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Author: Henri Cartier-Bresson
Publisher: Penguin Putnam
ISBN:
Category : Photography
Languages : en
Pages : 220
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Book Description
Author: Henri Cartier-Bresson
Publisher: Penguin Putnam
ISBN:
Category : Photography
Languages : en
Pages : 220
Get Book Here
Book Description
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category :
Languages : en
Pages : 283
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Book Description
Author: Henri Cartier-Bresson
Publisher:
ISBN: 9783869307886
Category : Photography
Languages : en
Pages : 160
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Book Description
One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 384
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Book Description
Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work.
Author: Henri Cartier-Bresson
Publisher: Aperture Foundation
ISBN: 9781597113922
Category : Photographers
Languages : en
Pages : 159
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Book Description
Presented for the first time in English, this volume brings together twelve notable interviews and conversations with Henri Cartier-Bresson carried out between 1951 and 1998. While many of us are acquainted with his images, there are so few texts available by Cartier-Bresson on his photographic process. These verbal, primary accounts capture the spirit of the master photographer and serve as a lasting document of his life and work, which has inspired generations of photographers and artists. Here, Cartier-Bresson speaks passionately, with metaphors and similes, about the world and photography. A man of principles shaped by the evolving eras of the twentieth century, his major influences included Surrealism, European politics of the 1930s and '40s, the Second World War, and his experiences with Magnum as cofounder and reporter. This book illuminates his thoughts, personality, and reflections on a seminal career. In his own words: [Photography] is a way of questioning the world and questioning yourself at the same time. . . . It entails a discipline. For me, freedom is a basic frame of reference, and inside that frame are all the possible variations. Everything, everything, everything. But it is within a frame. The important thing is the sense of limit. And visually, it is the sense of form. Form is important. The structure of things. The space.
Author: Henri Cartier-Bresson
Publisher:
ISBN: 9780500279144
Category : Photography, Artistic
Languages : en
Pages : 149
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Book Description
This title brings together the images from Cartier-Bresson's various assignments in the United States, which he first visited in the mid-1930s. Spanning several decades, these works show the rich social diversity of American society. Gilles Mora has travelled to many of the places featured in these photographs and provides an introduction to the images. The foreword discusses Cartier-Bresson's ability to capture the reality and essence of American life.
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 120
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Book Description
This title features Cartier-Bresson's famous text on 'the decisive moment' as well as his observations on Moscow, Cuba, and China during turbulent times.
Author: Henri Cartier-Bresson
Publisher: Thames & Hudson
ISBN: 9780500410608
Category : Photography
Languages : en
Pages : 144
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Book Description
A visual analysis of the life and work of the Magnum photography agency co-founder best known for his ability to capture fleeting scenes with a camera includes key examples of his work in Europe, America, and pre-revolutionary China. Original.
Author: Michel Frizot
Publisher: National Geographic Books
ISBN: 0500545189
Category : Photography
Languages : en
Pages : 0
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Book Description
The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson—one of the great photographers of the twentieth century. In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China’s history: he photographed Beijing in “the last days of the Kuomintang,” and then headed back to Shanghai, where he bore witness to the new regime’s takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The “picture stories” he sent to Magnum and Life on a regular basis played a key role in Westerners’ understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson’s oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. Henri Cartier-Bresson: China 1948-1949, 1958 allows these photographs to be reexamined along with all of the documents that were preserved: the photographer’s captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. A welcome addition to any photography lover’s bookshelf, this is an exciting new volume on one of the twentieth century’s most important photographers.
Author: Jean-Pierre Montier
Publisher: Bulfinch Press
ISBN: 9780821222850
Category : Photography
Languages : en
Pages : 327
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Book Description
Henri Cartier-Bresson is perhaps the greatest photographer of the twentieth century. In a career spanning more than sixty years, he has used his camera as an impassive and neutral third eye to capture the vagaries of human behavior and to produce some of the most memorable and compelling photographs ever published. In this impressive biographical study, Jean-Pierre Montier traces Cartier-Bresson's artistic progression from his early training as a painter and draftsman right up to the present; he provides a detailed analysis of Cartier-Bresson's most famous images and discusses the various philosophies that inform his work, notably Zen and surrealism. Drawing together a remarkable selection of the paintings, sketches, and photographs, this book is the first to attempt a serious evaluation not just of his photojournalism but of his oeuvre as a whole.
