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Author: Dan Urian
Publisher: Routledge
ISBN: 113442597X
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.
Author: Dan Urian
Publisher: Routledge
ISBN: 113442597X
Category : Performing Arts
Languages : en
Pages : 240
Get Book Here
Book Description
Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.
Author: Naphtaly Shem-Tov
Publisher: Routledge
ISBN: 9781032007212
Category :
Languages : en
Pages : 0
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Book Description
This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.
Author: Mendel Kohansky
Publisher: Jerusalem : Israel Universities Press
ISBN:
Category : Theater
Languages : en
Pages : 330
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Book Description
Author: Dan Urian
Publisher: Taylor & Francis
ISBN: 9789057021312
Category : Arab-Israeli conflict
Languages : en
Pages : 200
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Book Description
The Author uses of extensive examples, showing how theatre, politics and personal perceptions intertwine, presenting us with a model for further discussion and study of similar social and artistic phenomena in other cultures.
Author: Jesaja Weinberg
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 4
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Book Description
Author: Linda Ben-Zvi
Publisher: University of Michigan Press
ISBN: 9780472106073
Category : Drama
Languages : en
Pages : 488
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Book Description
The first book-length investigation of theater and drama in Israel
Author: International Theatre Institute. Israeli Centre
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 62
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Book Description
Author: Zara Shakow
Publisher: New York : Herzl Press
ISBN:
Category : Theater
Languages : en
Pages : 156
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Book Description
(A Seven star book).
Author: Reuven Snir
Publisher: Dr Ludwig Reichert
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This is the first book in non-Arabic language on Palestinian drama and theatre. The book outlines the historical development of Palestinian dramatic activities from their hesitant rise before 1948 and the first theatrical attempts to the heavy blow which these attempts suffered as a result of the establishment of the State of Israel, to the regeneration of professional theatre out of the ashes of the 1967 defeat, through to the activities of the 1970s and the role they played in Palestinian nation-building. It provides a glimpse into the nature of the current Palestinian theatrical movement, the artistic framework within which it developed, its main themes and poetic traits as well as its major sources of influence. The study is essentially an historical one, but the methodology is combined with literary and dramatic perspectives and insights. Emphasis is placed on the historical development of practical theatrical activities and the rise of dramatic literature, with special attention given to the institutions in which those activities took place. An attempt has been made to present in some detail several of the most important dramatic works in the various historical phases. In addition to an analysis of the written texts, the discussion of the plays also refers to the relevant details of their practical staging. The study includes in-depth investigation of the activities of two major professional Palestinian troupes: the al-Balalin and al-Hakawati, due to the vital effect these troupes have had on the professionaliztion of Palestinian theatre. The primary audience of the book are scholars and students of Arabic culture and literature, as well as scholars and students of theatre and Palestinian nationalism. The book will also be of interest to intellectuals interested in Israeli-Palestinian conflict.
Author: Naphtaly Shem-Tov
Publisher: Routledge
ISBN: 1351009060
Category : Art
Languages : en
Pages : 304
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Book Description
This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.
