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Author: Leonard Cabell Pronko
Publisher: Univ of California Press
ISBN: 9780520026223
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
From the Peter Neil Isaacs collection.
Author: Leonard Cabell Pronko
Publisher: Univ of California Press
ISBN: 9780520026223
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
From the Peter Neil Isaacs collection.
Author: United States. Congress. Commission on Security and Cooperation in Europe
Publisher:
ISBN:
Category : Civil rights
Languages : en
Pages : 300
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Book Description
Author: Esther Kim Lee
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219
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Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.
Author:
Publisher:
ISBN:
Category : Civil rights
Languages : en
Pages : 300
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Book Description
Author: Babak Rahimi
Publisher: Anthem Press
ISBN: 1785274473
Category : Drama
Languages : en
Pages : 186
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Book Description
The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.
Author: Lorraine Kimsa Theatre for Young People Theatre Archives (University of Guelph)
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages : 0
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Book Description
Author: United States. Congress. House. Committee on Foreign Affairs
Publisher:
ISBN:
Category : Multicultural education
Languages : en
Pages : 384
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Book Description
Examines programs of the Center for Cultural and Technical Interchange Between East and West established in 1960 at the University of Hawaii with a State Dept grant-in-aid. Includes memo on East-West Center team visit during Oct.-Dec. 1960 to 19 countries in Asia and the Pacific to help plan programs, William Wachter et al. (p. 249-309). Dec. 13-14 hearings were held in Honolulu, Hawaii.
Author: Lloyd Suh
Publisher: Dramatists Play Service, Inc.
ISBN: 0822239906
Category : Performing Arts
Languages : en
Pages : 48
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Book Description
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Author: Michael Gott
Publisher: Edinburgh University Press
ISBN: 0748694161
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
Re-examines notions of East and West in contemporary European cinema. This book presents a comprehensive investigation of Central European cinema in the early 21st century.
Author: Toby Talbot
Publisher: Columbia University Press
ISBN: 0231519826
Category : Biography & Autobiography
Languages : en
Pages : 397
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Book Description
The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order. Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad and often entertaining aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.
