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Author: Sheila Callaghan
Publisher: Tripwire Harlot Press
ISBN: 9781734140224
Category :
Languages : en
Pages : 331
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Book Description
During the pandemic, theatermakers Sheila Callaghan, Meg Miroshnik, & Kelly Miller made a book with artwork from their peers: Liz Duffy Adams, Nayna Agrawal, Tessa Albertson, Jazmine Aluma, Liz Appel, Mallery Avidon, Rachel Axler, Jenny Lyn Bader, Kari Bentley-Quinn, Kate Bergstrom, Susan Bernfield, Larry Biederman, Rachel Bonds, Amy Boratko, Mattie Brickman, Eleanor Burgess, Adrienne Campbell-Holt, Jonathan Caren, Marisa Carr, Jaime Castañeda, Jo Cattell, Jennifer Chambers, Jackie Chung, Carmela Corbett, Adam D. Crain, Cusi Cram, Migdalia Cruz, Francisca Da Silveira, Mashuq Deen, Steph Del Rosso, Kristoffer Diaz, Julie Felise Dubiner, Erik Ehn, Larissa FastHorse, Annah Feinberg, Liz Frankel, Gibson Frazier, Matt Freeman, Edith Freni, Jeremy Gable, Joanna Glum, Emma Goidel, Jacqueline Goldfinger, Isaac Gómez, Tasha Gordon-Solmon, Kirsten Greenidge, Rinne Groff, Jason Grote, Lauren M. Gunderson, April Dawn Guthrie, Mary Elizabeth Hamilton, Adrien-Alice Hansel, Elizabeth Harper, Julie Hébert, Justice Hehir, Laura Heisler, Alex Henrikson, Deb Hiett, Daniel Hirsch, Lily Holleman, Jess Honovich, Scott Horstein, Andy Horwitz, Emma Horwitz, Lily Houghton, Lindsay Brandon Hunter, Kristin Idaszak, Naomi Iizuka, Rachel Jendrzejewski, Kate Jopson, Lila Rose Kaplan, MJ Kaufman, Lucas Kavner, Lisa Kenner Grissom, Callie Kimball, Ramona Rose King, Krista Knight, Andrea Kuchlewska, Jenni Lamb, Jacqueline E. Lawton, Jer Adrianne Lelliott, Sarah Rose Leonard, Sofya Levitsky-Weitz, Danielle Levsky, Mike Lew, Jerry Lieblich, Katie Lindsay, Craig Lucas, Kirk Lynn, Wendy MacLeod, Jennifer Maisel, Chelsea Marcantel, Winter Miller, Rehana Lew Mirza, Michael Mitnick, Anne G. Morgan, Matt Moses, Allie Moss, Gregory S. Moss, Rebecca Mozo, Nick Hadikwa Mwaluko, Katie Locke O'Brien, Kira Obolensky, Laurel Ollstein, Matthew Paul Olmos, Julie Oullette, Kristen Palmer, Lina Patel, Christopher O. Peña, Roxie Perkins, Eric Pfeffinger, Rebecca Phillips Epstein, Daria Polatin, Christina Quintana (CQ), Stella Fawn Ragsdale, Molly Rice, Anya Richkind, Colette Robert, Alexis Roblan, Ashley Lauren Rogers, Elaine Romero, Whitney Rowland, Zoe Sarnak, Matt Schatz, Dana Schwartz, Betty Shamieh, Mike Shapiro, Alexandra Shilling, Jen Silverman, Jessy Lauren Smith, Elizabeth Spreen, Matt Stadelmann, Ellen Steves, Caridad Svich, Adam Szymkowicz, Kate Tarker, Ashley Teague, Melisa Tien, Ken Urban, Kathryn Walat, John Walch, Molly Ward, Seanan Palmero Waugh, Tatiana Wechsler, Jenny Rachel Weiner, Calamity West, Deborah Yarchun, Mackenzie Yeager, Gina Young.
Author: Sheila Callaghan
Publisher: Tripwire Harlot Press
ISBN: 9781734140224
Category :
Languages : en
Pages : 331
Get Book Here
Book Description
During the pandemic, theatermakers Sheila Callaghan, Meg Miroshnik, & Kelly Miller made a book with artwork from their peers: Liz Duffy Adams, Nayna Agrawal, Tessa Albertson, Jazmine Aluma, Liz Appel, Mallery Avidon, Rachel Axler, Jenny Lyn Bader, Kari Bentley-Quinn, Kate Bergstrom, Susan Bernfield, Larry Biederman, Rachel Bonds, Amy Boratko, Mattie Brickman, Eleanor Burgess, Adrienne Campbell-Holt, Jonathan Caren, Marisa Carr, Jaime Castañeda, Jo Cattell, Jennifer Chambers, Jackie Chung, Carmela Corbett, Adam D. Crain, Cusi Cram, Migdalia Cruz, Francisca Da Silveira, Mashuq Deen, Steph Del Rosso, Kristoffer Diaz, Julie Felise Dubiner, Erik Ehn, Larissa FastHorse, Annah Feinberg, Liz Frankel, Gibson Frazier, Matt Freeman, Edith Freni, Jeremy Gable, Joanna Glum, Emma Goidel, Jacqueline Goldfinger, Isaac Gómez, Tasha Gordon-Solmon, Kirsten Greenidge, Rinne Groff, Jason Grote, Lauren M. Gunderson, April Dawn Guthrie, Mary Elizabeth Hamilton, Adrien-Alice Hansel, Elizabeth Harper, Julie Hébert, Justice Hehir, Laura Heisler, Alex Henrikson, Deb Hiett, Daniel Hirsch, Lily Holleman, Jess Honovich, Scott Horstein, Andy Horwitz, Emma Horwitz, Lily Houghton, Lindsay Brandon Hunter, Kristin Idaszak, Naomi Iizuka, Rachel Jendrzejewski, Kate Jopson, Lila Rose Kaplan, MJ Kaufman, Lucas Kavner, Lisa Kenner Grissom, Callie Kimball, Ramona Rose King, Krista Knight, Andrea Kuchlewska, Jenni Lamb, Jacqueline E. Lawton, Jer Adrianne Lelliott, Sarah Rose Leonard, Sofya Levitsky-Weitz, Danielle Levsky, Mike Lew, Jerry Lieblich, Katie Lindsay, Craig Lucas, Kirk Lynn, Wendy MacLeod, Jennifer Maisel, Chelsea Marcantel, Winter Miller, Rehana Lew Mirza, Michael Mitnick, Anne G. Morgan, Matt Moses, Allie Moss, Gregory S. Moss, Rebecca Mozo, Nick Hadikwa Mwaluko, Katie Locke O'Brien, Kira Obolensky, Laurel Ollstein, Matthew Paul Olmos, Julie Oullette, Kristen Palmer, Lina Patel, Christopher O. Peña, Roxie Perkins, Eric Pfeffinger, Rebecca Phillips Epstein, Daria Polatin, Christina Quintana (CQ), Stella Fawn Ragsdale, Molly Rice, Anya Richkind, Colette Robert, Alexis Roblan, Ashley Lauren Rogers, Elaine Romero, Whitney Rowland, Zoe Sarnak, Matt Schatz, Dana Schwartz, Betty Shamieh, Mike Shapiro, Alexandra Shilling, Jen Silverman, Jessy Lauren Smith, Elizabeth Spreen, Matt Stadelmann, Ellen Steves, Caridad Svich, Adam Szymkowicz, Kate Tarker, Ashley Teague, Melisa Tien, Ken Urban, Kathryn Walat, John Walch, Molly Ward, Seanan Palmero Waugh, Tatiana Wechsler, Jenny Rachel Weiner, Calamity West, Deborah Yarchun, Mackenzie Yeager, Gina Young.
Author: Masakazu Yamazaki
Publisher: Princeton University Press
ISBN: 0691213305
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
Author: Susan Crabtree
Publisher: Taylor & Francis
ISBN: 1136084290
Category : Performing Arts
Languages : en
Pages : 431
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Book Description
Now in its Third Edition, Scenic Art for the Theatre: History, Tools and Techniques continues to be the most trusted source for both student and professional scenic artists. With new information on scenic design using Photoshop, Paint Shop Pro and other digital imaging softwares this test expands to offer the developing artist more step-by-step instuction and more practical techniques for work in the field. It goes beyond detailing job functions and discussing techniques to serve as a trouble-shooting guide for the scenic artist, providing practical advice for everyday solutions.
Author: Moises Kaufman
Publisher: Vintage
ISBN: 1101971789
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
A detailed guide to the collaborative method developed by the acclaimed creators of The Laramie Project and Gross Indecency--destined to become a classic. A Vintage Original. By Moisés Kaufman and Barbara Pitts McAdams with Leigh Fondakowski, Andy Paris, Greg Pierotti, Kelli Simpkins, Jimmy Maize, and Scott Barrow. For more than two decades, the members of Tectonic Theater Project have been rigorously experimenting with the process of theatrical creation. Here they set forth a detailed manual of their devising method and a thorough chronicle of how they wrote some of their best-known works. This book is for all theater artists—actors, writers, designers, and directors—who wish to create work that embraces the unbridled potential of the stage.
Author: Arawana Hayashi
Publisher: Pi Press
ISBN: 9780999717974
Category : Body, Mind & Spirit
Languages : en
Pages : 268
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Book Description
Social Presencing Theater: The Art of Making a True Move is a journey into the origins, principles, and practices of an innovative social art form co-created by Arawana Hayashi and colleagues at the Presencing Institute. This embodiment practice deepens reflection and supports individual, team, organizational, and social transformation. This highly accessible book offers an introduction to newcomers and provides a deeper understanding of the work for experienced practitioners who wish to create powerful spaces for heart-based learning and action. The book addresses the origins and underlying principles of Social Presencing Theater, while containing practice instructions and stories that highlight its uses in companies, schools, and social projects. Social Presencing Theater invites us to tap into our natural creativity and ability to fully embody the "performance" of being human. Hayashi's intention with this work is to offer movement practices that support people in recognizing their own and others' embodied wisdom, compassion, and courage to act. In the face of today's enormous environmental, social, and spiritual challenges, we can become disconnected from the fundamental human goodness that lives in our presence. Social Presencing Theater invites us to make the true moves that are ours to make to create a society of brilliance, warmth, and strength.
Author: Jordan Tannahill
Publisher: Coach House Books
ISBN: 177056411X
Category : Social Science
Languages : en
Pages : 161
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Book Description
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)
Author: Barbara McKean
Publisher: Heinemann Educational Books
ISBN:
Category : Education
Languages : en
Pages : 180
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Book Description
The works presented are moving and impressive; their authenticity and tone in harmony with the story teller's voice. The story itself may open new windows ... for those intent on enriching and humanizing what occurs in contemporary schools. - Maxine Greene A fabulous book for arts and theater education. -Merryl Goldberg Author of Integrating the Arts, Third Edition Are you a theatre teaching artist, or considering it? No matter what kind of educational setting you're in, the theatre skills you teach are intimately linked to your own artistry: you've got to know how to teach from your own practice while you learn to practice the art of teaching. The key is discovering how the educational setting, the students, and the stage link. A Teaching Artist at Work helps theatre teaching artists develop connections between their pedagogical and artistic selves. The book presents a framework for thinking about the work of teaching artists in general and theatre teaching artists in particular. Through descriptive examinations of practice, the book also provides theatre teaching artists and those who prepare and work beside them with concrete examples of three theatre-education projects in three different educational settings as well as the collaborative processes that helped them succeed. Replicable in other settings-such as community outreach programs, after school and summer programs hosted by professional theatres, and not-for-profit educational theatres-these projects provide a jumping-off point for others who work to create interesting theatre curriculum. In any educational setting, theatre teaching artists create spaces where teachers and students can envision a new, different, and exciting way of learning and doing that they can apply to theatre education and many other content areas. With emphasis on linking personal artistry with pedagogical artistry and examples drawn from McKean's own practice, A Teaching Artist At Work is an invaluable resource for teaching artists and the arts-education community.
Author: Paul Woodruff
Publisher: Oxford University Press
ISBN: 0199887217
Category : Philosophy
Languages : en
Pages : 272
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Book Description
What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary - and as powerful - as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that - at its most powerful - can change lives and (as some peoples believe) bring a divine presence to earth. The Necessity of Theater analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched - making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space - audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves. Characteristically thoughtful, probing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human instincts. The Necessity of Theater should appeal to anyone seriously interested or involved in theater or performance more broadly.
Author: Lyn Cramer
Publisher: A&C Black
ISBN: 1408184753
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Creating Musical Theatre features interviews with the directors and choreographers that make up today's Broadway elite. From Susan Stroman and Kathleen Marshall to newcomers Andy Blankenbuehler and Christopher Gattelli, this book features twelve creative artists, mostly director/choreographers, many of whom have also crossed over into film and television, opera and ballet. To the researcher, this book will deliver specific information on how these artists work; for the performer, it will serve as insight into exactly what these artists are looking for in the audition process and the rehearsal environment; and for the director/choreographer, this book will serve as an inspiration detailing each artist's pursuit of his or her dream and the path to success, offering new insight and a deeper understanding of Broadway today. Creating Musical Theatre includes a foreword by four-time Tony nominee Kelli O'Hara, one of the most elegant and talented leading ladies gracing the Broadway and concert stage today, as well as interviews with award-winning directors and choreographers, including: Rob Ashford (How to Succeed in Business Without Really Trying); Andy Blankenbuehler (In the Heights); Jeff Calhoun (Newsies); Warren Carlyle (Follies); Christopher Gattelli (Newsies); Kathleen Marshall (Anything Goes); Jerry Mitchell (Legally Blonde); Casey Nicholaw (The Book of Mormon); Randy Skinner (White Christmas); Susan Stroman (The Scottsboro Boys); Sergio Trujillo (Jersey Boys); and Anthony Van Laast (Sister Act).
Author: Linda Nochlin
Publisher: Thames & Hudson
ISBN: 0500776628
Category : Art
Languages : en
Pages : 84
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Book Description
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”
