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Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905296
Category : Literary Criticism
Languages : en
Pages : 672
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Book Description
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905296
Category : Literary Criticism
Languages : en
Pages : 672
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Book Description
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520021231
Category : Language Arts & Disciplines
Languages : en
Pages : 1008
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Book Description
This is the final volume in The Works of John Dryden and the last volume of poetry written by Dryden before he died in 1700.
Author: John Dryden
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 480
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Book Description
Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: John Dryden
Publisher: Univ of California Press
ISBN: 052090527X
Category : Literary Criticism
Languages : en
Pages : 1008
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Book Description
Dryden's last three years of published works begin with Alexander's Feast and end with Fables, his largest miscellany of poetical translations. Alexander's Feast, like the earlier Song for St. Cecilia's Day (Works, III), was commissioned by the Musical Society for performance at its annual tribute to sacred music. The Fables included selections from Homer, Ovid, Boccaccio, and Chaucer. Extensive and detailed notes to these translations show readers how well Dryden succeeded in transmitting the styles and the very sounds of his originals. Volume VII ends with a section of miscellaneous pieces published at other times, including Dryden's only known Latin work. The presentation of the writings in this volume, like that of the entire twenty-volume series, is a tribute not only to Dryden but also to the editors who have guided it through five decades.
Author: John Dryden
Publisher: Univ of California Press
ISBN: 9780520051249
Category : English drama
Languages : en
Pages : 682
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Book Description
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905288
Category : Literary Criticism
Languages : en
Pages : 662
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Book Description
Volume XI contains three of Dryden's Plays, along with accompanying scholarly appartus: The Conquest of Granada, Marriage A-la-Mode, and The Assignation.
Author: Aphra Behn
Publisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
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Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905261
Category : Literary Criticism
Languages : en
Pages : 654
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Book Description
Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume VI contains books 7-12 of The Aeneid, as well as commentary and textual notes to the full works of Virgil translated in these two volumes.
Author: Joseph Drury
Publisher: Oxford University Press
ISBN: 0192510800
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Eighteenth-century fiction is full of mechanical devices and contrivances: Robinson Crusoe uses his gun and compass to master his island and its inhabitants; Tristram Shandy's conception is interrupted by a question about a clock and he has his nose damaged at birth by a man-midwife's forceps; Ann Radcliffe's gothic heroines play musical instruments to soothe their troubled minds. In Novel Machines, however, Joseph Drury argues that the most important machine in any eighteenth-century novel is the narrative itself. Like other kinds of machine, a narrative is an artificial construction composed of different parts that combine to produce a sequence of causally linked actions. Like other machines, a narrative is designed to produce predictable effects and can therefore be put to certain uses. Such affinities had been apparent to critics since Aristotle, but they began to assume a particular urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution. Reading works by Eliza Haywood, Henry Fielding, Laurence Sterne, and Ann Radcliffe, Novel Machines tracks the consequences of the effort to transform the novel into an Enlightenment machine. On the one hand, the rationalization of the novel's narrative machinery helped establish its legitimacy, such that by the end of the century it could be celebrated as a modern 'invention' that provided valuable philosophical knowledge about human nature. On the other hand, conceptualizing the novel as a machine opened up a new line of attack for the period's moralists, whose polemics against the novel were often framed in the same terms used to reflect on the uses and effects of machines in other contexts. Eighteenth-century novelists responded by adapting the novel's narrative machinery, devising in the process some of the period's most characteristic and influential formal innovations.
