Author: Hermann Smith
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 254
Book Description
DigiCat Publishing presents to you this special edition of "The World's Earliest Music" by Hermann Smith. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The World's Earliest Music
Author: Hermann Smith
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 254
Book Description
DigiCat Publishing presents to you this special edition of "The World's Earliest Music" by Hermann Smith. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 254
Book Description
DigiCat Publishing presents to you this special edition of "The World's Earliest Music" by Hermann Smith. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands
Author: Hermann Smith
Publisher: Library of Alexandria
ISBN: 1465610634
Category : Fiction
Languages : en
Pages : 281
Book Description
THE human interest in the past never dies, its hold upon us increases with the growing years, and every gain that is made to the store of knowledge does but add to the zest with which we search for more; nation vies with nation for the glory of recovering relics of life that are strewn along the path of death. From the sands and from the tombs, from the paintings and the graven tablets, and from the faces of the rocks we rehabilitate the vision of the mighty dead; a recovered name is a page of a people’s history, and we seek with renewal of eagerness for the pages that should follow or precede. The long buried spoils of temples and palaces excite the imagination, the grandeur of gold and silver, the wealth of art and ornament, and the resplendent jewels, appeal to the love of power and of possession, active or dormant in every heart; yet not less do we treasure the fragile mementoes, the simplest things, rendered up from the past that were the surroundings of domestic life, that speak to us of the household ways, and of the personal pursuits of the men, and of the adornment of the women who for untold ages have ever sought “their pleasure in their power to charm.” The instruments of music that in the remoter ages of the past were in daily use are seldom found, for the nature of the materials of which they were constructed was adverse to their preservation; those that have been found are rarely in their original condition, perfect in all their parts, or suitable for being put to the test of playing, and the resource left to us is to obtain some approximate condition by means of models, and then adapt some modern method for eliciting sound, which method as near as we can judge shall be the counterpart of the original device.
Publisher: Library of Alexandria
ISBN: 1465610634
Category : Fiction
Languages : en
Pages : 281
Book Description
THE human interest in the past never dies, its hold upon us increases with the growing years, and every gain that is made to the store of knowledge does but add to the zest with which we search for more; nation vies with nation for the glory of recovering relics of life that are strewn along the path of death. From the sands and from the tombs, from the paintings and the graven tablets, and from the faces of the rocks we rehabilitate the vision of the mighty dead; a recovered name is a page of a people’s history, and we seek with renewal of eagerness for the pages that should follow or precede. The long buried spoils of temples and palaces excite the imagination, the grandeur of gold and silver, the wealth of art and ornament, and the resplendent jewels, appeal to the love of power and of possession, active or dormant in every heart; yet not less do we treasure the fragile mementoes, the simplest things, rendered up from the past that were the surroundings of domestic life, that speak to us of the household ways, and of the personal pursuits of the men, and of the adornment of the women who for untold ages have ever sought “their pleasure in their power to charm.” The instruments of music that in the remoter ages of the past were in daily use are seldom found, for the nature of the materials of which they were constructed was adverse to their preservation; those that have been found are rarely in their original condition, perfect in all their parts, or suitable for being put to the test of playing, and the resource left to us is to obtain some approximate condition by means of models, and then adapt some modern method for eliciting sound, which method as near as we can judge shall be the counterpart of the original device.
The Archaeomusicology of the Ancient Near East
Author: Richard J. Dumbrill
Publisher: Trafford Publishing
ISBN: 1412055385
Category : History
Languages : en
Pages : 532
Book Description
'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
Publisher: Trafford Publishing
ISBN: 1412055385
Category : History
Languages : en
Pages : 532
Book Description
'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
The History of the NME
Author: Pat Long
Publisher: Portico
ISBN: 1907554777
Category : Music
Languages : en
Pages : 289
Book Description
'The NME mattered to all those generations who grew up with music at the centre of their universe. The NME never had a truer chronicler than Pat Long.' Tony Parsons Since it was founded in 1952, the New Musical Express has played a central part in the British love affair with pop music. Snotty, confrontational, enthusiastic, sarcastic: the NME landing on the doormat every Wednesday was the high point of any music fan’s week, whether they were listening to The Beatles, Bowie or Blur. The Sex Pistols sang about it, Nick Hornby claims he regrets not working for it and a whole host of household names – Tony Parsons and Julie Burchill, Nick Kent and Mick Farren, Steve Lamacq and Stuart Maconie – started their career writing for it. This authoritative history, written by former assistant editor, Pat Long, is an insider's account of the high times and low lives of the world's most famous, and most influential, music magazine. The fights, the bands, the brawls, the haircuts, the egos and much more. This is the definitive – and first – book about the infamous NME.
Publisher: Portico
ISBN: 1907554777
Category : Music
Languages : en
Pages : 289
Book Description
'The NME mattered to all those generations who grew up with music at the centre of their universe. The NME never had a truer chronicler than Pat Long.' Tony Parsons Since it was founded in 1952, the New Musical Express has played a central part in the British love affair with pop music. Snotty, confrontational, enthusiastic, sarcastic: the NME landing on the doormat every Wednesday was the high point of any music fan’s week, whether they were listening to The Beatles, Bowie or Blur. The Sex Pistols sang about it, Nick Hornby claims he regrets not working for it and a whole host of household names – Tony Parsons and Julie Burchill, Nick Kent and Mick Farren, Steve Lamacq and Stuart Maconie – started their career writing for it. This authoritative history, written by former assistant editor, Pat Long, is an insider's account of the high times and low lives of the world's most famous, and most influential, music magazine. The fights, the bands, the brawls, the haircuts, the egos and much more. This is the definitive – and first – book about the infamous NME.
Semitic Music Theory
Author: Richard Dumbrill
Publisher: Lulu.com
ISBN: 0244754764
Category : Reference
Languages : en
Pages : 84
Book Description
This volume analyses eight cuneiform texts of Ancient Near-Eastern Music theory, essential to the understanding of Ancient Semitic Music, to a level never achieved before. The author explains why previous interpretations had been misapprehended because they were analysed with Western musicological methods, and addresses these problems.
Publisher: Lulu.com
ISBN: 0244754764
Category : Reference
Languages : en
Pages : 84
Book Description
This volume analyses eight cuneiform texts of Ancient Near-Eastern Music theory, essential to the understanding of Ancient Semitic Music, to a level never achieved before. The author explains why previous interpretations had been misapprehended because they were analysed with Western musicological methods, and addresses these problems.
The World in Six Songs
Author: Daniel J. Levitin
Publisher: Penguin
ISBN: 1101043458
Category : Music
Languages : en
Pages : 376
Book Description
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture in this thought-provoking book that “will leave you awestruck” (The New York Times). Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history. Here he identifies six fundamental song functions or types—friendship, joy, comfort, religion, knowledge, and love—then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these “six songs” work in our brains to preserve the emotional history of our lives and species. Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists. The World in Six Songs is, ultimately, a revolution in our understanding of how human nature evolved—right up to the iPod.
Publisher: Penguin
ISBN: 1101043458
Category : Music
Languages : en
Pages : 376
Book Description
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture in this thought-provoking book that “will leave you awestruck” (The New York Times). Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history. Here he identifies six fundamental song functions or types—friendship, joy, comfort, religion, knowledge, and love—then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these “six songs” work in our brains to preserve the emotional history of our lives and species. Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists. The World in Six Songs is, ultimately, a revolution in our understanding of how human nature evolved—right up to the iPod.
The History of Musical Instruments
Author: Curt Sachs
Publisher: Courier Corporation
ISBN: 0486171515
Category : Music
Languages : en
Pages : 562
Book Description
Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.
Publisher: Courier Corporation
ISBN: 0486171515
Category : Music
Languages : en
Pages : 562
Book Description
Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.
The Music of the Bible Revealed
Author: Suzanne Haïk-Vantoura
Publisher: Continuum
ISBN:
Category : Bible
Languages : en
Pages : 584
Book Description
This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
Publisher: Continuum
ISBN:
Category : Bible
Languages : en
Pages : 584
Book Description
This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
Music in the Early Twentieth Century
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796017
Category : Music
Languages : en
Pages : 881
Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
Publisher: Oxford University Press
ISBN: 0199796017
Category : Music
Languages : en
Pages : 881
Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
The Origins of Music
Author: Nils L. Wallin
Publisher: MIT Press
ISBN: 9780262731430
Category : Music
Languages : en
Pages : 516
Book Description
The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling
Publisher: MIT Press
ISBN: 9780262731430
Category : Music
Languages : en
Pages : 516
Book Description
The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling