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Author: Trish Reid
Publisher: Palgrave Macmillan
ISBN: 9783031611902
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland. It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination – nationally and internationally – of Scottish theatre and performance. The book aims to capture the diversity and eclecticism of Scotland’s contemporary performance culture by examining work across a spectrum from children’s theatre, community theatre, mainstream theatre for adult audiences and live and performance art.
Author: Trish Reid
Publisher: Palgrave Macmillan
ISBN: 9783031611902
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland. It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination – nationally and internationally – of Scottish theatre and performance. The book aims to capture the diversity and eclecticism of Scotland’s contemporary performance culture by examining work across a spectrum from children’s theatre, community theatre, mainstream theatre for adult audiences and live and performance art.
Author: Trish Reid
Publisher: Springer Nature
ISBN: 3031611918
Category :
Languages : en
Pages : 251
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Book Description
Author: Trish Reid
Publisher: Bloomsbury Publishing
ISBN: 1350316172
Category : Performing Arts
Languages : en
Pages : 121
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Book Description
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.
Author: Valentina Poggi
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Author: Ian Brown
Publisher: Rodopi
ISBN: 9401209944
Category : History
Languages : en
Pages : 256
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Book Description
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.
Author: Mark Brown
Publisher: Springer
ISBN: 3319986392
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
Author: Alistair Beaton
Publisher: A&C Black
ISBN: 147257446X
Category : Drama
Languages : en
Pages : 375
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Book Description
To paraphrase Alistair Beaton's Caledonia - the first play in this collection - 'The English have anthologies, the Spanish have anthologies, the French have anthologies . . . why should not Scotland have its anthology?' Scotland is entering a crucial period in its history, where its identity is being debated daily, from everyday conversation to the national and international press. At the same time, its theatre is resurgent, with key Scottish playwrights, theatres and theatre companies expanding their performance vocabularies while coming to prominence in national and international contexts. Caledonia is a tale of hubris and delusion, portraying a crucial slice of Scotland's history and its foray into imperial colonialism told with dark humour and creative flair, by award-winning playwright and satirist Alistair Beaton. Bullet Catch, by Rob Drummond, is a unique theatrical experience exploring the world of magic, featuring mind-reading, levitation, and the most notorious finale in show business. Morna Pearson's The Artist Man and the Mother Woman is a wickedly funny, deceptively simple, surreal portrait of a spectacularly dysfunctional relationship. Rantin', by Kieran Hurley draws on storytelling, live music and an unapologetically haphazard take on Scottish folk tradition, in an attempt to stitch together fragmented stories to reveal a botched patchwork of a nation. First performed at the Royal Court in 2013, Narrative by Anthony Neilson is a theatrical exploration of the the boundaries and possibilities of storytelling. Featuring plays from Alistair Beaton, Rob Drummond, Morna Pearson, Kieran Hurley and Anthony Neilson, this collection is edited by Dr. Trish Reid, a leading critical voice on Scottish theatre.
Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748646345
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Combines historical rigour with an analysis of dramatic contexts, themes and formsThe 17 contributors explore the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre, with particular attention to the last 100 years.The first part of the volume covers Scottish drama from the earliest records to the late twentieth-century literary revival, as well as translation in Scottish theatre and non-theatrical drama. The second part focuses on the work of influential Scottish playwrights, from J. M. Barrie and James Bridie to Ena Lamont Stewart, Liz Lochhead and Edwin Morgan and right up to contemporary playwrights Anthony Neilson, Gregory Burke, Henry Adams and Douglas Maxwell.
Author: Greg Giesekam
Publisher: Bloomsbury Publishing
ISBN: 1137090995
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
Author: Aimee McNair
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
This thesis considers representations of identity in key performative texts produced in contemporary Scotland. Drawing on the work of Eleanor Bell and Jürgen Neubauer, it is suggested that present-day Scotland is moving towards a postnational paradigm, rather than a national one. It is argued by these scholars that identity is becoming more multifaceted at a political level with the result that traditional notions of identity, informed by the cultural myths and discourses of nationalism, no longer seem relevant or useful in contributing to contemporary constructions of identity. Clydesideism is used in this work as a case study to assess the uses and usefulness of tradition in the construction and representation of identity in recent fictional narratives. This Glasgow-based discourse has been selected for examination (as opposed to Tartanry or Kailyardism) due to the fact that many texts in recent performance culture are based, and/or set, in Glasgow. Even after a cursory examination of contemporary Scottish film, television and theatrical production, it is evident that Scotland's largest city is the preferred setting for fictional narratives. Cultural productions set in Glasgow - whether in film, theatre or television - are often studied in reference to, or classed as belonging to, the discourse of Clydesideism. This research seeks to question the current usage of this discourse with the aim of assessing its relevance as a critical category in relation to current cultural productions (mainly those of the past decade). In doing so, it seeks to advance knowledge in the field by moving on from Petrie's celebratory, positive reclamation of Clydesideism in his 2004 publication Contemporary Scottish Fictions, which focuses on fictional narratives of the eighties and nineties. It will be suggested throughout this work that productions such as the BBC Scotland's soap opera River City challenge the notion that traditional cultural national discourses can signify appropriate codifications of contemporary 'Scottishness'. Such productions are often more concerned with the postnational discourses of multiculturalism and cosmopolitanism. It is not the intention of this thesis then to contribute to the positive reclamation of traditional discourses, which is currently in vogue in Scottish studies, rather the usefulness of their reclamation in light of the recent moves towards postnationalism (as it is defined by both Bell and Neubauer) will be questioned. It will be asked whether national myths still matter and if they continue to constitute an active and significant cultural referent at a time when, according to Bell, we should 'view Scotland and Scottishness as, in part, the products of globalism, multiculturalism and consumerism in order to see that we are now 'somewhere else entirely''(Bell 2004a: 89).
