Theatre and State in France, 1760-1905 PDF Download
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Author: Frederick William John Hemmings
Publisher: Cambridge University Press
ISBN: 0521450888
Category : Drama
Languages : en
Pages : 303
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Book Description
Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.
Author: Frederick William John Hemmings
Publisher: Cambridge University Press
ISBN: 0521450888
Category : Drama
Languages : en
Pages : 303
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Book Description
Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.
Author: Derek Jones
Publisher: Routledge
ISBN: 1136798641
Category : Reference
Languages : en
Pages : 2950
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Book Description
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558402
Category : Drama
Languages : en
Pages : 98
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Book Description
New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet. Topics covered in number 45 include: Palimpsestus: Frank Wedekind's Theatre of Self Performance, and 'Leaking Bodies and Fractured Texts': Representing the Female Body at the Omaha Magic Theatre.
Author: Paul Du Quenoy
Publisher: Penn State Press
ISBN: 0271048077
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.
Author: Sabina Cismas
Publisher: Böhlau Verlag Wien
ISBN: 3205202163
Category : Music
Languages : en
Pages : 286
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Book Description
The book examines the early history of music theatre in Romania in the nineteenth century and how it was instrumentalised as a vehicle for the overall modernization and Europeanization of the country. It deals with the complex interaction between the aristocrats, who imported the opera, the local public, the foreign power holders in the time of the Russian Protectorate and the opera companies and musicians who came to Romania and shaped the musical life of the country.
Author: Katherine Ibbett
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 192
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Book Description
Engaging with recent thinking about performance, political theory and canon formation, this study explores the significance of the formal changes in seventeenth-century French theater. The author shows how the conceptualization of these shifts appropriates a rich body of Italian writing on questions of action, temporality and law, and in a series of new readings challenges a literary history that has read neoclassicism largely as a display of pure French style.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521466592
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author: Frederick William John Hemmings
Publisher: Cambridge University Press
ISBN: 0521441420
Category : Drama
Languages : en
Pages : 335
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Book Description
This 1993 book explores the history of French theatre in the nineteenth century.
Author: Sofie Lachapelle
Publisher: Springer
ISBN: 113749297X
Category : History
Languages : en
Pages : 201
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Book Description
Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections at magic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and quacks in order to gain a better standing within an increasingly scientifically-minded society.
Author: Robert J. Goldstein
Publisher: Bloomsbury Publishing USA
ISBN: 0313001219
Category : Political Science
Languages : en
Pages : 291
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Book Description
From 1815 to 1914, European governments and their political oppositions were engaged in a constant war for the minds of the general population, especially the working classes. The German socialist newspaper, Hamburger Echo, declared on September 27, 1910, In waging our war, we do not throw bombs. Instead we throw our newspapers amongst the masses of the working people. Printing ink is our explosive. The most comprehensive study ever published about European censorship practices during the 1815-1914 period, this book discusses the censorship of books, newspapers, caricatures, theater, and film through an analytical introductory survey and six chapters by leading specialists who summarize 19th-century censorship practices in the six major countries of continental Europe: Germany, Italy, France, Austria, Russia, and Spain. As a result of the massive transformation of European life in the post-Napoleonic period and the simultaneously rapid growth in industrialization, urbanization, literacy, transportation, and communication, the average European emerged quite suddenly as a potential player who could no longer be ignored by the ruling elite.