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Author: Berenice Abbott
Publisher:
ISBN: 9780425035504
Category : Photography
Languages : en
Pages : 180
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Book Description
Author: Berenice Abbott
Publisher:
ISBN: 9780425035504
Category : Photography
Languages : en
Pages : 180
Get Book Here
Book Description
Author: John Szarkowski
Publisher: The Museum of Modern Art
ISBN: 0870705784
Category :
Languages : en
Pages : 225
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Book Description
This volume presents the essence of the work of the great French photographer Eugène Atget through one hundred carefully selected photographs. Atget devoted more than thirty years of his life to the task of documenting the city of Paris and the surrounding countryside, and in the process created an oeuvre that brilliantly explains the great richness, complexity, and authentic character of his native culture. John Szarkowski, an acknowledged master of the art of looking at photographs, explores the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. The eloquent introductory text and commentaries on Atget’s photographs form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures.
Author: Eugène Atget
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 172
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Book Description
"In 1927 Berenice Abbot became the largest collector of Atget's work when she purchased his estate. For the next forty years, Abbott devoted much of her creative life to popularizing Atget's work. Our vision of Eugene Atget and Atget's Paris was literally Abbott's invention. Drawn from work in previously unpublished archives, this book details Abbott's rare prints of Atget's negatives for the first time.".
Author: Eugène Atget
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 120
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Book Description
Text by David Campany, Pierre Mac Orlan, Jeffrey Ladd.
Author: Vicki Goldberg
Publisher: UNM Press
ISBN: 9780826310910
Category : Photography
Languages : en
Pages : 580
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Book Description
Essays by photographers, critics, and philosophers.
Author: Jerry L. Thompson
Publisher: MIT Press
ISBN: 0262529017
Category : Photography
Languages : en
Pages : 98
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Book Description
A lucid and wide-ranging meditation on why photography is unique among the picture-making arts. Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.
Author: Kevin D. Moore
Publisher: Yale University Press
ISBN: 0300235798
Category : Photography
Languages : en
Pages : 157
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Book Description
An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created In this comprehensive study, Kevin Moore examines the relationship between Eugène Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York. This engaging publication discusses how, during the 1930s and 1940s, Abbott paid further tribute to Atget by publishing and exhibiting his work and by printing hundreds of images from his negatives, using the gelatin silver process. Through Abbott's efforts, Atget became known to an audience of photographers and writers who found diverse inspiration in his photographs. Abbott herself is remembered as one of the most independent, determined, and respected photographers of the 20th century.
Author: Molly Nesbit
Publisher:
ISBN: 9780300059168
Category : Art
Languages : en
Pages : 428
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Book Description
Between 1909 and 1915 Eugène Atget produced seven albums filled with photographs of Paris at the height of its belle époque. This book presents Atget's albums in full for the first time, edited with the sequencing and repetition that the great photographer intended. In addition, Atget's pictures are analyzed in an altogether new way; as commercial picture documents produced by a photographer for the artists, archivists, antiquarians, designers, and builders who were his clients. Atget's Seven Albums is thus many books-a critical edition, a fresh view of Atget's work, a new kind of history of photography, and a social history of art and of Paris in the early twentieth century.
Author: Effie Rentzou
Publisher: Manchester University Press
ISBN: 1526145049
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
This book takes its cue from the annus miabilis for French culture to outline French modernism and to situate it on the map of global modernism. Essays on specific works in various media present the first narrative of French modernism as a critical category and establish its position in the thriving field of modernist studies.
Author: Benjamin Weiss
Publisher: Museum of Fine Arts Boston
ISBN: 9780878468447
Category : Documentary photography
Languages : en
Pages : 126
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Book Description
Photographer Eug�ne Atget is best known as a chronicler of a romantic, if disappearing, Paris around the turn of the 20th century. This book presents a series of postcards depicting Paris's petits m�tiers, or little trades, exploring another side to Atget's oeuvre. More or less Atget's only published works during his lifetime, the postcards capture the ephemeral nature of life in the city and are part of a long tradition of depicting skilled tradespeople plying their wares. In them, Atget presents the market stands, the odd jobs, the cobbled together shops, and the informal entertainment that gave Paris its piquancy and eternally renewing liveliness.
