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Author: Marcel Duchamp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Marcel Duchamp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Marcel Duchamp
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Marcel Duchamp
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
In the twenties, Surrealists proclaimed that words had stopped playing around and had begun to make love. Nowhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the more joyous and ingenious couplings and uncouplings in modern art. This collection beings together two essential interviews and two statements about his art that underscore the serious side of Duchamp. But most of the book is made up of his experimental writings, which he called "Texticles," the long and extraordinary notes he wrote for The Bride Stripped Bare By Her Bachelors, Eben (also known as The Large Glass), and the outrageous puns and alter-ego he constructed for his female self, Rrose Sélavy ("Eros, c'est la vie" or "arouser la vie"-"drink it up"; "celebrate life"). Wacky, perverse, deliberately frustrating, these entertaining notes are basic for understanding one of the twentieth century's most provocative artists, a figure whose influence on the contemporary scene has never been stronger.
Author: Pierre Cabanne
Publisher: Da Capo Press
ISBN: 0786749717
Category : Art
Languages : en
Pages : 158
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Book Description
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
Author: Thomas Girst
Publisher: Thames & Hudson
ISBN: 0500771979
Category : Art
Languages : en
Pages : 251
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Book Description
“Girst elegantly unravels the skeins of Duchamp’s thinking. . . . An essential compendium for puzzling out an essential artist.” —Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation Among the most influential artists of the last hundred years, Marcel Duchamp holds great allure for many contemporary artists worldwide and is largely considered to be one of the founding fathers of modern art. Despite this popularity, books on Duchamp are often hyper-theoretical, rarely presenting the artist in an accessible way. This new book explores the artist’s life and work through short, alphabetical dictionary entries that introduce his legacy in a clear and engaging way. From alchemy and anatomy to Warhol and windows, The Duchamp Dictionary offers a pithy and readable text that draws on in-depth scholarship and the very latest research. Thomas Girst includes close to 200 entries on the most interesting and important artworks, relationships, people, and ideas in Duchamp’s life—from The Bicycle Wheel and Fountain to Walter and Louise Arensberg, Peggy Guggenheim, Katherine Dreier, and Arturo Schwarz. Delightful, newly commissioned illustrations introduce each letter of the alphabet and accompany select entries, capturing the irreverent spirit of the artist himself.
Author: Jennifer Gough-Cooper
Publisher:
ISBN: 9780262082259
Category : Art, French
Languages : en
Pages : 0
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Book Description
Author: Michel Sanouillet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Richard Serra
Publisher: University of Chicago Press
ISBN: 0226748804
Category : Architecture
Languages : en
Pages : 290
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Book Description
One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.
Author: Marcel Duchamp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Author: Francis M. Naumann
Publisher:
ISBN: 9780980055689
Category :
Languages : en
Pages : 830
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Book Description
"Reading about Marcel Duchamp can be hard work, unless the writer has Francis Naumann's ability to leaven imaginitive scholarship with clarity, candor, insight, and high spirits. The most influential artist of the last century caught Naumann's attention more than forty years ago, when he saw a reproduction of Duchamp's bicucle wheel mounted on a kitchen stool, and asked himself how this could be art. The question has pursued him ever since, and his consistently fresh approaches to Duchamp's work and Duchamp's life, set down in agile and jargon-free prose, make these collected essays the single most informative book you will find on the endlessly fascinating artist."--Calvin Tomkins.
