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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 682
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: Thomas James Wise
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author: Michael Gaudio
Publisher: U of Minnesota Press
ISBN: 0816648468
Category : Art
Languages : en
Pages : 235
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Book Description
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.
Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 726
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: Simon Cooke
Publisher: Ohio University Press
ISBN: 0821446975
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
A new perspective on a book that transformed Victorian illustration into a stand-alone art. Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.
