: 1317092236
Category : Music
Languages : en
Pages : 272
Get Book Here
Book Description
Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.
Author: Mark Grimshaw-Aagaard
Publisher: Oxford University Press
ISBN: 0190460261
Category : Music
Languages : en
Pages : 704
Get Book Here
Book Description
Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
Author: Erinn Elizabeth Knyt
Publisher: Stanford University
ISBN:
Category :
Languages : en
Pages : 641
Get Book Here
Book Description
Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.
