Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Women Writing Music in Late Eighteenth-Century England
Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Thraliana
Author: Hester Lynch Piozzi
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Autobiography, Letters and Literary Remains of Mrs. Piozzi (Thrale)
Author: Hester Lynch Piozzi
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 530
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 530
Book Description
Dr. Charles Burney
Author: Roger Lonsdale
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 564
Book Description
Drawing on a wealth of unpublished material, this intimate study of one of the most engaging and energetic men of his age throws new light on his musical and literary career and on his acquaintance with such luminaries as Handel, Haydn, Rousseau, Garrick, and Johnson.
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 564
Book Description
Drawing on a wealth of unpublished material, this intimate study of one of the most engaging and energetic men of his age throws new light on his musical and literary career and on his acquaintance with such luminaries as Handel, Haydn, Rousseau, Garrick, and Johnson.
An Essay on Musical Expression
Author: Charles Avison
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Memoirs of Dr. Charles Burney, 1726-1769
Author: Charles Burney
Publisher: Lincoln : University of Nebraska Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Charles Burney (1726-1814) was one of the foremost music historians of the Enlightenment, a friend of David Garrick, correspondent of Diderot and Rousseau, a champion of Haydn, and a member of the Royal Society. The frequency with which he is still quoted by musicologists and historians attests to the continuing relevance and importance of his work. After completing his monumental General History of Music (1776-89), Burney began to write a projected twelve-volume autobiography, a taska he abandoned in 1805. When he died nearly a decade later, his daughter, the novelist Fanny Burney, edited the manuscript but destroyed much of it before publishing her own bowdlerized Memoirs of Dr. Burney in 1832. Not until the 1950s did fragments of the original memoirs, long believed lost, come to light. This edition reconstructs the fragments from Burney's first volume, free of Fanny Burney's interpolations and alterations. The resulting text is here published for the first time. The restored and uncensored Memoirs of Dr. Charles Burney covers his life from 1726 to 1769, illuminating his early career and the musical and theatrical life of London and the provinces in the mid-eighteenth century. The editors have skillfully bridged the fragments with material from other sources, including Burney's later letters. Their annotations, drawn in part from the articles on music that Burney wrote while he was working on his memoirs, reveal many new details about his world.
Publisher: Lincoln : University of Nebraska Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Charles Burney (1726-1814) was one of the foremost music historians of the Enlightenment, a friend of David Garrick, correspondent of Diderot and Rousseau, a champion of Haydn, and a member of the Royal Society. The frequency with which he is still quoted by musicologists and historians attests to the continuing relevance and importance of his work. After completing his monumental General History of Music (1776-89), Burney began to write a projected twelve-volume autobiography, a taska he abandoned in 1805. When he died nearly a decade later, his daughter, the novelist Fanny Burney, edited the manuscript but destroyed much of it before publishing her own bowdlerized Memoirs of Dr. Burney in 1832. Not until the 1950s did fragments of the original memoirs, long believed lost, come to light. This edition reconstructs the fragments from Burney's first volume, free of Fanny Burney's interpolations and alterations. The resulting text is here published for the first time. The restored and uncensored Memoirs of Dr. Charles Burney covers his life from 1726 to 1769, illuminating his early career and the musical and theatrical life of London and the provinces in the mid-eighteenth century. The editors have skillfully bridged the fragments with material from other sources, including Burney's later letters. Their annotations, drawn in part from the articles on music that Burney wrote while he was working on his memoirs, reveal many new details about his world.
Dr. Burney's Musical Tours in Europe
Author: Charles Burney
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 374
Book Description
Memoirs of Doctor Burney
Author: Fanny Burney
Publisher:
ISBN:
Category : Musicologists
Languages : en
Pages : 384
Book Description
Publisher:
ISBN:
Category : Musicologists
Languages : en
Pages : 384
Book Description
Hester Lynch Piozzi (Mrs. Thrale)
Author: James Lowry Clifford
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 566
Book Description
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 566
Book Description
Hester Lynch Piozzi (Mrs. Thrale)
Author: James L. Clifford
Publisher:
ISBN: 9780231883580
Category :
Languages : en
Pages :
Book Description
A biography of Hester Lynch Piozzi, an 18th-century Welsh diarist and author.
Publisher:
ISBN: 9780231883580
Category :
Languages : en
Pages :
Book Description
A biography of Hester Lynch Piozzi, an 18th-century Welsh diarist and author.