Author: Rosemarie K. Bank
Publisher: Cambridge University Press
ISBN: 9780521563871
Category : Drama
Languages : en
Pages : 316
Book Description
A study of pre-Civil War American theatre.
Theatre Culture in America, 1825-1860
Author: Rosemarie K. Bank
Publisher: Cambridge University Press
ISBN: 9780521563871
Category : Drama
Languages : en
Pages : 316
Book Description
A study of pre-Civil War American theatre.
Publisher: Cambridge University Press
ISBN: 9780521563871
Category : Drama
Languages : en
Pages : 316
Book Description
A study of pre-Civil War American theatre.
American Theatre
Author: Theresa Saxon
Publisher: Edinburgh University Press
ISBN: 0748631275
Category : History
Languages : en
Pages : 216
Book Description
Argues for the recognition of American theatre history as long, rich, diverse and critically compelling.Embracing all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, Theresa Saxon situates American theatre as a lively, dynamic and diverse arena. She considers the implications of political manoeuvrings, economics - state-funding and commercial enterprises - race and gender, as well as material factors such as technology, riot and fire, as major forces in determining the structure of America's playhouses and productions. She goes on to investigate critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.
Publisher: Edinburgh University Press
ISBN: 0748631275
Category : History
Languages : en
Pages : 216
Book Description
Argues for the recognition of American theatre history as long, rich, diverse and critically compelling.Embracing all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, Theresa Saxon situates American theatre as a lively, dynamic and diverse arena. She considers the implications of political manoeuvrings, economics - state-funding and commercial enterprises - race and gender, as well as material factors such as technology, riot and fire, as major forces in determining the structure of America's playhouses and productions. She goes on to investigate critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.
Childhood and Nineteenth-Century American Theatre
Author: Shauna Vey
Publisher: SIU Press
ISBN: 0809334380
Category : History
Languages : en
Pages : 241
Book Description
"This study of the daily work lives of five members of the Marsh Troupe, a nineteenth-century professional acting company composed primarily of children, sheds light on the construction of idealized childhood inside and outside the American theatre"--
Publisher: SIU Press
ISBN: 0809334380
Category : History
Languages : en
Pages : 241
Book Description
"This study of the daily work lives of five members of the Marsh Troupe, a nineteenth-century professional acting company composed primarily of children, sheds light on the construction of idealized childhood inside and outside the American theatre"--
Playing Sick
Author: Meredith Conti
Publisher: Routledge
ISBN: 1351787705
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
Publisher: Routledge
ISBN: 1351787705
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
Women in the Arts in the Belle Epoque
Author: Paul Fryer
Publisher: McFarland
ISBN: 078646075X
Category : Performing Arts
Languages : en
Pages : 239
Book Description
This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.
Publisher: McFarland
ISBN: 078646075X
Category : Performing Arts
Languages : en
Pages : 239
Book Description
This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.
Historical Dictionary of American Theater
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 081087833X
Category : Performing Arts
Languages : en
Pages : 571
Book Description
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
Publisher: Rowman & Littlefield
ISBN: 081087833X
Category : Performing Arts
Languages : en
Pages : 571
Book Description
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
Performing the American Frontier, 1870-1906
Author: Roger A. Hall
Publisher: Cambridge University Press
ISBN: 9780521793209
Category : Drama
Languages : en
Pages : 304
Book Description
This book examines how the American frontier was presented in theatrical productions.
Publisher: Cambridge University Press
ISBN: 9780521793209
Category : Drama
Languages : en
Pages : 304
Book Description
This book examines how the American frontier was presented in theatrical productions.
The Federal Theatre Project
Author: Barry Witham
Publisher: Cambridge University Press
ISBN: 9780521822596
Category : Drama
Languages : en
Pages : 220
Book Description
This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.
Publisher: Cambridge University Press
ISBN: 9780521822596
Category : Drama
Languages : en
Pages : 220
Book Description
This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.
The Theatre of Sam Shepard
Author: Stephen J. Bottoms
Publisher: Cambridge University Press
ISBN: 9780521587914
Category : Drama
Languages : en
Pages : 320
Book Description
This comprehensive analysis traces Sam Shepard's career from his experimental one-act plays of the 1960s to the 1994 play Simpatico. Curse of the Starving Class, Buried Child, True West, Fool for Love and A Lie of the Mind are all examined in depth. Concentrating on his playwriting, this book charts Shepard's various developments and shifts of direction, and the changing contexts in which his work appeared. Engaging, informative, and insightful, The Theatre of Sam Shepard is the definitive source on the works of this innovative and original writer.
Publisher: Cambridge University Press
ISBN: 9780521587914
Category : Drama
Languages : en
Pages : 320
Book Description
This comprehensive analysis traces Sam Shepard's career from his experimental one-act plays of the 1960s to the 1994 play Simpatico. Curse of the Starving Class, Buried Child, True West, Fool for Love and A Lie of the Mind are all examined in depth. Concentrating on his playwriting, this book charts Shepard's various developments and shifts of direction, and the changing contexts in which his work appeared. Engaging, informative, and insightful, The Theatre of Sam Shepard is the definitive source on the works of this innovative and original writer.
Congressional Theatre
Author: Brenda Murphy
Publisher: Cambridge University Press
ISBN: 9780521891660
Category : Art
Languages : en
Pages : 330
Book Description
Discusses plays, films, and teleplays responding to the House Committee on Un-American Activities hearings.
Publisher: Cambridge University Press
ISBN: 9780521891660
Category : Art
Languages : en
Pages : 330
Book Description
Discusses plays, films, and teleplays responding to the House Committee on Un-American Activities hearings.