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Author: Southeastern Theatre Conference (U.S.)
Publisher: University of Alabama Press
ISBN: 9780817308544
Category : Architecture
Languages : en
Pages : 156
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Book Description
This volume brings together experts in the field of Renaissance theatre architecture. It considers concepts and applications of theatrical space during the early modern period.
Author: Southeastern Theatre Conference (U.S.)
Publisher: University of Alabama Press
ISBN: 9780817308544
Category : Architecture
Languages : en
Pages : 156
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Book Description
This volume brings together experts in the field of Renaissance theatre architecture. It considers concepts and applications of theatrical space during the early modern period.
Author: Una Chaudhuri
Publisher: University of Michigan Press
ISBN: 9780472065899
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The first book-length study of the notion of place and its implications in modern drama
Author: Marvin Carlson
Publisher: Cornell University Press
ISBN: 9780801480942
Category : Architecture
Languages : en
Pages : 228
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Book Description
Explores the cultural, social, and poltical aspects of theatrical architecture, from the threatres of ancient Greece of the present.
Author: Gay McAuley
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
How real and imagined theatrical spaces and the relationships between them evoke meaning
Author: Richard Schechner
Publisher: Hal Leonard Corporation
ISBN: 9781557831781
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
"There is an actual, living relationship between the spaces of the body and the spaces the body moves through; human living tissue does not abruptly stop at the skin, exercises with space are built on the assumption that human beings and space are both alive." Here are the exercises which began as radical departures from standard actor training etiquette and which stand now as classic means through which the performer discovers his or her true power of transformation. Available for the first time in fifteen years, the new expanded edition of Environmental Theater offers a new generation of theater artists the gospel according to Richard Schechner, the guru whose principles and influence have survived a quarter-century of reaction and debate.
Author: Ina Habermann
Publisher: Palgrave Macmillan
ISBN: 9781137518347
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America.
Author: Lowell Edmunds
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 216
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Book Description
While Greek tragedies are often studied as works of literature, they are less frequently examined as products of the social and political environment in which they were created. Rarely, too, are the visual and spatial aspects of these plays given careful consideration. In this detailed and innovative book, Lowell Edmunds combines two readings of Oedipus at Colonus to arrive at a new way of looking at Greek tragedy. Edmunds sets forth a semiotic theory of theatrical space, and then applies this theory to the visual and spatial dimensions of Oedipus at Colonus. The book includes an Appendix on the life of Sophocles and the reception of Oedipus at Colonus. Edmunds's unique approach to Oedipus at Colonus makes this an important book for students and scholars of semiotics, Greek tragedy, and theatrical performance.
Author: Peter Brook
Publisher: Simon and Schuster
ISBN: 0684829576
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
Discusses four types of theatrical landscapes; the deadly theatre, the holy theatre, the rough theatre, and the immediate theatre.
Author: Tim Fitzpatrick
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409428281
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which - though many of them are considered of great literary worth - were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.
Author: Jordan Tannahill
Publisher: Coach House Books
ISBN: 177056411X
Category : Social Science
Languages : en
Pages : 161
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Book Description
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)
