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Author: Helena Buffery
Publisher: Iberian and Latin American Studies: The Arts, Literature, and Identity
ISBN: 9783034302630
Category : Emigration and immigration in literature
Languages : en
Pages : 0
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Book Description
This book brings together twelve specially commissioned essays that showcase current research on Spanish Republican exile theatre and performance, including work by some of the foremost scholars in the field. Covering a range of periods, geographical locations and theatrical phenomena, the essays are united by the common question of what it means to 'stage exile', exploring the relationship between space, identity and performance in order to excavate the place of theatre in Spanish Republican exile production. Each chapter takes a particular case study as a starting point in order to assess the place of a particular text, practitioner or performance within Hispanic theatre tradition and then goes on to examine the case study's relationship with the specific sociocultural context in which it was located and/or produced. The authors investigate wider issues concerning the recovery and performability of these documentary traces, addressing their position within the contemporary debate over historical and cultural memory, their relationship to the contemporary stage, the insights they offer into the experience and performance of exile, and their contribution to contemporary configurations of identity and community in the Hispanic world. Through this commitment to interdisciplinary debate, the volume offers a new and invigorating reimagination of twentieth-century Hispanic theatre from the margins.
Author: Helena Buffery
Publisher: Iberian and Latin American Studies: The Arts, Literature, and Identity
ISBN: 9783034302630
Category : Emigration and immigration in literature
Languages : en
Pages : 0
Get Book Here
Book Description
This book brings together twelve specially commissioned essays that showcase current research on Spanish Republican exile theatre and performance, including work by some of the foremost scholars in the field. Covering a range of periods, geographical locations and theatrical phenomena, the essays are united by the common question of what it means to 'stage exile', exploring the relationship between space, identity and performance in order to excavate the place of theatre in Spanish Republican exile production. Each chapter takes a particular case study as a starting point in order to assess the place of a particular text, practitioner or performance within Hispanic theatre tradition and then goes on to examine the case study's relationship with the specific sociocultural context in which it was located and/or produced. The authors investigate wider issues concerning the recovery and performability of these documentary traces, addressing their position within the contemporary debate over historical and cultural memory, their relationship to the contemporary stage, the insights they offer into the experience and performance of exile, and their contribution to contemporary configurations of identity and community in the Hispanic world. Through this commitment to interdisciplinary debate, the volume offers a new and invigorating reimagination of twentieth-century Hispanic theatre from the margins.
Author: Joseph Horowitz
Publisher: Harper Collins
ISBN: 0061971308
Category : History
Languages : en
Pages : 484
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Book Description
During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For them, America proved to be both a strange and opportune destination. A "foreign homeland" (Thomas Mann), it would frustrate and confuse, yet afford a clarity of understanding unencumbered by native habit and bias. However inadvertently, the condition of cultural exile would promote acute inquiries into the American experience. What impact did these famous newcomers have on American culture, and how did America affect them? George Balanchine, in collaboration with Stravinsky, famously created an Americanized version of Russian classical ballet. Kurt Weill, schooled in Berlin jazz, composed a Broadway opera. Rouben Mamoulian's revolutionary Broadway productions of Porgy and Bess and Oklahoma! drew upon Russian "total theater." An army of German filmmakers—among them F. W. Murnau, Fritz Lang, Ernst Lubitsch, and Billy Wilder—made Hollywood more edgy and cosmopolitan. Greta Garbo and Marlene Dietrich redefined film sexuality. Erich Korngold upholstered the sound of the movies. Rudolf Serkin inspirationally inculcated dour Germanic canons of musical interpretation. An obscure British organist reinvented himself as "Leopold Stokowski." However, most of these gifted émigrés to the New World found that the freedoms they enjoyed in America diluted rather than amplified their high creative ambitions. A central theme of Joseph Horowitz's study is that Russians uprooted from St. Petersburg became "Americans"—they adapted. Representatives of Germanic culture, by comparison, preached a German cultural bible—they colonized. "The polar extremes," he writes, "were Balanchine, who shed Petipa to invent a New World template for ballet, and the conductor George Szell, who treated his American players as New World Calibans to be taught Mozart and Beethoven." A symbiotic relationship to African American culture is another ongoing motif emerging from Horowitz's survey: the immigrants "bonded with blacks from a shared experience of marginality"; they proved immune to "the growing pains of a young high culture separating from parents and former slaves alike."
Author: John Tytell
Publisher:
ISBN: 9780802134868
Category : Drama
Languages : en
Pages : 434
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Book Description
Provides a biography of the Living Theatre a radical American theatrical group known for violating taboos of culture and government
Author: S. Jestrovic
Publisher: Springer
ISBN: 1137291672
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
Over 20 years after the war in Yugoslavia, this book looks back at its two most iconic cities and the phenomenon of exile emerging as a consequence of living in them in the 1990s. It uses examples ranging from street interventions to theatre performances to explore the making of urban counter-sites through theatricality and utopian performatives.
Author: James Joyce
Publisher:
ISBN:
Category : Alienation (Social psychology)
Languages : en
Pages : 168
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Book Description
Author: Evelyn Juers
Publisher: Farrar, Straus and Giroux
ISBN: 1429922842
Category : Biography & Autobiography
Languages : en
Pages : 397
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Book Description
In 1933 the author and political activist Heinrich Mann and his partner, Nelly Kroeger, fled Nazi Germany, finding refuge first in the south of France and later, in great despair, in Los Angeles, where Nelly committed suicide in 1944 and Heinrich died in 1950. Born into a wealthy middle-class family in Lübeck, Heinrich was one of the leading representatives of Weimar culture. Nelly was twenty-seven years younger, the adopted daughter of a fisherman and a hostess in a Berlin bar. As far as Heinrich's family was concerned, she was from the wrong side of the tracks. In House of Exile, Heinrich and Nelly's story is crossed with others from their circle of friends, relatives, and contemporaries: Heinrich's brother, Thomas Mann; his sister, Carla; their friends Bertolt Brecht, Alfred Döblin, and Joseph Roth; and, beyond them, the writers James Joyce, Franz Kafka, and Virginia Woolf, among others. Evelyn Juers brings this generation of exiles to life with tremendous poignancy and imaginative power. In train compartments, ship cabins, and rented rooms, the Manns clung to what was left to them—their bodies, their minds, and their books—in a turbulent and self-destructive era.
Author: Catalina Florina Florescu
Publisher: Lexington Books
ISBN: 1498539467
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Monolingual, monolithic English is an issue of the past. In this collection, by using cinema, poetry, art, and novels we demonstrate that English has become the heteroglossic language of immigration – Englishes of exile. By appropriating its plural form we pay respect to all those who have been improving standard English, thus proving that one may be born in a language as well as give birth to a language or add to it one’s own version. The story of the immigrant, refugee, exile, expatriate is everybody’s story, and without migration, we could not evolve our human race.
Author: Una Chaudhuri
Publisher: University of Michigan Press
ISBN: 9780472065899
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The first book-length study of the notion of place and its implications in modern drama
Author: Adam Rapp
Publisher: Oberon Books Limited
ISBN: 9781783191857
Category : Drama
Languages : en
Pages : 56
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Book Description
Bernadette is 16. She is pregnant. Her boyfriend doesn't know. Much more importantly than all that, however, she will soon be auditioning for her high school's production of Genet's The Maids. As she stands on the cusp of adulthood, she must learn to untangle the real world outside from the thorns of her imagination. It's a bitter winter night when 16-year-old Bernadette, an aspiring short story writer, boards a train to New York City carrying her notebook and important news for her boyfriend. What follows is a searing and poetic coming-of-age story as Bernadette intimately shares her encounters along the way and the devastating result of her visit, a journey punctuated by both a need to be heard and an aching desire to disappear.
Author: Cristina Emanuela Dascalu
Publisher: Cambria Press
ISBN: 1934043737
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
"The effects of the displacement of peoples--their forced migration, their deportation, their voluntary emigration, their movement to new lands where they made themselves masters over others, or became subjects of the masters of their new homes--reverberate down the years and are still felt today. The historical violence of the era of empire and colonies echoes in the literature of the descendants of those forcibly moved and the exiles that those processes have made. The voices of its victims are insistent in the literature that has come to be called “post-colonial.” Although the term “post-colonial” is insufficient to capture fully the depth and breadth of those writers that have been labeled by it (for it is itself something of a colonial instrument, ghettoizing writers in English who are still considered to be “foreign”), there is a common bond among the works of those novelists who understand the process of exile and see themselves as exiles--both from their homes and from themselves. In this eloquently argued book with meticulous theoretical groundwork, Dr. Cristina Dascalu presents a most lucid and concise examination of exile. In addition to her negotiation of the term “exile,” what is most original and significant about Imaginary Homelands of Writers in Exile is the selection of authors. Reaching across national (in terms of country of exile) and ethnic (in terms of region/religion of birth) boundaries, Dr. Dascalu elegantly shows the persistent relevance of the experience and implications of exile to the writing of fiction in the world today. Rushdie, Mukherjee, and Naipaul are very distinct authors whose works are not often discussed together in this context. Using Benedict Anderson’s notion of “unimagined communities,” among other critical lenses, she makes significant connections between the way exile functions as a theme and as a condition for their writing."--pub. desc.
