Author: Amy Feinstein
Publisher: University Press of Florida
ISBN: 0813072395
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Challenging the assumption that modernist writer Gertrude Stein seldom integrated her Jewish identity and heritage into her work, this book uncovers Stein’s constant and varied writing about Jewish topics throughout her career. Amy Feinstein argues that Judaism was central to Stein’s ideas about modernity, showing how Stein connects the modernist era to the Jewish experience. Combing through Stein’s scholastic writings, drafting notebooks, and literary works, Feinstein analyzes references to Judaism that have puzzled scholars. She reveals the never-before-discussed influence of Matthew Arnold as well as a hidden Jewish framework in Stein’s epic novel The Making of Americans. In Stein’s experimental “voices” poems, Feinstein identifies an explicitly Jewish vocabulary that expresses themes of marriage, nationalism, and Zionism. She also shows how Wars I Have Seen, written in Vichy France during World War II, compares the experience of wartime occupation with the historic persecution of Jews. Affirming the importance of Jewish identity and modernist style to Gertrude Stein’s legacy as a writer, this book radically changes the way we read and appreciate Stein’s work.
Gertrude Stein and the Making of Jewish Modernism
Author: Amy Feinstein
Publisher: University Press of Florida
ISBN: 0813072395
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Challenging the assumption that modernist writer Gertrude Stein seldom integrated her Jewish identity and heritage into her work, this book uncovers Stein’s constant and varied writing about Jewish topics throughout her career. Amy Feinstein argues that Judaism was central to Stein’s ideas about modernity, showing how Stein connects the modernist era to the Jewish experience. Combing through Stein’s scholastic writings, drafting notebooks, and literary works, Feinstein analyzes references to Judaism that have puzzled scholars. She reveals the never-before-discussed influence of Matthew Arnold as well as a hidden Jewish framework in Stein’s epic novel The Making of Americans. In Stein’s experimental “voices” poems, Feinstein identifies an explicitly Jewish vocabulary that expresses themes of marriage, nationalism, and Zionism. She also shows how Wars I Have Seen, written in Vichy France during World War II, compares the experience of wartime occupation with the historic persecution of Jews. Affirming the importance of Jewish identity and modernist style to Gertrude Stein’s legacy as a writer, this book radically changes the way we read and appreciate Stein’s work.
Publisher: University Press of Florida
ISBN: 0813072395
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Challenging the assumption that modernist writer Gertrude Stein seldom integrated her Jewish identity and heritage into her work, this book uncovers Stein’s constant and varied writing about Jewish topics throughout her career. Amy Feinstein argues that Judaism was central to Stein’s ideas about modernity, showing how Stein connects the modernist era to the Jewish experience. Combing through Stein’s scholastic writings, drafting notebooks, and literary works, Feinstein analyzes references to Judaism that have puzzled scholars. She reveals the never-before-discussed influence of Matthew Arnold as well as a hidden Jewish framework in Stein’s epic novel The Making of Americans. In Stein’s experimental “voices” poems, Feinstein identifies an explicitly Jewish vocabulary that expresses themes of marriage, nationalism, and Zionism. She also shows how Wars I Have Seen, written in Vichy France during World War II, compares the experience of wartime occupation with the historic persecution of Jews. Affirming the importance of Jewish identity and modernist style to Gertrude Stein’s legacy as a writer, this book radically changes the way we read and appreciate Stein’s work.
The Yale Edition of the Unpublished Writings of Gertrude Stein: Mrs. Reynolds, and five earlier novelettes
Author: Gertrude Stein
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
The Yale Edition of the Unpublished Writings of Gertrude Stein: Alphabets and birthdays
Author: Gertrude Stein
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Book Description
The Yale Edition of the Unpublished Writings of Gertrude Stein: A novel of thank you
Author: Gertrude Stein
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Gertrude Stein
Author: Ulla E. Dydo
Publisher: Northwestern University Press
ISBN: 0810125269
Category : Biography & Autobiography
Languages : en
Pages : 704
Book Description
The definitive book on Gertrude Stein
Publisher: Northwestern University Press
ISBN: 0810125269
Category : Biography & Autobiography
Languages : en
Pages : 704
Book Description
The definitive book on Gertrude Stein
The Letters of Gertrude Stein and Thornton Wilder
Author: Gertrude Stein
Publisher: Yale University Press
ISBN: 9780300067743
Category : Biography & Autobiography
Languages : en
Pages : 492
Book Description
Letters trace the friendship between Stein and Wilder from late 1934 until Stein's death in 1946
Publisher: Yale University Press
ISBN: 9780300067743
Category : Biography & Autobiography
Languages : en
Pages : 492
Book Description
Letters trace the friendship between Stein and Wilder from late 1934 until Stein's death in 1946
The Letters of Gertrude Stein and Virgil Thomson
Author: Gertrude Stein
Publisher: Oxford University Press, USA
ISBN: 0195386639
Category : Biography & Autobiography
Languages : en
Pages : 349
Book Description
Gertrude Stein & Virgil Thomson are known as much for their formidable egos as for their contributions to 20th century arts. This collection of roughly 400 letters from between 1926-1946 reveals the spark that existed between the two American masters over the course of their sometimes rocky & always fascinating friendship.
Publisher: Oxford University Press, USA
ISBN: 0195386639
Category : Biography & Autobiography
Languages : en
Pages : 349
Book Description
Gertrude Stein & Virgil Thomson are known as much for their formidable egos as for their contributions to 20th century arts. This collection of roughly 400 letters from between 1926-1946 reveals the spark that existed between the two American masters over the course of their sometimes rocky & always fascinating friendship.
Gertrude Stein in Europe
Author: Sarah Posman
Publisher: Bloomsbury Publishing
ISBN: 1474242308
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Although often hailed as a 'quintessentially American' writer, the modernist poet, novelist and playwright Gertrude Stein (1874-1946) spent most of her life in France. With chapters written by leading international scholars, Gertrude Stein in Europe is the first sustained exploration of the European artistic and intellectual networks in which Stein's work was first developed and circulated. Along the way, the book investigates the European contexts of Stein's writing, how her own work intersected with European thought, including phenomenology and the vitalist work of Henri Bergson, and ultimately how it was received by scholars and artists across the continent. Gertrude Stein in Europe opens up new perspectives on Stein as a writer and on the centrality of artistic and intellectual networks to European modernism.
Publisher: Bloomsbury Publishing
ISBN: 1474242308
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Although often hailed as a 'quintessentially American' writer, the modernist poet, novelist and playwright Gertrude Stein (1874-1946) spent most of her life in France. With chapters written by leading international scholars, Gertrude Stein in Europe is the first sustained exploration of the European artistic and intellectual networks in which Stein's work was first developed and circulated. Along the way, the book investigates the European contexts of Stein's writing, how her own work intersected with European thought, including phenomenology and the vitalist work of Henri Bergson, and ultimately how it was received by scholars and artists across the continent. Gertrude Stein in Europe opens up new perspectives on Stein as a writer and on the centrality of artistic and intellectual networks to European modernism.
The Great War and the Language of Modernism
Author: Vincent Sherry
Publisher: Oxford University Press
ISBN: 9780198026204
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms of public reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical cultural setting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context of the English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
Publisher: Oxford University Press
ISBN: 9780198026204
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms of public reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical cultural setting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context of the English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
The Composition of Sense in Gertrude Stein's Landscape Writing
Author: Linda Voris
Publisher: Springer
ISBN: 3319320645
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
This book offers a bold critical method for reading Gertrude Stein’s work on its own terms by forgoing conventional explanation and adopting Stein’s radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein’s most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein’s innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.
Publisher: Springer
ISBN: 3319320645
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
This book offers a bold critical method for reading Gertrude Stein’s work on its own terms by forgoing conventional explanation and adopting Stein’s radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein’s most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein’s innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.