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Author: Joyce McDougall
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 200
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Book Description
McDougall looks at people who react to psychological distress through somatic manifestations, and at the psychosomatic potential of individuals in those moments when habitual psychological ways of coping are overwhelmed, and the body pantomimes the mind's distress.
Author: Joyce McDougall
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 200
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Book Description
McDougall looks at people who react to psychological distress through somatic manifestations, and at the psychosomatic potential of individuals in those moments when habitual psychological ways of coping are overwhelmed, and the body pantomimes the mind's distress.
Author: Joyce McDougall
Publisher: Routledge
ISBN: 1135888280
Category : Psychology
Languages : en
Pages : 309
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Book Description
Using the theatre as a central metaphor, this text provides a flexible framework to explore the psychic realities of the characters within us. Case studies underscore how different kinds of patients construct particular fantasies as a response to the pain of earlier life scenarios.
Author: Joyce McDougall
Publisher: W. W. Norton
ISBN: 9780393700824
Category : Psychology
Languages : en
Pages : 183
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Book Description
'Theaters of the Body is a landmark contribution to the study of the psychosoma by one of the world's most important psychoanalytic thinkers and clinicians. In this book, Joyce McDougall presents a bold and exciting recasting of the psychoanalytic approach to the fascinating question of the relationship between the mind and the body.
Author: Cynthia Klestinec
Publisher: JHU Press
ISBN: 1421401428
Category : History
Languages : en
Pages : 280
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Book Description
The anatomy theater is where students of the human body learn to isolate structures in decaying remains, scrutinize their parts, and assess their importance. Taking a new look at the history of anatomy, the author places public dissections alongside private ones to show how the anatomical theater was both a space of philosophical learning and a place where students learned to behave in a civil manner towards their teachers, their peers, and the corpse.
Author: Kate Cregan
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 376
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Book Description
This study is a threefold investigation of understandings of embodiment - as displayed in the playhouses, courthouses, and anatomy theatres of London between 1540 and 1696. These dates mark the waxing and waning of the Worshipful Company of Barber-Surgeons' domination of the practice of dissection in London. In 1540 Henry VIII gave them his approval and encouragement but by 1696 Edward Ravenscroft's The Anatomist: Or the Sham Doctor staged their loss of power. This loss of power, the book contends, is symptomatic of a major shift in the concept of embodiment. The book explains the changing understanding of the human body throughout this period by analysis of the interplay between the texts used in and the material practices of three specific public sites: the public playhouses, the Sessions House, and the Anatomy Theatre of the Worshipful Company of Barber-Surgeons of London. Using an approach that combines the socially textured understandings of fields of practice found in Bourdieu with the interpretations of progression across time found in Elias and Foucault, The Theatre of the Body demonstrates how the three fields of drama, law, and medicine are intimately inter-connected in that process. In presenting this analysis, the author argues that the quality of embodiment begins to shift during this period from the mid-sixteenth century and throughout the course of the seventeenth century. In this shift one can observe how the earlier, 'traditional' interpretation of embodiment is intensified and resolidified into the beginnings of the medicalized 'modern' body.
Author: Maaike Bleeker
Publisher: Amsterdam University Press
ISBN: 9053565167
Category : Medical
Languages : en
Pages : 271
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Book Description
Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
Author: Jacques Lecoq
Publisher: A&C Black
ISBN: 1408141191
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
'In life I want students to be alive and on stage I want them to be artists' Jacques Lecoq Jacques Lecoq was one of the most inspirational theatre teachers of our age. The International Theatre School he founded in Paris remains an unrivalled centre for the art of physical theatre. In The Moving Body, Lecoq shares his unique philosophy of performance, improvisation, masks, movement and gesture which together form one of the greatest influences on contemporary theatre. Neutral mask, character mask, and counter masks, bouffons, acrobatics and commedia, clowns and complicity: all the famous Lecoq techniques are covered here - techniques that have made their way into the work of former collaborators and students inluding Dario Fo, Julie Taymor, Ariane Mnouchkine, Yasmina Reza and Theatre de Complicité. This paperback edition contains a Foreword by Simon McBurney, Artistic Director of Complicité and an Afterword by Fay Lecoq, Director of the International Theatre School in Paris.
Author: Laurie Johnson
Publisher: Routledge
ISBN: 1134449216
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare’s world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern ‘body-mind’ in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare’s theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. Because of the breadth of material covered, full weight is given to issues that are hotly debated at the present time within Shakespeare Studies: presentist scholarship is presented alongside more historically-focused studies, for example, and phenomenological studies of material culture are included along with close readings of texts. What the contributors have in common is a refusal to read the work of Shakespeare and his contemporaries either psychologically or materially; instead, these essays address a willingness to study early modern phenomena (like the Elizabethan stage) as manifesting an early modern belief in the embodiment of cognition.
Author: Tadashi Suzuki
Publisher: Theatre Communications Group
ISBN: 1559368071
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
"Mr. Suzuki's art seeks to reach audiences not through the intellect but through the senses and instincts."—New York Times "In my opinion, a 'cultured' society is one where the perceptive and expressive abilities of the human body are used to the full; where they provide the basic means of communication."—Tadashi Suzuki Renowned for his actor training methods, Tadashi Suzuki provides a thorough and accessible formulation of his ideas and beliefs in this new edition of his theater writings. One of the world's most revered theater directors, Suzuki is also a seminal thinker and practitioner whose work has had a profound influence on theater worldwide. This landmark collection provides a useful, provocative look at his philosophical and practical approaches to the stage. Culture is the Body is a complete revision of Suzuki's influential book The Way of Acting, featuring new essays and in a revised translation by Kameron Steele, a longtime collaborator of Suzuki's. Legendary theater director Tadashi Suzuki explains his revered approach in this new edition of his writings. Tadashi Suzuki is the founder and director of the Suzuki Company of Toga (SCOT), the organizer of Japan's first international theater festival (Toga Festival), and the creator of the Suzuki Method of Actor Training. Suzuki has articulated his theories in a number of books. He has taught his system of actor training in schools and theaters throughout the world. Besides productions with his own company, he has directed several international collaborations.
Author: John Keefe
Publisher: Routledge
ISBN: 1134230974
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.
