The World of Marcel Duchamp 1887-1968 PDF Download
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Author: Calvin Tomkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Author: Calvin Tomkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
Author: Donald Shambroom
Publisher: David Zwirner Books
ISBN: 1941701876
Category : Art
Languages : en
Pages : 66
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Book Description
Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades? A fascinating essay that is both intimate and steeped in art history, Duchamp’s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.
Author: Marcel Duchamp
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Author: Evelyn C. Hankins
Publisher: National Geographic Books
ISBN: 3791358731
Category : Art
Languages : en
Pages : 0
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Book Description
This wide-ranging and definitive volume illustrates how Marcel Duchamp's groundbreaking practice influenced 20th- and 21st-century art. This book documents Barbara and Aaron Levine's extraordinary collection of Duchamp's work, one of the most significant private holdings of the artist in the world, which has been promised to the Hirshhorn Museum and Sculpture Garden. Acquired over decades, these artworks span Duchamp's entire career, demonstrating his critical role in the development of 20th-century art and his influence on artists working today. The collection features an exceptional group of readymades, such as Hat Rack, Comb, and With Hidden Noise, which exemplify how Duchamp elevated ideas over craftsmanship and aesthetics. Prints and drawings by the artist offer an introduction to his unique approach to reproductions, while portraits of Duchamp by Man Ray, Irving Penn, Diane Arbus, and Henri Cartier-Bresson reveal other sides of this enigmatic genius. The book also contains insights about Duchamp's significance as an artist and the rise and fall of his critical fortunes, as well as an interview with the collectors. This strikingly designed volume, with fold-outs and comparative illustrations, places Duchamp squarely in the context of both modern and contemporary art, and affirms his radical status as an artist with continued relevance today. Published with the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
Author: Ruth Brandon
Publisher: Simon and Schuster
ISBN: 1643138626
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
In 1913 Marcel Duchamp's Nude Descending a Staircase exploded through the American art world. This is the story of how he followed the painting to New York two years later, enchanted the Arensberg salon, and—almost incidentally—changed art forever. In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival—and America’s entry into the war in April 1917—they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others’ work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures—for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time—as Fountain was elected the twentieth century’s most influential artwork.
Author: Janine A. Mileaf
Publisher: Mit Press
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art.
Author: Alice Goldfarb Marquis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Journalist and historian Marquis tells the story of French-born American painter and all-around celebrity Duchamp (1887-1968). A substantially different version of the biography was published as Marcel Duchamp: Eros, c'est la vie by Whitson in 1980. Annotation copyrighted by Book News, Inc., Portland, OR
Author: T. J. Demos
Publisher: Mit Press
ISBN: 9780262518116
Category : Art
Languages : en
Pages : 0
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Created while the artist was living variously in New York, Buenos Aires, and occupied France, during the global catastrophes of war and fascism, these works express the anguish of displacement and celebrate the freedom of geopolitical homelessness.
Author: Thierry de Duve
Publisher: Mit Press
ISBN: 9780262540728
Category : Art
Languages : en
Pages : 488
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Book Description
The Duchamp scholars represented here are among the leading European and American critics of their generation. Their 11 essays offer lively nd diverse perspectives on the artist, focusing on the major issues surrounding his contribution: the philosophical implications of Duchamp's skepticism, eroticism, and paradoxical acceptance of contradiction; the events leading to the creation of the infamous Fountain; a rigorous reading of the Large Glass by Jean Suquet that appears here in English for the first time, as does Andre Gervais's exhilarating voyage through Duchamp's puns, aphorisms,and word plays; a reinterpretation of Duchamp's late works as ready mades; the influence of scientific models on his art, and of the gender-based teaching of drawing in the Third Republic on his - or Rrose Selavy's - peculiar use of mechanical drawing. Thierry de Duve is Director of Studies, Association de prefiguration de l'Ecole des Beaux-Arts de la Ville de Paris. Copublished with the Nova Scotia College of Art and Design
Author: Calvin Tomkins
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Surveys the life, work and times of Marcel Duchamp, one of the most influential of the 20th century artists.
