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Author: Benjamin Wardhaugh
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668442
Category : Music
Languages : en
Pages : 300
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Book Description
Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles.
Author: Benjamin Wardhaugh
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668442
Category : Music
Languages : en
Pages : 300
Get Book Here
Book Description
Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles.
Author: Benjamin Wardhaugh
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668459
Category : Music
Languages : en
Pages : 206
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Book Description
This is the second volume in a two-part set on the writings of Thomas Salmon. Salmon (1647-1706) is remembered today for proposing a radical reform of musical notation (these writings are the subject of Volume I). Later in his life Salmon devoted his attention to an exploration of the possible reform of musical pitch and raised questions about the meaning and the source of musical knowledge similar to those he raised in his work on notation. Benjamin Wardhaugh presents the first published scholarly edition of Salmon's writings on pitch, previously only available mostly in manuscript.
Author: Benjamin Wardhaugh
Publisher: Routledge
ISBN: 1351539205
Category : Music
Languages : en
Pages : 208
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Book Description
This is the second volume in a two-part set on the writings of Thomas Salmon. Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Salmon proposed a radical reform of musical notation, involving a new set of clefs which he claimed, and Locke denied, would make learning and performing music much easier (these writings are the subject of Volume I). Later in his life Salmon devoted his attention to an exploration of the possible reform of musical pitch. He made or renewed contact with instrument-makers and performers in London, with the mathematician John Wallis, with Isaac Newton and with the Royal Society of London through its Secretary Hans Sloane. A series of manuscript treatises and a published Proposal to Perform Musick, in Perfect and Mathematical Proportions (1688) paved the way for an appearance by Salmon at the Royal Society in 1705, when he provided a demonstration performance by professional musicians using instruments specially modified to his designs. This created an explicit overlap between the spaces of musical performance and of experimental performance, as well as raising questions about the meaning and the source of musical knowledge similar to those raised in his work on notation. Benjamin Wardhaugh presents the first published scholarly edition of Salmon's writings on pitch, previously only available mostly in manuscript.
Author: Ross W. Duffin
Publisher: Routledge
ISBN: 1351542141
Category : Music
Languages : en
Pages : 257
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Book Description
Thomas Ravenscroft is best-known as a composer of rounds owing to his three published collections: Pammelia and Deuteromelia (both 1609), and Melismata (1611), in addition to his harmonizations of the Whole Booke of Psalmes (1621) and his original sacred works. A theorist as well as a composer and editor, Ravenscroft wrote two treatises on music theory: the well-known A Briefe Discourse (1614), and 'A Treatise of Practicall Musicke' (c.1607), which remains in manuscript. This is the first book to bring together both theoretical works by this important Jacobean musician and to provide critical studies and transcriptions of these treatises. A Briefe Discourse furthermore introduces an anthology of music by Ravenscroft, John Bennet, and Ravenscroft's mentor, Edward Pearce, illustrating some of the precepts in the treatise. The critical discussion provided by Duffin will help explain Ravenscroft's complicated consideration of mensuration, in particular.
Author: David Cram
Publisher: Routledge
ISBN: 1351561480
Category : Music
Languages : en
Pages : 248
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Book Description
John Wallis (1616-1703), was one of the foremost British mathematicians of the seventeenth century, and is also remembered for his important writings on grammar and logic. An interest in music theory led him to produce translations into Latin of three ancient Greek texts - those of Ptolemy, Porphyry and Bryennius - and involved him in discussions with Henry Oldenburg, the Secretary of the Royal Society, Thomas Salmon and other individuals as his ideas developed. The texts presented in this volume cover the relationship of ancient and modern tuning theory, the building of organs, the phenomena of resonance, and other musical topics.
Author:
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages :
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Book Description
Author: Simon D.I. Fleming
Publisher: Routledge
ISBN: 1000519988
Category : Music
Languages : en
Pages : 310
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Book Description
This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.
Author: Benjamin Wardhaugh
Publisher: Routledge
ISBN: 9781032923383
Category : Music
Languages : en
Pages : 0
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Book Description
Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters howev
Author: Rebecca Herissone
Publisher: Routledge
ISBN: 135154733X
Category : Music
Languages : en
Pages : 238
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Book Description
Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.
Author: Philip Beeley
Publisher: OUP Oxford
ISBN: 0191030694
Category : Science
Languages : en
Pages : 653
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Book Description
The Correspondence of John Wallis (1616 -1703) is a critically acclaimed resource in the history of early modern science. Volume IV covers the period from 1672 to April 1675 and contains over eighty previously unpublished letters. It documents Wallis's role in the crucial debate over the method of tangents involving figures such as Sluse, James Gregory, Hudde, Barrow, Newton, and Christiaan Huygens. In this way it illuminates further an important part of the history of the calculus. Wallis's letters also provide valuable new insights into mathematical book production and the importance of the international exchange of books in the growth and dissemination of mathematical knowledge. We learn more about the part played by the intelligencer John Collins and the astronomer royal John Flamsteed in the edition of Jeremiah Horrox's Opera posthuma, published by Wallis in 1673. There are also new insights on the background to Wallis's early work on equations, and the reasons why he criticized Gaston Pardies's proposed tract on motion. The causes of the breakdown in Wallis's epistolary relation to Christiaan Huygens following the publication of the Horologium oscillatorium in 1673 are also revealed. Many letters reflect Wallis's active involvement in the Royal Society. Through the medium of correspondence the Savilian professor participated in numerous debates such as those over the anomalous suspension of mercury in the Torricellian tube or Hevelius's use of plain sights in positional astronomy. The volume allows us to gain a deeper understanding of the background to these debates. Furthermore, the volume throws important new light on the history of the University of Oxford and of the University Press in the early modern period. As keeper of the University Archives, Wallis was one of the institution's highest officers. Scarcely any event of note concerning the University did not require his involvement in some way, and this is reflected in numerous letters and documents which the volume publishes for the first time.
