They Don't Kill You Because They're Hungry, They Kill You Because They're Full PDF Download
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Author: Mark Bibbins
Publisher: Copper Canyon Press
ISBN: 1619321203
Category : Poetry
Languages : en
Pages : 96
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Book Description
Honored as a "Best Poetry Book of the Year" by Publishers Weekly "The book's a little crazy, packed with air quotes and brackets, jokes and condemnations, forms that explode across the page. Crazily enough, it's also packed with truth.”—NPR “The voice of this third book from Bibbins is marked and numbed by the onslaught of American media and politics that saturate the Internet, television, radio, and smartphone: ‘the way things are going, children/ will have to upgrade to more amusing.’ Much like advertisements or news stories vying for viewer’s attention, the book intentionally overwhelms, eschewing sections; the author instead differentiates the poems by repetition, creating a sort of echo chamber, similar to the way viral information cycles through social media platforms.”—Publishers Weekly, starred review "[A] hilarious send-up of contemporary values and an alarm bell of sorts, directing attention to all that is so sinister in our civilization.”—American Poets "Whip-smart and wickedly funny, They Don't Kill You is Bibbins's most authoritative and self-possessed collection to date."—Boston Review The poems in Mark Bibbins's breakthrough third book are formally innovative and socially alert. Roving across the weird human landscape of modern politics, media-exacerbated absurdity, and questionable social conventions, this collection counters dread with wit, chaos with clarity, and reminds us that suffering is "small//compared to what?" Mark Bibbins teaches in the graduate writing programs at The New School and Columbia University, and edits the poetry section of The Awl. He lives in New York City.
Author: Mark Bibbins
Publisher: Copper Canyon Press
ISBN: 1619321203
Category : Poetry
Languages : en
Pages : 96
Get Book
Book Description
Honored as a "Best Poetry Book of the Year" by Publishers Weekly "The book's a little crazy, packed with air quotes and brackets, jokes and condemnations, forms that explode across the page. Crazily enough, it's also packed with truth.”—NPR “The voice of this third book from Bibbins is marked and numbed by the onslaught of American media and politics that saturate the Internet, television, radio, and smartphone: ‘the way things are going, children/ will have to upgrade to more amusing.’ Much like advertisements or news stories vying for viewer’s attention, the book intentionally overwhelms, eschewing sections; the author instead differentiates the poems by repetition, creating a sort of echo chamber, similar to the way viral information cycles through social media platforms.”—Publishers Weekly, starred review "[A] hilarious send-up of contemporary values and an alarm bell of sorts, directing attention to all that is so sinister in our civilization.”—American Poets "Whip-smart and wickedly funny, They Don't Kill You is Bibbins's most authoritative and self-possessed collection to date."—Boston Review The poems in Mark Bibbins's breakthrough third book are formally innovative and socially alert. Roving across the weird human landscape of modern politics, media-exacerbated absurdity, and questionable social conventions, this collection counters dread with wit, chaos with clarity, and reminds us that suffering is "small//compared to what?" Mark Bibbins teaches in the graduate writing programs at The New School and Columbia University, and edits the poetry section of The Awl. He lives in New York City.
Author: Mark Bibbins
Publisher: Copper Canyon Press
ISBN: 1619322145
Category : Poetry
Languages : en
Pages : 88
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Book Description
O, The Oprah Magazine, "42 Best LGBTQ Books of 2020" NPR's Favorite Books of 2020 In his fourth collection, 13th Balloon, Mark Bibbins turns his candid eye to the American AIDS crisis. With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred— amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, “For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say.” And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing—through both joy and grief—to wonder.
Author: David Lehman
Publisher: Simon and Schuster
ISBN: 1476708207
Category : Poetry
Languages : en
Pages : 240
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Book Description
Title page verso indicates hardcover edition, but this ISBN is for the paperback printing.
Author: Jericho Brown
Publisher: Copper Canyon Press
ISBN: 161932119X
Category : Poetry
Languages : en
Pages : 86
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Book Description
Honored as a "Best Book of 2014" by Library Journal NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor’s guilt, sinner’s guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book.”—NPR.org "Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi "To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast. Fairy Tale Say the shame I see inching like steam Along the streets will never seep Beneath the doors of this bedroom, And if it does, if we dare to breathe, Tell me that though the world ends us, Lover, it cannot end our love Of narrative. Don’t you have a story For me?—like the one you tell With fingers over my lips to keep me From sighing when—before the queen Is kidnapped—the prince bows To the enemy, handing over the horn Of his favorite unicorn like those men Brought, bought, and whipped until They accepted their masters’ names. Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.
Author: Alicia Mountain
Publisher: University of Iowa Press
ISBN: 1609385454
Category : Poetry
Languages : en
Pages : 112
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Book Description
Alicia Mountain’s urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual, defiant and inviting. With a voice that beckons while it howls, Mountain nimbly traverses lyric, confessional, and narrative modes, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil, leftovers for breakfast, road trip as ritual, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail, its speakers asking us to consider what it will take to satisfy our own appetites while simultaneously trying to nourish one another. “Ferocious, even the softest part,” Mountain shows us “a way to fall in love with wanting,” leaving us “ravenous, but gradually.” Bearing witness to identity formation in solitude and communion, High Ground Coward is an almanac of emotional and relational seasons. Mountain’s speakers question the meaning of inheritance, illness, violence, mythology, and family architecture. Whether Mountain is at work revealing the divinity of doubt, the entanglement of devotion, or the dominion that place holds over us, High Ground Coward heralds a thrilling poetic debut. From “Scavenger” We three eat food and are in love. This is the easy way to say there are stores beneath the floor. Potatoes and shallots, hard-necked garlic streaked purple, jars beside jars, themselves each staving globes of suction. Preservation, a guardian hunger. In the evening I whisper to the boiled beet, like a naked organ in my flushed hand: You are ground blood, you are new born, you have never been nothing— thawfruit seedflower greenstart rootbulb handpull shedscrub mouthsweet and again.
Author: Javier Zamora
Publisher: Copper Canyon Press
ISBN: 1619321777
Category : Poetry
Languages : en
Pages : 118
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Book Description
New York Times Bestselling Author of Solito "Every line resonates with a wind that crosses oceans."—Jamaal May "Zamora's work is real life turned into myth and myth made real life." —Glappitnova Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind. Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun." From "Let Me Try Again": He knew we weren't Mexican. He must've remembered his family coming over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don't trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again. And again—like everyone does. Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.
Author: John Freeman
Publisher: Copper Canyon Press
ISBN: 1619321807
Category : Poetry
Languages : en
Pages : 106
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Book Description
John Freeman's first poetry collection charts the impact of place on human experience. In Beirut, Rio de Janeiro, Paris, Rome, and the foothills of a childhood hometown, Freeman navigates legacies of ruin and construction, illness and memory. Warm, mournful, and distinctly urban, Maps offers a compassionate perspective from the experience of one American embroiled in empire. From "You Are Here:" The city grinds its molars at night, carefully mined explosions boring cavities beneath Manhattan, while other lines ride all hours in yellow light, gliding to stops at the zebra-painted beam halfway down each platform, conductor always pointing up, as if to say, yes, you are here. "At the intersection of art and heart, this magnificent sheaf of voyages leads us through the di fficult and picturesque atlas of a life.... This is an enduring and rapturous account of a life’s journey to plumb the depths of the known in order to reveal the hidden and unknown." —D.A. Powell "What is mapped here, in John Freeman’s exquisite and robust poetry debut, are the territories of loss, pain, violence, and reckoning that make up a life. And also those of love, remembrance, and unabashed passion that make that same life livable. Maps is a consolation and a delight." —Tracy K. Smith "John Freeman’s astonishing book of poems shows us first an America that could once and sometimes still be experienced in a vacuum, removed from the brutal struggles that are the daily life of much of the world. Then he takes us into that world, where human tenderness is martyred and buried, day after day. In Freeman’s hands the most minimal scenes, the smallest gestures, record our persistence and fragility. Disconsolate, loving, burdened by memory, undeceived but somehow still doggedly hopeful, these poems help us to see a world we’re just beginning to map." —Mark Doty John Freeman is an American writer and literary critic. A graduate of Swarthmore College, Freeman is the editor of Freeman’s, a literary biannual, and author of two books of nonfiction, The Tyranny of E-mail and How to Read a Novelist. He has also edited two anthologies of writing on inequality, Tales of Two Cities and Tales of Two Americas. The former editor of Granta, he lives in New York, where he teaches at The New School and is writer-in-residence at New York University. The executive editor at LitHub, he has published poems in Zyzzyva, The New Yorker, The Paris Review, and The Nation. His work has been translated into more than twenty languages.
Author: Malachi Black
Publisher: Copper Canyon Press
ISBN: 1619321289
Category : Poetry
Languages : en
Pages : 96
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Book Description
"To be both visionary and accurate, true to physics and metaphysics at the same time, is rare and puts the poet in some rarefied company. Black, like a few other younger poets, is willing to include all the traditional effects of the lyric poem in his work, but he has set them going in new and lively ways, with the confidence of virtuosity and a belief in the ancient pleasures of pattern and repetition."—Mark Jarman, American Poet Lush and daring, Malachi Black's poems in Storm Toward Morning press all points along the spectrum of human positions, from sickness, isolation, and insomniac disarray to serenity, wonder, and spiritual yearning. Pulsing at the intersections of "eye and I," body and mind, physical and metaphysical, Black brings distinctive voice, vision, and music to matters of universal mortal concern. Query on Typography What is the light inside the opening of every letter: white behind the angles is a language bright because a curvature of space inside a line is visible is script a sign of what it does or does not occupy scripture the covenant of eye and I with word or what the word defines which is source and which is shrine the light of body or the light behind? Malachi Black holds a BA in literature from New York University and an MFA in creative writing from the University of Texas at Austin’s Michener Center for Writers. His poems have appeared in AGNI, Boston Review, Ploughshares, and Poetry. He currently teaches at the University of San Diego and lives in California.
Author: Keith McCloud
Publisher: Gatekeeper Press
ISBN: 1619845024
Category : Fiction
Languages : en
Pages : 308
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Book Description
Author: L. A. Johnson
Publisher:
ISBN: 9781495157691
Category : Poetry
Languages : en
Pages : 0
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Book Description
Poetry. California Interest. The seemingly placid surfaces of LITTLE CLIMATES lure the reader into the mystery of what swims underneath. In her debut collection, L. A. Johnson examines the disparate spaces humans occupy in relationships--together and separately, alone and as unit. For even in a love union, each individual still inhabits their own space of mystery and wonder; their pasts, how they've changed, how they dream of the present: these are the little climates.
