Author: Samuel Mosheim Smucker
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 386
Book Description
The Yankee Slave Driver, Or, The Black and White Rivals ; with Illustrations
Author: Samuel Mosheim Smucker
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 386
Book Description
The Yankee Slave Driver
Author: Samuel M. Smucker
Publisher: BoD – Books on Demand
ISBN: 337510250X
Category :
Languages : en
Pages : 370
Book Description
Reprint of the original, first published in 1860.
Publisher: BoD – Books on Demand
ISBN: 337510250X
Category :
Languages : en
Pages : 370
Book Description
Reprint of the original, first published in 1860.
The Yankee Slave Driver, Or The Black and White Rivals
Author:
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 0
Book Description
The Yankee Slave Driver
Author: William White Smith
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 365
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 365
Book Description
The Yankee Slave Driver, Or The Black and White Rivals
Author: William White Smith
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 365
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 365
Book Description
The Yankee Slave Driver; Or, The Black and White Rivals
Author: Samuel Mosheim Smucker
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 352
Book Description
The Yankee Slave Driver, Or, The Black and White Rivals
Author:
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 365
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 365
Book Description
Neither Black Nor White Yet Both
Author: Werner Sollors
Publisher: Harvard University Press
ISBN: 9780674607804
Category : Education
Languages : en
Pages : 596
Book Description
Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in "Neither Black nor White yet Both," a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." From the origins of the term "race" to the cultural sources of the "Tragic Mulatto," and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. Copyright © Libri GmbH. All rights reserved.
Publisher: Harvard University Press
ISBN: 9780674607804
Category : Education
Languages : en
Pages : 596
Book Description
Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in "Neither Black nor White yet Both," a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." From the origins of the term "race" to the cultural sources of the "Tragic Mulatto," and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. Copyright © Libri GmbH. All rights reserved.
Plagiarama!
Author: Geoffrey Sanborn
Publisher: Columbia University Press
ISBN: 0231540582
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
William Wells Brown (1814–1884) was a vocal abolitionist, a frequent antagonist of Frederick Douglass, and the author of Clotel, the first known novel by an African American. He was also an extensive plagiarist, copying at least 87,000 words from close to 300 texts. In this critical study of Brown's work and legacy, Geoffrey Sanborn offers a novel reading of the writer's plagiarism, arguing the act was a means of capitalizing on the energies of mass-cultural entertainments popularized by showmen such as P. T. Barnum. By creating the textual equivalent of a variety show, Brown animated antislavery discourse and evoked the prospect of a pleasurably integrated world. Brown's key dramatic protagonists were the "spirit of capitalization"—the unscrupulous double of Max Weber's spirit of capitalism—and the "beautiful slave girl," a light-skinned African American woman on the verge of sale and rape. Brown's unsettling portrayal of these figures unfolded within a riotous patchwork of second-hand texts, upset convention, and provoked the imagination. Could a slippery upstart lay the groundwork for a genuinely interracial society? Could the fetishized image of a not-yet-sold woman hold open the possibility of other destinies? Sanborn's analysis of pastiche and plagiarism adds new depth to the study of nineteenth-century culture and the history of African American literature, suggesting modes of African American writing that extend beyond narratives of necessity and purpose, characterized by the works of Frederick Douglass and others.
Publisher: Columbia University Press
ISBN: 0231540582
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
William Wells Brown (1814–1884) was a vocal abolitionist, a frequent antagonist of Frederick Douglass, and the author of Clotel, the first known novel by an African American. He was also an extensive plagiarist, copying at least 87,000 words from close to 300 texts. In this critical study of Brown's work and legacy, Geoffrey Sanborn offers a novel reading of the writer's plagiarism, arguing the act was a means of capitalizing on the energies of mass-cultural entertainments popularized by showmen such as P. T. Barnum. By creating the textual equivalent of a variety show, Brown animated antislavery discourse and evoked the prospect of a pleasurably integrated world. Brown's key dramatic protagonists were the "spirit of capitalization"—the unscrupulous double of Max Weber's spirit of capitalism—and the "beautiful slave girl," a light-skinned African American woman on the verge of sale and rape. Brown's unsettling portrayal of these figures unfolded within a riotous patchwork of second-hand texts, upset convention, and provoked the imagination. Could a slippery upstart lay the groundwork for a genuinely interracial society? Could the fetishized image of a not-yet-sold woman hold open the possibility of other destinies? Sanborn's analysis of pastiche and plagiarism adds new depth to the study of nineteenth-century culture and the history of African American literature, suggesting modes of African American writing that extend beyond narratives of necessity and purpose, characterized by the works of Frederick Douglass and others.
Fiftieth Anniversary Catalog of Books and Pamphlets Relating to the American Civil War and Slavery
Author: Morrison, Noah Farnham, firm, booksellers, Elizabeth, N.J.
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 120
Book Description