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Author: HardPress
Publisher: Hardpress Publishing
ISBN: 9781314772821
Category :
Languages : en
Pages : 394
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: HardPress
Publisher: Hardpress Publishing
ISBN: 9781314772821
Category :
Languages : en
Pages : 394
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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Languages : fr
Pages :
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Languages : fr
Pages : 0
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Author: Moliere
Publisher: Scholar's Choice
ISBN: 9781296103309
Category :
Languages : en
Pages : 356
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Moliere
Publisher: CreateSpace
ISBN: 9781480098275
Category : Drama
Languages : en
Pages : 140
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Book Description
Tartuffe (full title: Tartuffe, or The Hypocrite) is one of the most famous theatrical comedies by Molière. Molière wrote Tartuffe in 1664. Plot: Orgon's family is up in arms because Orgon and his mother have fallen under the influence of Tartuffe, a pious fraud (and a vagrant prior to Orgon's help). Tartuffe pretends to be pious and to speak with divine authority, and Orgon and his mother no longer take any action without first consulting him.Jean-Baptiste Poquelin, known by his stage name Molière, (January 15, 1622 – February 17, 1673) was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature. Among Molière's best-known works are Le Misanthrope (The Misanthrope), L'École des femmes (The School for Wives), Tartuffe ou L'Imposteur, (Tartuffe or the Imposter), L'Avare (The Miser), Le Malade imaginaire (The Imaginary Invalid), and Le Bourgeois Gentilhomme (The Bourgeois Gentleman).
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 970
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Category : Union catalogs
Languages : en
Pages : 712
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Author: Geoffrey Brereton
Publisher: Routledge
ISBN: 100057900X
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
In tracing the course of French comedy from the Renaissance, through the age of Louis XIV and the eighteenth century, to the eve of the Revolution, originally published in 1977, Geoffrey Brereton shows how it evolved from the crude farces and experimental plays of the sixteenth century to become a rich and highly sophisticated dramatic genre. The main emphasis is on the work of the principal dramatists, notably Molière (whose plays and career are given a detailed and enlightening treatment), Corneille, Scarron, Marivaux and Beaumarchais, with some space devoted to the more neglected writers, such as the ‘cynical generation’ of Dancourt, Regnard, Lesage and others; and all the plays are seen in the context of the theatrical conventions that helped to shape them. Different types of comedy are analysed, including comedy of character and of manners, as well as the romantic, burlesque and bourgeois forms and the development of the opéra-comique. At the same time Dr Brereton examines the influences on French comedy – influences as varied as those of the farce, the Italian commedia dell’arte, the Spanish comedia and the eighteenth century drame – and the way in which these were absorbed and exploited by French comic dramatists. Since comedy, more than any other kind of drama, reflects the contemporary social scene, attention is drawn to social conditions and attitudes, and some of the more striking parallels with modern social preoccupations are pointed out. Written in a very lively and readable style, and containing much stimulating and original comment, as well as providing the basic facts, it gives a considerable insight into the nature of French comedy during its most formative and fruitful period. A substantial bibliography and other reference material increase the usefulness of this book to the student of French drama.
Author: Moliere
Publisher: Createspace Independent Publishing Platform
ISBN: 9781722471422
Category :
Languages : en
Pages : 102
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Book Description
Tartuffe Or, the Hypocrite by Moliere ACT I SCENE I MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE, DAMIS, DORINE MADAME PERNELLE Come, come, Flipotte, and let me get away. ELMIRE You hurry so, I hardly can attend you. MADAME PERNELLE Then don't, my daughter-in law. Stay where you are. I can dispense with your polite attentions. ELMIRE We're only paying what is due you, mother. Why must you go away in such a hurry? MADAME PERNELLE Because I can't endure your carryings-on, And no one takes the slightest pains to please me. I leave your house, I tell you, quite disgusted; You do the opposite of my instructions; You've no respect for anything; each one Must have his say; it's perfect pandemonium. DORINE If ... MADAME PERNELLE You're a servant wench, my girl, and much Too full of gab, and too impertinent And free with your advice on all occasions. DAMIS But ... We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Author: Molière
Publisher:
ISBN: 9781536880489
Category :
Languages : en
Pages : 62
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Book Description
Tartuffe is the socially charged and comedic play of Molière, first performed in the 1660s. The play is sharply critical of certain elements in 17th century French society, notably the hypocrisy many influential players were guilty of in their relations among other members of society, in general with the aim of bettering their own station in life. Moliere singled out the particular practice of certain individuals who ostentatiously advertise their Christian piety. The titular Tartuffe is a former vagrant and fraud, who uses his supposed religious leanings to ingratiate and gain favour with Orgon and his family. This creation was initially staged in full, and proved a hit with French audiences. However the Archbishop of France petitioned King Louis XIV - who originally commissioned Molière for the production - to censor parts. As such, Tartuffe was performed in abridged form for many years, with many of the titular character's religious prostrations expunged from the dialogue. However, the play's legacy and message persisted - the term 'Tartuffe' is to this day shorthand for 'pious hypocrite' in both English and French. The complete and unabridged translation to English present in this edition was authored by Curtis Hidden Page, and has become highly regarded in the years since its original publication.
