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Author: Michael Kennedy
Publisher: Oxford University Press, USA
ISBN: 9780193154537
Category :
Languages : en
Pages : 454
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Book Description
This authoritative account of Vaughan William's musical life portrays the story of a great composer's career, and traces the course of music in England during his lifetime. The edition includes a comprehensive list of his work, and an index.
Author: Michael Kennedy
Publisher: Oxford University Press, USA
ISBN: 9780193154537
Category :
Languages : en
Pages : 454
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Book Description
This authoritative account of Vaughan William's musical life portrays the story of a great composer's career, and traces the course of music in England during his lifetime. The edition includes a comprehensive list of his work, and an index.
Author: Michael Kennedy
Publisher: London, Oxford U. P
ISBN:
Category : Composers
Languages : en
Pages : 818
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Book Description
"For this comprehensive account of Vaughan Williams's musical career, the author has had unrestricted access to the composer's private papers. This book includes many letters which illuminate Vaughan Williams's intentions and contains quotations from his writings and from contemporary reactions to his music over nearly sixty years. Besides the straightforward narrative of a full and busy life of music, there is a critical commentary on the works themselves. Special importance is attached to the authoritative catalogue of works which forms the first appendix. All known published and unpublished works are listed here, with full details of instrumentation, revisions, and first performances. Particular attention has been given to accuracy of dates. All the composer's own programme notes are reprinted. For the first time it is possible to have a full picture of Vaughan Williams's creative activities before 1905 as well as of his career after he became firmly established." --Book jacket.
Author: Michael Kennedy
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
This catalog was originally published in 1964 as part of Michael Kennedy's The Works of Ralph Vaughan Williams. Now published separately, with minor revisions and corrections to the main catalogue of musical works and to the bibliography of Vaughan Williams's prose writings, this work also includes a list of folksongs from the original volume.
Author: Michael Kennedy
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Book Description
Author: Simon Heffer
Publisher: UPNE
ISBN: 9781555534721
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
A concise biography of the first truly English composer of the twentieth century.
Author: Alain Frogley
Publisher: Cambridge University Press
ISBN: 0521197686
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.
Author: Hugh Cobbe
Publisher: OUP Oxford
ISBN: 0191615269
Category : Music
Languages : en
Pages : 688
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Book Description
The book comprises a selection of some 750 letters of the composer, Ralph Vaughan Williams, selected from an extant corpus of about 3,300. The letters are arranged chronologically and have been chosen to provide a cumulative pen-picture of the composer in his own words. In general the letters reflect VW's major preoccupations: musical, personal and political. It was not VW's way to discuss his inner creative processes but he does discuss his music, once it had been written: for example there is much to illustrate the process of 'washing the face' of his major pieces before, and after, they had reached the concert platform. There is correspondence with collaborators such as Gilbert Murray, Harold Child and Evelyn Sharpe who provided texts; with his publishers (mainly OUP) about printing scores and parts; with conductors such as Adrian Boult and John Barbirolli about performances. He was in regular correspondence with fellow composers such as Gustav Holst, George Butterworth, Gerald Finzi, Herbert Howells, John Ireland, Alan Bush and Rutland Boughton. There were his pupils: Elizabeth Maconchy and Cedric Thorpe Davie amongst others. A series of close personal friendships is well represented: his Cambridge contemporary and cousin Ralph Wedgwood, Edward Dent, and latterly Michael Kennedy. Above all there are insights on his lifelong devotion to his first wife, Adeline, and his growing friendship with Ursula Wood, who was to become his second wife.
Author: Stephen Town
Publisher: Rowman & Littlefield
ISBN: 1793606013
Category : Music
Languages : en
Pages : 325
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Book Description
The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).
Author: Ralph Vaughan Williams
Publisher: Oxford University Press, USA
ISBN: 9780198165934
Category : Music
Languages : en
Pages : 0
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Book Description
Ralph Vaughan Williams is one of the greatest English composers. He studied under such teachers as Parry, Charles Wood, and Alan Gray, and later in Germany with Max Bruch and in France with Ravel, developing a strongly individual style that marked him out, with Holst and others, as one of theleaders of the twentieth-century revival of English music. He never hesitated to express his views in plain, vigorous prose, and he became well-known for his essays which combine typical common sense with a true composer's sensitivity. This collection contains all his writings that he thought worth preserving in book form. The themes and subjects discussed in these essays reflect his wide range of interests and cover such topics as nationalism in music, the evolution of folk-song, and the origins of music, as well as pieces on individual composers such as Beethoven, Gustav Holst, Bach, Sibelius, Arnold Bax, andElgar. Also included are more general reflections of the making of music, its purpose and effects, and the social foundations of music.
Author: Byron Adams
Publisher: University of Chicago Press
ISBN: 0226830462
Category : Music
Languages : en
Pages : 346
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Book Description
A biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
