The Medici, Michelangelo, & the Art of Late Renaissance Florence PDF Download
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Author: Cristina Acidini
Publisher: Yale University Press
ISBN: 9780300094954
Category : Art
Languages : en
Pages : 406
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Book Description
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Author: Cristina Acidini
Publisher: Yale University Press
ISBN: 9780300094954
Category : Art
Languages : en
Pages : 406
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Book Description
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Author: Arthur R. Blumenthal
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
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Book Description
Author: Tim Parks
Publisher: Profile Books
ISBN: 1847656870
Category : History
Languages : en
Pages : 288
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Book Description
The Medici are famous as the rulers of Florence at the high point of the Renaissance. Their power derived from the family bank, and this book tells the fascinating, frequently bloody story of the family and the dramatic development and collapse of their bank (from Cosimo who took it over in 1419 to his grandson Lorenzo the Magnificent who presided over its precipitous decline). The Medici faced two apparently insuperable problems: how did a banker deal with the fact that the Church regarded interest as a sin and had made it illegal? How in a small republic like Florence could he avoid having his wealth taken away by taxation? But the bank became indispensable to the Church. And the family completely subverted Florence's claims to being democratic. They ran the city. Medici Money explores a crucial moment in the passage from the Middle Ages to the Modern world, a moment when our own attitudes to money and morals were being formed. To read this book is to understand how much the Renaissance has to tell us about our own world. Medici Money is one of the launch titles in a new series, Atlas Books, edited by James Atlas. Atlas Books pairs fine writers with stories of the economic forces that have shaped the world, in a new genre - the business book as literature.
Author: Roy Strong
Publisher: Univ of California Press
ISBN: 9780520054790
Category : Art
Languages : en
Pages : 354
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Book Description
Author: Eugene J. Johnson
Publisher: Cambridge University Press
ISBN: 1108421741
Category : Architecture
Languages : en
Pages : 349
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Book Description
This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
Author: Robert Black
Publisher: Villa I Tatti
ISBN: 9780674088443
Category : Arts
Languages : en
Pages : 0
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Book Description
The Medici: Citizens and Masters offers a novel, comparative approach to examining Medici power and influence in Florence. Contributors from diverse perspectives set Medici rule against princely states such as Milan and Ferrara, and they ask how much the Medici changed Florence, contrasting their supremacy with earlier Florentine regimes.
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 1316515400
Category : Music
Languages : en
Pages : 283
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Book Description
Newly-discovered evidence underpins this comprehensive account of the creation and staging of the earliest surviving 'opera', Euridice.
Author: Cyril Tourneur
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Book Description
Author:
Publisher: BRILL
ISBN: 9004215131
Category : History
Languages : en
Pages : 1402
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Book Description
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Author: James M. Saslow
Publisher: Yale University Press
ISBN: 9780300064476
Category : History
Languages : en
Pages : 364
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Book Description
The marriage in 1589 of Grand Duke Ferdinando de' Medici and the French princess Christine of Lorraine was a landmark event in Renaissance art and architecture, theater, music, and political ceremonial. Celebrated by a month of elaborate pageantry that required a full year of preparations, the wedding mobilized the combined artistic, intellectual, and administrative forces of Tuscany at the zenith of its wealth, power, and cultural prestige. This book combines art and social history to present the first comprehensive reconstruction of the Medici wedding and in the process provides a fascinating narrative of Florentine culture during the Renaissance. James Saslow draws on a rich trove of visual and archival sources to describe the jousts, plays, musical-dramatic intermedi, processions, and tournaments that celebrated the wedding; the artists, musicians, and architects who created and organized the events; and the bureaucratic administration that sustained this Renaissance "theater of the world." His sources include producers' daily logbooks and detailed records of the design process, staff, payments, and logistics, as well as eighty-eight set and costume drawings, paintings, and prints, which appear in a catalogue included in the book. Saslow's study will be of interest to practitioners and historians of theater, dance, music, and the visual arts, as well as to students of political and economic history and cultural studies.
