Theories of Art: From Winckelmann to Baudelaire PDF Download
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Author: Moshe Barasch
Publisher: Psychology Press
ISBN: 9780415926263
Category : Art
Languages : en
Pages : 432
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Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Author: Moshe Barasch
Publisher: Psychology Press
ISBN: 9780415926263
Category : Art
Languages : en
Pages : 432
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Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Author: Moshe Barasch
Publisher: Routledge
ISBN: 1135199736
Category : Art
Languages : en
Pages : 429
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814711332
Category : Art
Languages : en
Pages : 466
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Book Description
Annotation. In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
Author: Moshe Barasch
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
Author: Moshe Barasch
Publisher:
ISBN: 9780415926263
Category : Aesthetics
Languages : en
Pages : 1214
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Book Description
Author: Moshe Barasch
Publisher: Routledge
ISBN: 1135199728
Category : Art
Languages : en
Pages : 432
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Book Description
This second book in Moshe Barasch's series on art theory surveys the development of the field from the early eighteenth to the mid-nineteenth centuries. During this period theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood within the context of cultural, aesthetic, and philosophical developments of the period, Barasch surveys the opinions of the artists, as well as the doctrines of philosophers, poets and critics. He thus traces for the reader the entire development of modernism in art and art theory.
Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814723357
Category : Art
Languages : en
Pages : 466
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Book Description
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in some detail the doctrines of philosophers, poets, and critics. Barasch thus traces for the reader the entire development of modernism in art and art theory.
Author: Moshe Barasch
Publisher: NYU Press
ISBN: 9780814711330
Category : Art
Languages : en
Pages : 0
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Book Description
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in some detail the doctrines of philosophers, poets, and critics. Barasch thus traces for the reader the entire development of modernism in art and art theory.
Author: Jerrold Levinson
Publisher: Oxford University Press
ISBN: 9780199279456
Category : Art
Languages : en
Pages : 844
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Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
Author: Jan Assmann
Publisher: BRILL
ISBN: 9004379126
Category : Religion
Languages : en
Pages : 384
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Book Description
The role of representation in religion is complex. While often perceived as essential, it is also associated in many traditions with the liability of idolatry and provokes iconoclasm. The essays in this volume examine the nuances of representation in religion and the debate concerning its place across a variety of traditions from the three Abrahamic faiths, to those of antiquity and the East. This volume consists of presentations made at an international conference held in honor of Moshe Barasch, art historian and cultural critic, who has done much to elucidate the light which representation and religion shed on each other. It pays tribute to Barasch by expanding the base of understanding and insight he has erected. It should be of interest to students of religion and of art history.
