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Author: Nic Leonhardt
Publisher: Springer Nature
ISBN: 3030763552
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.
Author: Nic Leonhardt
Publisher: Springer Nature
ISBN: 3030763552
Category : Performing Arts
Languages : en
Pages : 350
Get Book Here
Book Description
Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.
Author: Kimberley Freeman
Publisher: Hachette Australia
ISBN: 0733633552
Category : Fiction
Languages : en
Pages : 324
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Book Description
The powerful new novel from Kimberley Freeman. A rich and satisfying story of two women with indomitable spirits and the high costs they have to pay for being strong-minded, from the author of the bestselling LIGHTHOUSE BAY and EMBER ISLAND. A story about love, motherhood, and learning whom you belong to in the world. In 1874, wild and willful Agnes Resolute finally leaves the foundling home where she grew up on the bleak moors of northern England. On her departure, she discovers that she was abandoned with a small token of her mother: a unicorn button. Agnes had always believed her mother to be too poor to keep her, but Agnes has been working as a laundress at the foundling home and recognises the button as belonging to the imperious and beautiful Genevieve Breakby, daughter of a local noble family. Agnes had only seen her once, but has never forgotten her. She investigates and discovers Genevieve is now in London. Agnes follows, living hard in the poor end of London until she finds out Genevieve has moved to France. This sets Agnes off on her own adventure: to Paris, Agnes follows her mother's trail, and starts to see it is also a trail of destruction. Finally, in Sydney she tracks Genevieve down. But is Genevieve capable of being the mother Agnes hopes she will be? A powerful story about women with indomitable spirits, about love and motherhood, and about learning whom you belong to in the world.Praise for Kimberley Freeman's writing: GOLD DUST 'A rich saga with characters you'll never forget. I couldn't put it down.' Kate Morton, author of THE SECRET KEEPER WILDFLOWER HILL 'Utterly engaging.' THE COURIER-MAIL LIGHTHOUSE BAY 'an enchanting love story' MiNDFOOD EVERGREEN FALLS 'Eerie and fascinating ... the plot is brilliant in both time zones.' NEWCASTLE HERALD
Author: Nic Leonhardt
Publisher:
ISBN: 9783030763565
Category :
Languages : en
Pages : 0
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Book Description
"This book excels in innovative transnational historiography and historical network research. It opens up original and fascinating perspectives on 19th century Atlantic cross overs between cultural brokers and theatre agents, offering an impressive insight into the vivid global circulation of theatre industries. It reads like a stunning adventure!" - - Kati Röttger, Universiteit van Amsterdam "In her superbly researched and elegantly written book, Nic Leonhardt puts centre stage theatre's invisible players. She sheds new light on theatre agents as the protagonists of a global theatre business in the early twentieth century. This is an innovative contribution to theatre history informed by global history and a broad understanding of theatrical production in the context of a capitalist market economy, infrastructural, legal and technical innovations. For historians, it is a stimulating contribution to the cultural history of modern globalisation in a transatlantic key." - - Martin Baumeister, Historian, Director German Historical Institute, Rome Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book. Nic Leonhardt is Associate Professor of Theatre Studies at LMU Munich. Her research focuses on theatre history of the nineteenth and twentieth century and is strongly interdisciplinary and transnational in approach. Since 2016 she has been the senior researcher and associate director of the ERC (European Research Council) project "Developing Theatre" at LMU Munich, as well as director of the Centre for Global Theatre History.
Author: Sarah Rogers Haight
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 380
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Book Description
Author:
Publisher:
ISBN: 9781663627193
Category :
Languages : en
Pages : 192
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Book Description
Author: Antje Dietze
Publisher: Taylor & Francis
ISBN: 1000803333
Category : History
Languages : en
Pages : 251
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Book Description
This book is part of an ongoing transnational turn in cultural history. Studies on the history of urban popular culture and the entertainment industries increasingly engage with the European or global circulation of genres, actors, and shows, especially during the period of massive growth and expansion of the sector from the 1870s to the 1930s. Nevertheless, a large part of this research remains focused on exchanges between Western and Central European, and North American metropolises. To provide a fuller picture of the emergence and cross-border transfer of different genres of popular culture, this volume investigates Northern, East Central, and Southern European cities and their relations with each other and the West. The authors analyze the mediating agents, transnational networks, and local responses to new forms of entertainment from Madrid to Vyborg, and from Istanbul to Reykjavík. These examples re-focus the history of urban popular culture in Europe in view of multidirectional transfers and a wider range of regional experiences. Urban Popular Culture and Entertainment will appeal to researchers and students alike interested in the history of popular culture in modern societies, particularly those studying urban centers in Europe, and their transnational and transregional connections.
Author: Ray A Hauserman
Publisher: Franklin Classics
ISBN: 9780343262471
Category :
Languages : en
Pages : 266
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: August Wilson
Publisher: Theatre Communications Grou
ISBN: 9781559361873
Category : Biography & Autobiography
Languages : en
Pages : 54
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Book Description
August Wilson's radical and provocative call to arms.
Author: Juliane Braun
Publisher:
ISBN: 9780813942339
Category :
Languages : en
Pages : 288
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Book Description
The stages of antebellum New Orleans did more than entertain. In the city's early years, French-speaking residents used the theatre to assert their political, economic, and cultural sovereignty in the face of growing Anglo-American dominance. Beyond local stages, the francophone struggle for cultural survival connected people and places in the early United States, across the American hemisphere, and in the Atlantic world. Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. Juliane Braun draws on the neglected archive of francophone drama native to Louisiana, as well as a range of documents from both sides of the Atlantic, to explore the ways in which theatre and drama shaped debates about ethnic identity and transnational belonging in the city. Francophone identity united citizens of different social and racial backgrounds, and debates about political representation, slavery, and territorial expansion often played out on stage. Recognizing theatres as sites of cultural exchange that could cross oceans and borders, Creole Drama offers not only a detailed history of francophone theatre in New Orleans but also an account of the surprising ways in which multilingualism and early transnational networks helped create the American nation.
Author: Curtis Guild
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 586
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Book Description
