The Works of Théophile Gautier: The grotesques: François Villon, Théophile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudéry, Paul Scarron

The Works of Théophile Gautier: The grotesques: François Villon, Théophile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudéry, Paul Scarron PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 390

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The Works of Theophile Gautier: The grotesques

The Works of Theophile Gautier: The grotesques PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 782

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The Works of Theophile Gautier

The Works of Theophile Gautier PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 380

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Works of Gautier: The grotesques ; Travels in Spain

Works of Gautier: The grotesques ; Travels in Spain PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 776

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The Complete Works: The grotesques. Travels in Spain

The Complete Works: The grotesques. Travels in Spain PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 778

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The Works of Théophile Gautier

The Works of Théophile Gautier PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 366

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The Works of Théophile Gautier: The Louvre. Leonardo da Vinci. Esteban Bartolome Murillo. Sir Joshua Reynolds

The Works of Théophile Gautier: The Louvre. Leonardo da Vinci. Esteban Bartolome Murillo. Sir Joshua Reynolds PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 348

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The Grotesque in the Works of Bruno Jasieński

The Grotesque in the Works of Bruno Jasieński PDF Author: Agata Krzychylkiewicz
Publisher: Peter Lang
ISBN: 9783039112173
Category : Foreign Language Study
Languages : en
Pages : 404

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This book is the first critical attempt made in any language to re-examine the entire oeuvre of Bruno Jasieński (1901-1938). It takes into account the writer's lifelong concerns but places them in the context of the universal value of his writing, generated by his modernist passions and his fascination with the grotesque - an artistic device that was consonant with his need to portray life in all its complexities. The author relies on the grotesque as an element that unifies Jasieński's futuristic poetry with his prose. Especially important in this regard is the close reading of Jasieński's satiric grotesques written in the Soviet Union. The author does not avoid the intricacies and difficult questions of Jasieński's ideological commitment but focuses mainly on the consequences that the highly ambivalent and ambiguous nature of the grotesque has on the interpretation of his work.

The Works of Theophile Gautier: Art and criticism. The magic hat. Enamels & cameos and other poems, translated by Agnes Lee

The Works of Theophile Gautier: Art and criticism. The magic hat. Enamels & cameos and other poems, translated by Agnes Lee PDF Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : en
Pages : 710

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My Fantoms

My Fantoms PDF Author: Theophile Gautier
Publisher: New York Review of Books
ISBN: 159017271X
Category : Fiction
Languages : en
Pages : 227

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Romantic provocateur, flamboyant bohemian, precocious novelist, perfect poet—not to mention an inexhaustible journalist, critic, and man-about-town—Théophile Gautier is one of the major figures, and great characters, of French literature. In My Fantoms Richard Holmes, the celebrated biographer of Shelley and Coleridge, has found a brilliantly effective new way to bring this great bu too-little-known writer into English. My Fantoms assembles seven stories spanning the whole of Gautier’s career into a unified work that captures the essence of his adventurous life and subtle art. From the erotic awakening of “The Adolescent” through “The Poet,” a piercing recollection of the mad genius Gérard de Nerval, the great friend of Gautier’s youth, My Fantoms celebrates the senses and illuminates the strange disguises of the spirit, while taking readers on a tour of modernity at its most mysterious. ”What ever would the Devil find to do in Paris?” Gautier wonders. “He would meet people just as diabolical as he, and find himself taken for some naïve provincial…” Tapestries, statues, and corpses come to life; young men dream their way into ruin; and Gautier keeps his faith in the power of imagination: “No one is truly dead, until they are no longer loved.”