Author: Anne Collins Goodyear
Publisher: Yale University Press
ISBN: 0300211937
Category : Art
Languages : en
Pages : 265
Book Description
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
This is a Portrait If I Say So
Anti-Portraiture
Author: Fiona Johnstone
Publisher: Bloomsbury Publishing
ISBN: 1350192767
Category : Art
Languages : en
Pages : 237
Book Description
The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.
Publisher: Bloomsbury Publishing
ISBN: 1350192767
Category : Art
Languages : en
Pages : 237
Book Description
The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.
Art as Information Ecology
Author: Jason A. Hoelscher
Publisher: Duke University Press
ISBN: 1478021683
Category : Art
Languages : en
Pages : 176
Book Description
In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.
Publisher: Duke University Press
ISBN: 1478021683
Category : Art
Languages : en
Pages : 176
Book Description
In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.
Robert Rauschenberg's »Erased de Kooning Drawing« (1953)
Author: Gregor Stemmrich
Publisher: Hatje Cantz Verlag
ISBN: 3775755039
Category : Art
Languages : en
Pages : 1028
Book Description
Erased de Kooning Drawing ist ein Kunstwerk, das auf radikale Weise die Definition von Kunst und das Verständnis von Autorschaft herausfordert. Drei amerikanische Künstler waren 1953 an seiner Erschaffung beteiligt: Robert Rauschenberg radierte eine Zeichnung Willem de Koonings aus, der mit einem gewissen Widerwillen sein Einverständnis gegeben hatte. Jasper Johns versah es anlässlich seiner ersten Präsentation mit einem Label, das maßgeblich zu seiner Wahrnehmung als eigenständigem Werk beitrug. Das zu etwas Neuem transformierte Blatt wurde in den 1950er-Jahren als Neo-Dada aufgefasst, in den 1960ern als Beginn der Konzeptkunst und in den 1980er-Jahren als Aufbruch in die Postmoderne. Zahlreiche Künstler*innen bezogen sich auf das Werk und Rauschenberg selbst griff es immer wieder auf. Es erwies sich als Testfall für Bestimmungen von Modernismus, Literalismus und Postmodernismus. Gregor Stemmrichs kenntnisreiche kunsttheoretische Betrachtung arbeitet die anhaltende Relevanz des Werks für die Theorie des Bildes, des Index, der Spur, des Allegorischen und der Frage nach Appropriation heraus.
Publisher: Hatje Cantz Verlag
ISBN: 3775755039
Category : Art
Languages : en
Pages : 1028
Book Description
Erased de Kooning Drawing ist ein Kunstwerk, das auf radikale Weise die Definition von Kunst und das Verständnis von Autorschaft herausfordert. Drei amerikanische Künstler waren 1953 an seiner Erschaffung beteiligt: Robert Rauschenberg radierte eine Zeichnung Willem de Koonings aus, der mit einem gewissen Widerwillen sein Einverständnis gegeben hatte. Jasper Johns versah es anlässlich seiner ersten Präsentation mit einem Label, das maßgeblich zu seiner Wahrnehmung als eigenständigem Werk beitrug. Das zu etwas Neuem transformierte Blatt wurde in den 1950er-Jahren als Neo-Dada aufgefasst, in den 1960ern als Beginn der Konzeptkunst und in den 1980er-Jahren als Aufbruch in die Postmoderne. Zahlreiche Künstler*innen bezogen sich auf das Werk und Rauschenberg selbst griff es immer wieder auf. Es erwies sich als Testfall für Bestimmungen von Modernismus, Literalismus und Postmodernismus. Gregor Stemmrichs kenntnisreiche kunsttheoretische Betrachtung arbeitet die anhaltende Relevanz des Werks für die Theorie des Bildes, des Index, der Spur, des Allegorischen und der Frage nach Appropriation heraus.
Naval Research Reviews
Author:
Publisher:
ISBN:
Category : Naval research
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Naval research
Languages : en
Pages : 292
Book Description
Letters to an Unknown
Author: Mérimée Prosper
Publisher: BoD – Books on Demand
ISBN: 3752442018
Category : Fiction
Languages : en
Pages : 478
Book Description
Reproduction of the original: Letters to an Unknown by Mérimée Prosper
Publisher: BoD – Books on Demand
ISBN: 3752442018
Category : Fiction
Languages : en
Pages : 478
Book Description
Reproduction of the original: Letters to an Unknown by Mérimée Prosper
Letters to an Unknown
Author: Prosper Mérimée
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 395
Book Description
Letters to an Unknown is a collection of letters from Prosper Mérimée to Jenny Dacquin, whom he was in a remote relationship with for the better part of their lives. Excerpt: "Frankness and truth are virtues seldom esteemed by women as desirable; rather are they qualities to be avoided. For this reason you regard me as a Sardanapalus, because I attended a ball at which the ballet girls of the Opera were present. You reproach me for that evening as if it were a crime, and you reproach me for commending those poor girls as if that were a still greater crime. I repeat it, give them wealth, and thereafter only their good qualities will be seen."
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 395
Book Description
Letters to an Unknown is a collection of letters from Prosper Mérimée to Jenny Dacquin, whom he was in a remote relationship with for the better part of their lives. Excerpt: "Frankness and truth are virtues seldom esteemed by women as desirable; rather are they qualities to be avoided. For this reason you regard me as a Sardanapalus, because I attended a ball at which the ballet girls of the Opera were present. You reproach me for that evening as if it were a crime, and you reproach me for commending those poor girls as if that were a still greater crime. I repeat it, give them wealth, and thereafter only their good qualities will be seen."
Self Portrait with Boy
Author: Rachel Lyon
Publisher: Simon and Schuster
ISBN: 139853336X
Category : Fiction
Languages : en
Pages : 396
Book Description
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
Publisher: Simon and Schuster
ISBN: 139853336X
Category : Fiction
Languages : en
Pages : 396
Book Description
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
The Fortnightly Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1102
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1102
Book Description
Fortnightly Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
Book Description